Today on Networked Music Review

Today on Networked_Music_Review
http://turbulence.org/networked_music_review/

Interview: Adam Nash
http://turbulence.org/networked_music_review/2007/12/13/interview-adam-nash/

Adam Nash is a new media artist, composer, programmer, performer and writer.
He works primarily in networked real-time 3D spaces, exploring them as live
audiovisual performance spaces. His sound/composition and performance
background strongly informs his approach to creating works for virtual
environments, embracing sound, time and the user as elements equal in
importance to vision$B!D(B

Net_Music_Weekly: John Lifton's "Green Music"
http://turbulence.org/networked_music_review/2007/12/13/net_music_weekly-joh
n-lifton/

Over the course of four days in June 1976, while open to the public, six
large plants in the center of the glass Plant Conservatory in San
Francisco$B!G(Bs Golden Gate Park, produced an audible, live digital music
score, based on bio-electric sensing of their responses to light,
temperature, movement and other physio-environmental factors (using gold
needle electrodes at the base of the stem and root). Amid the $B!F(Btropical
garden$B!G(B stood a five foot high rack of audio and digital processing
systems, including the just purchased, Altair 8800, which John was
constantly (re)programming in Machine Language$B!D(B

NMR Commission: "BliK" by Roberto Osorio-Goenaga
http://turbulence.org/networked_music_review/2007/12/12/blik-by-roberto-osor
io-goenaga/

BliK an interactive installation and networked musical composition method
based on collaborative $B!H(BWeb 2.0$B!m(B principles. The composer / participant
types directives / keywords - referencing one of the LEMUR ModBots - into a
blog post to create a musical score. The LEMUR ModBots are a set of
single-function percussive bots that work as a percussion ensemble…

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