Fwd: Re: <nettime> oh, the gents they do protest too much!

>Date: Mon, 02 Sep 2002 15:37:29 +1000
>To: nettime
>From: "app][lick.ation][end.age" <[email protected]>
>Subject: Re: <nettime> oh, the gents they do protest too much!
>
>
>dear coco,
>
>firstly, i'm presuming that after yr generic reply 2 several postings
>addressing elements of yr "modest proposal for josephine bosma" post, that
>u'd prefer 2 utilize a general correspondence pattern rather than direct
>response engagement. i'm by-passing this by choosing 2 [attempt 2] engage
>u [& others] in a direct forum x.change.
>
>At 01:21 PM 31/08/2002 -0400, u wrote:
>>Too all those nettimers who appear to have been irritated by my modest
>>proposal:
>
>
>…..in actuality i wasn't irritated by yr post, but more n.trigued|puzzled.
>
>
>>It is quite enlightening and amusing to discover that the protagonists of
>>a milieu that is famous for its irreverence toward anything considered
>>established, its ironic attitude toward anything purporting to represent
>>"truth", and its propensity for parasitical caricature, would be so very
>>sincere, so incredibly earnest, and so absolutely righteous in their
>>responses to a parody of the "scene" they are a part of. Apparently, it's
>>fine to lampoon everything from multinationals to medecine as long as the
>>holy temple of alt.net culture remains untouched.
>
>
>…secondly, coco, a request 2 u b4 i begin 2 pursue a genuine reply - i'm
>becoming confused regarding yr communication _n.tent_; at the moment this
>puzzlement stems from various inconsistencies in yr dialogical
>approach…..u seem quite content 2 illustrate yr points with (failed
>satirical) references that endorse the m.plied pedagogy status of 2 dead
>_white_ _western_ males [one b.ing skakespeare (via yr allusion 2 the
>paraphrased hamlet quote in the subject line) & the other b.ing swift (yr
>reference 2 satire below)] whilst denigrating any valid form of
>participant|multilogue response ….
>
>….i'm also curious regarding if u intend 2 elaborate past this satirical
>continency? do u choose 2 participate in forums such as these in order 2
>x.punge information regarding political|interpetative|analytical leanings
>only ie present a 1-sided critique that offers no hope of unfolding via
>considered discussion?
>
>i do realise yr expository tracts r not destined 2 b absorbed through an
>_intent_ filter alone, coco, but it is x.ceedingly difficult 2 attempt
>cogent responses 2 yr assertions whilst this satirical-recourse-call is in
>constant (potential) operation…..
>
>
>>It is also quite
>>endearing to find that so many men have rushed to the aid of damsel Bosma
>>- hence, I must conclude that chivalry is not dead in the realm of the
>>posthuman, but humor appears to have evaporated! Herr Cramer, I'd say that
>>if you are perceiving uptightness, it might be coming from the reflection
>>in your mirror, as it seems you cannot take a joke when it's on you!
>
>
>…..again, these constant generalisations regarding the
>practic][ition][e][rs][ of net art/wurk/forums act only 2 legitimize
>pat][hie][riarchic|cloistered methodologies of "the other" by yr
>consistent reliance on the lecture-form rather than participating in
>sustained dia|multilogues………….yr pin.pointing of the males that
>responded again acts 2 negate|over.write any females that _also_ responded
>[again surprising given yr ideological stance]……..
>
>
>>For those who apparently have not read Jonathan Swift, the Irish colonial
>>satirist whose spirit and title I borrowed, I highly recommend his
>>brilliant and hilarious tracts that artfully poke fun at the piety and
>>hypocricy of the British. He's a great avatar, I'll say that.
>
>
>…i'd prefer if u could recommend a non-male, non-white, non-western
>satirist as a more relevant x.ample, as this would seem 2 b more
>consistent in terms of yr assertions [and corresponding lament regarding
>non-discussion of such categorisations b.low]……………….
>
>
>>My main point, for those who had trouble discerning it on their own, was
>>that Bosma's opinions were based on rather ludicrous, reductionist
>>descriptions of the works she glossed over in her review. One could
>>approach net.art in the same way, as I did, and the resulting appraisal
>>would sound quite disturbing to those who felt themselves the object of
>>such a critique. Bosma's attitude toward the artists and curators was
>>arch, ignorant and at times even racist. Ah yes, that terrible word. But
>>nearly every time any non-white subscriber to this list makes an
>>assessment of anything posted as being racist, that non-white subscriber
>>is attacked – by white, leftist, progressive, activists and theorists who
>>embrace nomadism and deterritorialization but refuse to examine their
>>prejudices or their own relentless need to micromanage all opposition to
>>official discourses about people who have been deterritorialized and
>>subjected to racism in Europe and America. We're dealing with is about a
>>political project of territorial control. Doesn't matter to me if that
>>territory is physical, intellectual or artistic. Hence, a parodic approach
>>was a good tactic in such a repressive milieu.
>
>
