STEVE DIETZ: "MAPPING THE ART OF THE NET"

FLOATING POINTS: NET ART NOW
Co-Presented by Turbulence.org and Emerson College
STEVE DIETZ @ the Bill Bordy Theater, Boston, and streamed live from
http://institute.emerson.edu/floatingpoints

FLOATING POINTS: NET ART NOW is a speaker series examining some of the
current critical areas being explored by net-based artists:
interactivity, visualization, Internet protocol, software art,
generative art, mapping, and games. The series considers contemporary
theoretical and conceptual issues in net art, challenging notions of the
art object, the artist and the audience. Steve Dietz will introduce the
series with an overview of the current state of net art.

STEVE DIETZ: "MAPPING THE ART OF THE NET"
Friday 02.06.04, 7:00 p.m. (EST, USA)
Bill Bordy Theater, 216 Tremont Street, Boston
Online at http://institute.emerson.edu/floatingpoints
All lectures are free and open to the public

Steve Dietz is former Curator of New Media at the Walker Art Center in
Minneapolis, Minnesota, USA, where he founded the New Media Initiatives
department in 1996, the online art Gallery 9, and the digital art study
collection. He also co-founded, with the Minneapolis Institute of Arts
the award-winning educational site ArtsConnectEd , and the artist
community site mnartists.org with the McKnight Foundation.

Dietz has organized and curated new media exhibitions, including Beyond
Interface: net art and Art on the Net (1998); Shock of the View:
Artists, Audiences, and Museums in the Digital Age (1999); Digital
Documentary: The Need to Know and the Urge to Show (1999);
Cybermuseology for the Museo de Monterrey (1999); Art Entertainment
Network (2000); Outsourcing Control? The Audience As Artist for the Open
Source Lounge" at Medi@terra (2000); Telematic Connections: The Virtual
Embrace (2001-02); a nationally traveling exhibition;
Open_Source_Art_Hack (2002), with Jenny Marketou, at the New Museum, New
York City; Translocations (2003), part of " How Latitudes Become Forms "
at the Walker Art Center; State of the Art: Maps, Games, Stories, and
Algorithms from Minnesota at the Carleton Art Gallery (2003); and Pretty
Good Access (2004), with Anthony Kiendl and Sarah Cook, Walter Philips
Gallery, Banff Center for the Arts.

Dietz speaks and writes extensively about new media, and his interviews
and writings have appeared in Parkett, Artforum, Flash Art, Design
Quarterly, Spectra, Afterimage, Art in America, Museum News, BlackFlash,
Public Art Review and Intelligent Agent. He is currently Dayton Hudson
Distinguished Visiting Teacher/Artist in the Media Studies at Carleton
College, Northfield, Minnesota.

For more information about Floating Points, please send an email to
[email protected]