Museums for Computer Art

Short answer is "corn-pone opinions"; where you get your money/rep/cornbread
is where you get your opinions. Plus if you're in the channel business, you
can't talk about anyone who doesn't use the channels, it's like the amerto
code of silence or whatever.

Partly I don't know too, they ain't talking about why they ain't talking.


>From: "marc.garrett" <[email protected]>
>To: "Max Herman"
><[email protected]>,<[email protected]>,<[email protected]>
>Subject: Re: RHIZOME_RAW: Museums for Computer Art
>Date: Wed, 30 Oct 2002 11:13:52 -0000
>
>So Max,
>
>Why do you think that the people below are not accepting or supporting
>Genius 2000? Is this true? Or are they just going through the protocol of
>not helping other net groups outside their own circle?
>
>marc
>
>
> >
> >
> >
> > http://www.nytimes.com/2002/10/28/arts/design/28ARTS.html
> >
> > This one makes me think that Anderson and Ippolito want to keep a
> > stranglehold on digital art. Plus they are both weak fuckfaces who know
> > about Genius 2000 but won't comment on it, and time is still up.
> >
> > Right, Max and Jon? Right.
> >
> > Max Herman
> > www.geocities.com/genius-2000/maxiumus.JPG
> >
> > ++
> >
> >
> >
> >
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