>…i agree that a *productive* parody would b effective. howeva, yr
>attempt at satire doesn't operate anywhere near a successful level, with
>its constant wavering b.tween hodgepodge critique & humourless character
>ridiculing …..also, claiming satirical n.gagement with objectionable (u
>term it racist) material only further acts 2 reiterate the nature
>& _content_ of the material under treatment, s.pecially given that no
>alternative n.ceptions of such material r ][pr][offered by u, coco…..u r
>actively perpetuating this _repressive milieu_ . this unfortunate
>continuance, in turn, acts 2 muddy any n.teresting concepts u raise in
>this highly conflicting confab………….
>
>
>>I have no doubt that Transmediale juries wade through zillions of
>>applications. I have sat on dozens of such juries in my lifetime and have
>>done the same - and know from experience it is in no guarantee of
>>democratic procedure, or that the final selection will reflect a range of
>>tastes or provenances - it usually just becomes a statistic that festivals
>>can boast about (" Wow we are so omnicient that we reviewed 2 million
>>applications in our search for the best of whatever…." ). Any good
>>shopkeeper in a European city would know that a pastiche tray of goodies
>>from around the world will sell - as long as nothing on the tray BITES THE
>>HAND THAT FEEDS IT. Thus the number of entries reviewed, Herr Andreas,
>>does little to alter the insularity of the milieu, the cliquishness of the
>>scene, the narrowness of its aesthetic views, or the obsession of its
>>proponents to restrict their view of the history of avant garde new media
>>to the last ten years, (tossing in an occasional and unusually inaccurate
>>reference to some early 20th century European avantgarde.) There was new
>>media, intermedia, activist media and electronmic media before The Next
>>Minutes and before nettime – and alot of it continues without having any
>>contact with this milieu.
>
>
>…..i'm x.tremely n.terested in x.panding my knowledge base regarding
>arenas that predate & run parallel with a net.based environment…could u
>perhaps say more regarding this, coco?
>
>
>>I find it quite symptomatic that the high priests of No Border
>>consciousness, posthuman subjectivity, and new media chic always seek to
>>trash postcolonial theory and dismiss the art they consider to flow from
>>those ideas. The same European leftists who believe they have the solution
>>ot the "refugee problem" are the ones who do everything possible to force
>>the expressions of refugees, exiles, immigrants and their offspring in the
>>domain of intellectual discourse and art practice through their
>>CHECKPOINT. Those who step around that BORDER are condemned to be exiled
>>from the temple. We didn't pass quality control, oops. How come you don't
>>like us anymore when we leave the refugee camp and get college degrees and
>>speak your language(s)? Why might this be? Is it really about theoretical
>>weaknesses of postcolonialist thinkers (whose ideas are rarely discussed
>>in depth - all that I ever see here are blanket statements about
>>"postcolonialism" as if it were singular)?
>
>
>..also, i'd keen 2 learn further about these postcolonial thinkers…..can
>u give a rundown of some individuals that differ in their
>portrayal|participation in this singular, monochromatically-defined .ism?
>
>
>>I doubt it. None of you who
>>have responded have demonstrated enough openness, sensitivity,
>>understanding or respect for anticolonialist struggles or postcolonial
>>intellectual and cultural production for me to think for one minute that
>>you know something significant about them.
>
>
>…..i'd keen 2 learn just how yr satirically-m.bued response pattern
>encourage][d][s open, sensitive, respectful communication? or, in
>contrast, how u've procured yr immunity 2 this response pattern via yr
>preemptive knowledge|affectivity structures?
>
>
>>The resistance to any
>>discussion of institutional racism in alt.net culture adds to my
>>skepticism. Forget about dealing with the outrageously obvious racist
>>psychodynamics of internet porn and "artsy" erotica. That's another can of
>>worms.
>
>………coco, do u perceive that yr use of anglomanic|westernised
>x.position as a legitimate method of discourse [via a practical validation
>of it as yr primary communication tool] is perplexing in relation 2 yr
>points x.pressed above, & that this could further alienate any legitimate
>_PoCo_ vocality that u seem keen 2 portray yr theory [& self] as embodying?
>
>….yr proposal unpacks as an dreadful manifestation of a
>imperialistically-tinged dynamic [1 that surpasses the quasi-satirical &
>plunges straight in2 a progressively victim-discrediting|orientation
>structure, again hi-lighted by yr generalised naivete-of-response tone]
>that u criticize with such vigor above………..
>
>
>…..please feel free 2 respond my observations above, coco [& all], & i
>look 4ward 2 potential unfoldings beyond these largely ornamental +
>contradictory textings,
>mez [aka app][lick.ation][end.age]
>
>
>
>
> . . …. …..
>collapsing adj[thr]usting.txt
>.
>.
>app][lick.ation][end.age
>
>www.cddc.vt.edu/host/netwurker/
>http://www.montevideo.nl/www/english/current.htm
>
>…. . .??? …….


