Call for participation. 21.07.96 - 27.07.96 inclusive. 'Insite' interactive art event.
excerpt from Insite's website:
By passing visual material between participants for manipulation, alteration and addition which is then returned for further deliberation and work, a visual dialogue will be created.
Mixed media and postmodern, the authors of this exhibition/performance operate at the junction between awareness of art history and a willingness to approach a modern world. This is embodied by the use of contemporary technology. Image, object, body and communication. Integrating photography and video by touch up and mixing ...
I/O/D is a interactive magazine available free over the internet. Featuring art, sound, text and images from an international array of contributors. It has gained a strong following amongst interactive designers as well as general computer users as a result of its dedication to finding the most awkward ...
The art scene in general in DC is very diffuse. Unlike other cities in which I've lived (Toronto, Buffalo, Pittsburgh) there aren't any strong, lively arts organizations that act like glue to bring the community together. There are a number of small regional art centers that exhibit visual art (painting ...
An event on the alliance of ART - SCIENCE - TECHNOLOGY in the celebration of " La Science en Fete " in Caen, Basse-Normandy, France
For the exposition we are searching internationaly for Videos, CD-Roms, adresses of appropriate WWW - .http - sites that focus on the collaboration of the arts, sciences and electronic ...
The discussion between Paul Warren and Andreas Broeckmann is sort of difficult for me to enter, as I am a writer, and one of those theory people who can appear to be blocking the development of the work they think they are trying to promote. But the issues are tremendous ...
It's tough to get any genuinely innovative art done on the Web. The technical limitations of the medium present challenges many artists welcome but few successfully overcome. But there are no technical obstacles to getting solid art criticism out onto the Web, and in fact, if the WWW has been ...
Donald Kuspit chose not to write about Larry Auerbach's work. While it may seem odd, or even a bit self-depreciating to say this as the curator, Larry's exclusion from the essay did not surprise me ...
****************************** Wiretap 2.6 ******************************* Museums and the Internet
Date: ……………………………………… Sunday afternoon June 30 Time: …………………….. open from 13.00hrs - start program 14.00hrs Location: …………….. V2_Organisatie - Eendrachtsstraat 10 - Rotterdam Admission: …………………………………………………… free
**************************************************************************** Many museums are in the process of starting up various activities in relation to the Internet as a ...
CIBER@RT'96: First International Conference on Virtual Reality
CALL FOR CONTRIBUTIONS
November 4-7, 1996 Valencia, Spain.
Ciber@RT '96 is an annual international conference that has risen from the need of creating a space open for discussion and reflexion about the non-stopping evolution of New Technologies and its relation to ...
"Living in Europe, I shouldn't need a T1 to access ZerO News, especially considering that it's located on a site justifiably priding itself on all it's done in the name of public access. But the large Public Netbase icons slow the whole navigation process to a crawl."
In his essay, "_Wired_ Unplugged", Mark Dery, author and culture jammer, quotes Jordan Crandall quoting a magazine advertisement:
"Miming disembodied hyperkinesis, _Wired_ simulates a simulation—the immersive virtuality promised by a recent NEC ad, which declared, 'Everything you know about multimedia is about to change. And fast. Call it "virtual reality" ...
The introductory essay by Donald Kuspit for the FuturelessFuture web art exhibition (http://www.flf.org/FLF) has been published on the web and is now available with source material hyperlinks at:
Among other things, my recent attendance at 5Cyberconf in Madrid reminded me that the responsibility for interpretation lies not only with the critic and curator, but also with the artist.
Making art is, among other things, signifying. As artists, we must take responsibility for the significance of the messages we ...
A discussion on the working conditions in the field of critical media art
There is a welcome slow-down in the current media discourse. The hype-driven tendency towards futurologist speculations about technological developments is replaced by inquiry and hesitation ...