marc garrett
Since the beginning
Works in London United Kingdom of Great Britain and Northern Ireland

ARTBASE (1)
PORTFOLIO (3)
BIO
Marc Garrett is co-director and co-founder, with artist Ruth Catlow of the Internet arts collectives and communities – Furtherfield.org, Furthernoise.org, Netbehaviour.org, also co-founder and co-curator/director of the gallery space formerly known as 'HTTP Gallery' now called the Furtherfield Gallery in London (Finsbury Park), UK. Co-curating various contemporary Media Arts exhibitions, projects nationally and internationally. Co-editor of 'Artists Re:Thinking Games' with Ruth Catlow and Corrado Morgana 2010. Hosted Furtherfield's critically acclaimed weekly broadcast on UK's Resonance FM Radio, a series of hour long live interviews with people working at the edge of contemporary practices in art, technology & social change. Currently doing an Art history Phd at the University of London, Birkbeck College.

Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.

Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
Discussions (1702) Opportunities (13) Events (175) Jobs (2)
DISCUSSION

Review of ‘Body Drift: Butler, Hayles and Haraway’ by Arthur Kroker


Review of ‘Body Drift: Butler, Hayles and Haraway’ by Arthur Kroker

Review by Marc Garrett.

Body Drift by Arthur Kroker, takes the work of three leading women thinkers as its main focus. Re-examining their critical perspectives and creative processes - assemblages, remixing and cyborgs- Kroker terms the emerging technological spectre. He examines the connections between what he sees as Judith Butler’s postmodernism, Katherine Hayles’s posthumanism, and Donna Haraway’s companionism.

http://www.furtherfield.org/features/reviews/body-drift-butler-hayles-and-haraway

DISCUSSION

Inside the internet there’s glory: Interview with Guido Segni


Inside the internet there’s glory: Interview with Guido Segni.

Filippo Lorenzin interviews Guido Segni about Top Expiring Internet Artists, an art project that ranks internet artists on the basis of the expiring date of their websites. They discuss other works, the hypercompetition, charts and the state of the Web Art scene (if it does exist).

http://bit.ly/1J16Q1D

DISCUSSION

Inside the internet there’s glory: Interview with Guido Segni


Inside the internet there’s glory: Interview with Guido Segni.

Filippo Lorenzin interviews Guido Segni about Top Expiring Internet Artists, an art project that ranks internet artists on the basis of the expiring date of their websites. They discuss other works, the hypercompetition, charts and the state of the Web Art scene (if it does exist).

http://bit.ly/1J16Q1D

DISCUSSION

Revisiting Robert Hewison’s 'Future Tense' 25 Years Later


Revisiting Robert Hewison’s 'Future Tense' 25 Years Later.

New Article by Marc Garrett.

http://www.furtherfield.org/features/25-years-after-future-tense

This article revisits Robert Hewison’s book, Future Tense: A New Art For The Nineties, [1] published in 1990. The book focused on contemporary attitudes to art, architecture and design that manifested in what had come to be called the postmodern era. Earlier avant-gardes of collectives and groups such as Dada, Situationism, Fluxus and the Lettrists had incorporated new technologies and challenged the material values embraced by museums and traditional hierarchies in modern art and capitalist society. Hewison set out to discover the ways in which artists of the 80s contributed to a "critical culture" for the 90s.

In the 70s in the UK, art had a role to play in changing society, transforming relations to controlling production and critiquing the role of the establishment. Hewison’s mission was to observe contemporary culture happening in the late 80s in Britain with an emphasis on the future. Even though there had been a massive evolution in culture; within and across the fields of music, art and theory, it was also a new dawn for capitalism as it morphed into what we now know as neoliberalism. By revisiting Hewison's book I hope to elucidate what the cultural shifts and differences in our art culture then and now, and to invite you the reader to reflect on what they mean to those of us engaging with and practicing across the fields of art, technology and social change today.

[1] Robert Hewison. Future Tense: A New Art for the Nineties. Methuen Publishing Ltd (31 May 1990).

DISCUSSION

#TransActing: A Market of Values - an interview with Marsha Bradfield


#TransActing: A Market of Values - an interview with Marsha Bradfield

Charlotte Webb interviews Marsha Bradfield of Critical Practice, about #Transacting – a pop-up market made up of over 60 stall holders invited to creatively explore and produce alternative economies of value. They discuss free labour, ‘value’ vs ‘values’ and the aesthetics of participation - http://bit.ly/1MsQq1t