-empyre- in June: 2004 Australian Culture Now

—— Forwarded Message
From: "Melinda Rackham" <[email protected]>
Date: Thu, 27 May 2004 11:35:52 +1000
To: <[email protected]>
Subject: -empyre- in June: 2004 Australian Culture Now


2004 - Australian Culture Now
issues in contemporary practice

-empyre- [http://www.subtle.net/empyre] often collaborates with institutions
and festivals to produce dynamic online forums for physically located events
Throughout the month of June, to coincide with the opening of the 2004
exhibition at the Australian Center for the Moving Image and the National
Gallery of Victoria, we invite you to join online discussions with 25
invited guests - artists, collectives, curators, theorists, and information
professionals. Over four distinctly themed weeks dialogue will focus on the
form, content and context of the diverse artforms which we are producing
today, inclusive of networked art, painting, performance, television and
print media, data capture, software art, tactical media, game modification,
net.radio, machinima, mobile GPRS work, and video.

June 3 - 9 "click for activism"
Tactical media and political art engages with issues of social change, as
artists as activists utilise their online, gallery, print and performance
and video
practices to highlight current issues. Facilitated by curator Melinda
Rackham, with artists Scott Redford and Sue Dodd, producer Sam de Silva, and
artist teams Escape from Woomera, and boat-people.org.

June 10 -16 "in situ"
As place dissolves in an increasingly connected world what becomes of
situated practice? Artists and curators from multiple disciplines on and
offline discuss site aesthetics the transportability and specificities of
installation. Facilitated by curator Alexie Glass, with artists Nat and
Ali, Adam Nash, Chris Caines, Zina Kaye and qnoors.

June 17 - 23 "game to game"
How do multi-user games, game mods and machinima fit into a gallery
context? Join this discussion of the art and theory of games and game
technologies. Facilitated by curator Helen Stuckey, with artists Anita
Johnson, Escape from Woomera, Troy Innocent, Rebecca Cannon, and theorist Dr
Melanie Swalwell.

June 24 - 30 "media, mutation, migration and decay"
Should we preserve paintings, performance work, screen media and online
work, or let them fade away? Questions of stability, ephemerality, and
archiving are addressed by those working in the field. Facilitated by
curator Clare Stewart, with artists Damien Frost, Tom Nicholson and David
Wadelton, software artist Tim Plaisted and information professionals
Margaret Phillips and Paul Koerbin from the PANDORA archive.


To read or join in the discussion, go to -empyre- at
http://www.subtle.net/empyre

____________________________________
http://www.acmi.net.au/2004 2004
http://www.ngv.vic.gov.au National Gallery of Victoria
http://www.acmi.net.au Australian Centre for the Moving Image
http://www.spinach7.com Sam de Silva
http://www.escapefromwommera.org Escape from Woomera
http://www.boat-people.org boat-people.org
http://yamanakanash.net Adam Nash
http://www.madeupstuff.com Chris Caines
http://thelineahead.net Zina Kaye
http://fluidtransmissions.va.com.au qnoors
http://www.acmi.net.au/lifeSigns Troy Innocent
http://www.objectnotfound.net Damien Frost
http://pandora.nla.gov.au PANDORA
http://www.boxc.net/ Tim Plaisted
http://www.sikofshadows.com Anita Johnson
http://www.selectparks.net Rebecca Cannon




**********************************************************************
This communication contains information which is confidential and the
copyright of the Australian Centre for the Moving Image.
If you are not the intended recipient of this e-mail please notify the
sender immediately and delete it from your system.
Any views expressed in this message are those of the individual sender and
may not be the views of the Australian Centre for the Moving Image, unless
specifically stated.
**********************************************************************
This footnote also confirms that this email message has been swept by
MIMEsweeper for the presence of computer viruses.

**********************************************************************

—— End of Forwarded Message