News / Museum of the Essential and Beyond That
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APRIL / NEWS - MUSEUM OF THE ESSENTIAL AND BEYOND THAT
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1- The Museum Newsletter
The newsletter has already its space on the net: http://arteonline.arq.br/n=
ewsletter
Browser the newsletter adress to know the first work chosen. Next MAY 3rd w=
e will publish the first collaborative review.
2- News at the library / first floor: Articles and Reviews:
2.1- CRONICA DE UN VIAJE PERFORMATICO AL VIEJO MUNDO by Clemente Padin
Everything started in a November 2003 afternoon when I received a call from=
Cardiff, Gales, Gran Bretana,… (Language: Spanish, the document has im=
ages)
2.3- LOS ARTISTAS REINTERPRETAN LA BIBLIA, A SHAKESPEARE Y PULGARCITO
La brasilena Regina Celia Pinto adapta la narrativa de Julio Cortazar a=
l lenguaje hipertextual y a la narrativa visual en 'Viewing Axolotls' by Ro=
berta Bosco Y Stefano Caldana
"Viewing Axolotls", electronic book, which belongs to Library of Marvels (M=
useum of the Essential and Beyond That / first floor) deserved a review pub=
lished in Cyberp@is / El Pais. (Language: Spanish, the document has images)
Numerous net.artists in their search of new languages are inspired by the p=
oetic of authors widely known to propose an unpublished and creative approa=
ch to their works.
According to the Brazilian artist Regina Celia Pinto, the Magic Realism and=
the narrative structure of the Argentinean Julio Cortazar adapt perfectly =
to the possibilities of hypertextual language and visual narrative. In orde=
r to demonstrate she has launched "Viewing Axolotls.", where the protagonis=
t is transformed into one of the small Mexican salamanders of almost
prehistoric characteristics that give title to the book. Viewing Axolotls i=
s part of the Library of Marvels, an artist's books collection on the net, =
that uses different kind of electronic narrative to reflect on the impact o=
f technology in Literature."
2.4- THE NEOCONCRETE MOVIMENT by Regina Celia Pinto (English Version) (Th=
e document has not images.)
O MOVIMENTO NEOCONCRETO por Regina Celia Pinto (Portuguese Version)
"We split from the Concrete Group from Sao Paulo because they wanted to c=
reate a ten-year plan for future work. The Rio group thought this was takin=
g rationalism to the extreme. We wanted to work intuitively but freely. We =
exchanged a great deal of information, but there was also a certain impregn=
ation, to the extent that one person conversed with another. The NeoConcret=
e (movement) did not arise by chance, nor was it something we developed and=
then started working on. We were led to it by our previous experiments…"
April News / Museum of the Essential and Beyond That
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Type: discussion