practice SUBMITTING to LTTR

Begin forwarded message:

> From: [email protected]
> Date: Tue Jan 13, 2004 2:12:13 PM US/Eastern
> Subject: practice SUBMITTING to LTTR
>
>
> LTTR IS OFFICIALLY ACCEPTING SUBMISSIONS FOR ISSUE #3
>
> Our curatorial theme is PRACTICE MORE FAILURE
>
> The deadline is FEBRUARY 14th, 2004
>
> Text submissions can be emailed to [email protected]
> Visual work can be submitted in the form of slides or original.
> We are also accepting proposals for projects and/or pages.
> What does your heart desire? What's going on?
> Run wild with your associations, those personal and those political
> and those perverted. Those repeated, those refused, those golden…
>
> Send submissions to:
> LTTR c/o Ginger and K8
> 3rd floor
> 347 Kingsland Ave.
> Brooklyn, NY 11222
> USA
>
> The format of the third issue is yet to be determined. It will be
> based on
> the submissions we receive, so
> get ready and go! Send us your proposal.
>
> PLEASE FORWARD THIS EMAIL TO ALL INTERESTED PARTIES. Widely.
> And ask questions to the editors at:
> (emily) [email protected] / [email protected] / [email protected]
>
> **************************
> review of first issue from Broken Pencil
> LTTR (Lesbians to the Rescue)
> art magazine, #1, 32 pages, New York City,
>
> Riot Grrl didn't disappear, it just got its Ph.D. Is this a zine? Not
> quite.
> Is it an artists' project? Again, not quite, and I'm sure that the
> LTTR collective would be overjoyed at such liminality. They represent
> a new
> complex spirit in both feminist art and identity politics. Much has
> changed in those worlds since the mid-nineties and LTTR is a
> beautifully constructed starting point for understanding those
> changes. Combining
> screen-printing, full colour offset, photocopies and wonderfully
> playful
> inserts, this is truly an expanding and exploding media. Noteworthy, a
> door hanger with humping bunnies made by ginger brooks takahashi.
> Several written pieces discuss gender, lust, death and performance, but
> this is a zine that speaks slowly and quietly in images, not
> narratives; I like to think of them as text pieces, not articles. Over
> a dozen
> international artists contributed to this project (including JD Samson
> of
> you know who