Grégory Chatonsky is a French artist based in Montreal and Paris.
He has received awards and grants including Dicream (2014), CAC (2013), CALQ (2012), CRSH (2011), Cap Digital (2010), Arcadi (2010), CNAP (2008). In 2013, he launched TELOFOSSILS, a project at Museum of contemporary art (Taipei). A second version was showed in Beijing (2015). In 2014, his solo exhibition CAPTURE at CDA (Enghein-les-bains), is about a surproductive netrock band. In 2015, EXTINCT MEMORIES was showed at IMAL (Brussels). He has participated in group exhibitions such as Erreur d'impression, Jeu de Paume (Paris), The Beginning of The End (Timisoara), Mois de la Photo (Montréal), Extimitat (Palma), Der Untergang – Doomsday (Berlin), Connect the doct and see the unseen (Roma), Interlife Crisis (Seatte), The Radius (Chicago), Il Pardosso Della Rupetizone (Roma), Augmented Senses (Shanghai), Biennale d'art contemporain (Montréal), etc. A number of residencies such as Unicorn (2015), Villa Kujoyama (2014), UQAM (2007), Abbaye de Fontevraud (2006), Le Fresnoy (2004).
He works on the relationship between existence and technology, digital ideology and digital materialism, and the dislocation that haunts the production apparatus.