Robbin Murphy, comments...

• 2006-09-13, Robbin Murphy in Money + Audience
  > Perhaps it's the culture (and market) simply moving faster than NMA.The art market in NYC is absolutely insane … Read more
• 2006-09-12, Robbin Murphy in Money + Audience
  Gene Youngblood's book from 1970, "Expanded Cinema" is available as a .pdf from ubuweb:http://www.ubu.com/historical/youngblood/youngblood.htmlWorth a read, especially since … Read more
• 2006-09-10, Robbin Murphy in conceptual morass
  Erika Lincoln wrote:> I am curious what of Flusser's have you been reading? I bumped into> his writing … Read more
• 2006-09-08, Robbin Murphy in conceptual morass
  Eric Dymond wrote:> well what Robbin pointed out in his comment on Sol Lewitt is still> true.John … Read more
• 2006-09-04, Robbin Murphy in on bad digital art
  Pall Thayer wrote:> It's like he's asking, 'Would you still feel comfortable about > calling yourself an artist if … Read more
• 2006-09-02, Robbin Murphy in Conference Report: Where Art Thou Net.Art? On Zero One/ ISEA 2006
  Eric Dymond wrote:> I must admit, until the Shock of the View (a project by Steve Deitz,> who … Read more
• 2006-08-30, Robbin Murphy in Conference Report: Where Art Thou Net.Art? On Zero One/ ISEA 2006
  And, of course, Natalie Bookchin's time line is probably the most complete resource going well beyond the dot. It even … Read more
• 2006-08-30, Robbin Murphy in Conference Report: Where Art Thou Net.Art? On Zero One/ ISEA 2006
  Eric Dymond wrote:> as a very serious aside,> Robbin, you have a near complete history of NET art. … Read more
• 2006-08-27, Robbin Murphy in Conference Report: Where Art Thou Net.Art? On Zero One/ ISEA 2006
  Eric Dymond wrote:> Barbara London or Steve Deitz (and what did he actually accomplish?)To be fair, Steve did … Read more
• 2006-08-26, Robbin Murphy in Conference Report: Where Art Thou Net.Art? On Zero One/ ISEA 2006
  Well, this has to win the prize for the most fanciful retelling of the net.art myth. We know history is … Read more