. . …. …..
collapsing adj[thr]usting.txt
.
.
app][lick.ation][end.age

www.cddc.vt.edu/host/netwurker/
http://www.montevideo.nl/www/english/current.htm

…. . .??? …….

Comments

, Plasma Studii

(sorry to cross post but looks like coco isn't posting her e-address.
where is she reading these? (if she even is?))


>>>It is quite enlightening and amusing to discover that the protagonists of
>>>a milieu that is famous for its irreverence toward anything considered
>>>established, its ironic attitude toward anything purporting to represent
>>>"truth", and its propensity for parasitical caricature, would be so very
>>>sincere, so incredibly earnest, and so absolutely righteous in their
>>>responses to a parody of the "scene" they are a part of. Apparently, it's
>>>fine to lampoon everything from multinationals to medecine as long as the
>>>holy temple of alt.net culture remains untouched.
>>
>>
>>….i'm also curious regarding if u intend 2 elaborate past this
>>satirical continency? do u choose 2 participate in forums such as
>>these in order 2 x.punge information regarding
>>political|interpetative|analytical leanings only ie present a
>>1-sided critique that offers no hope of unfolding via considered
>>discussion?

well, it just looks like Coco is saying something perfectly clear
here and it's not nearly being picked up on/responded to at all.
like in a regular conversation. She isn't being at all convoluted or
oblique. Don't see how she is avoiding discussion, she's not even
being listened to. This is just a total change of the subject (and
ironically, to question her unwillingness to dialogue.)


>>>For those who apparently have not read Jonathan Swift, the Irish colonial
>>>satirist whose spirit and title I borrowed, I highly recommend his
>>>brilliant and hilarious tracts that artfully poke fun at the piety and
>>>hypocricy of the British. He's a great avatar, I'll say that.
>>
>>
>>…i'd prefer if u could recommend a non-male, non-white,
>>non-western satirist as a more relevant x.ample, as this would seem
>>2 b more consistent in terms of yr assertions

gee whiz. obviously she is just saying this guy is good. that's it.
if somebody doesn't like it, they don't have to take the
recommendation. she has not given him (to the exclusion of ALL
others) the nobel prize. It's a book recommendation. why is she
getting a hard time (not just here, i didn't bother responding to
every exchange but they are all this peculiarly nitpicky)?


>>>My main point, for those who had trouble discerning it on their own, was
>>>that Bosma's opinions were based on rather ludicrous, reductionist
>>>descriptions of the works she glossed over in her review. One could
>>>approach net.art in the same way, as I did, and the resulting appraisal
>>>would sound quite disturbing to those who felt themselves the object of
>>>such a critique. Bosma's attitude toward the artists and curators was
>>>arch, ignorant and at times even racist. Ah yes, that terrible word. But
>>>nearly every time any non-white subscriber to this list makes an
>>>assessment of anything posted as being racist, that non-white subscriber
>>>is attacked – by white, leftist, progressive, activists and theorists who
>>>embrace nomadism and deterritorialization but refuse to examine their
>>>prejudices or their own relentless need to micromanage all opposition to
>>>official discourses about people who have been deterritorialized and
>>>subjected to racism in Europe and America. We're dealing with is about a
>>>political project of territorial control. Doesn't matter to me if that
>>>territory is physical, intellectual or artistic. Hence, a parodic approach
>>>was a good tactic in such a repressive milieu.
>>
>>
>>…i agree that a *productive* parody would b effective. howeva, yr
>>attempt at satire doesn't operate anywhere near a successful level,

Mez, so, you didn't like it. ok. just say "point taken" and hit
delete. obviously, you have "gotten something" out of the "net.art"
scene. Far more, for far longer than most. You are in a position to
lead, instruct.

But these replies come off as defensive, thinly camouflaged with
sterile subjectivity. How you are saying it may be carefully
constructed, to be polite but the fundamental questions are still
motivated from irritation. It's like "Please pardon me, I do hope
you won't take this personally when I strangle you." But you don't
need to. your earnest and direct argument will be respected. makes
you into one of those "micromanagers" and not a boss (a title you've
earned)


In fact, why would ANYONE get bent out of shape for that matter?
It's an email. If somebody doesn't like it, it's not even as big a
deal as real garbage you have to carry to the curb. But it's an
opinion. good or bad, they might be helpful sometimes, might not,
but this one certainly isn't going to injure anyone.

In the outside world (spooky but it's not even virtual) not all
critiques are raves. But here are we whining about everything that
isn't a pat on the back? I don't know if its immaturity or what but
this situation reads like: "Net.artists are spoiled brats." "What do
you mean by 'spoiled'? Why don't you have presents for us?"


Coco, for the record: I make "net.art". I found many things in your
critique applied to me and my work. (wish I could find yer post
again, so I could tell you specifically which lines) I think you're
right though (the point behind the satire). I (personally) will keep
trying and hopefully get a little better. Thanks for giving me some
insight. I appreciated it.

Judson


~~~~~~~~~~~~~~~~~~~~~~~~~~

PLASMA STUDII

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http://plasmastudii.org

223 E 10th Street
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