Go Fucking Do It

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Neoliberalism is not merely destructive of rules, institutions and rights. It is also productive of certain kinds of social relations, certain ways of living, certain subjectivities….at stake in neo-liberalism is nothing more, nor less, than the form of our existence—the way in which we are led to conduct ourselves, to relate to others and to ourselves.

—Dardot & Laval, The New Way of the World: On Neoliberal Society

"Your Lazy Life Ends Today!" proclaimed a recent promotional tweet by Go Fucking Do It, a new productivity app.

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Larping Off the Grid

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Courtesy of Isaac Eddy

The year is 2020, and four months ago, a federal mandate required everyone to wear a biometric device that would not only track physiological and behavioral characteristics, but transmit this personal data to the public and the government in real time.

The company that invented this device—ePublik—never intended for their technology to be used for government surveillance. Acting in protest, its engineers have found a way to unlawfully hack the device and temporarily disable the live stream. Those courageous enough to disobey government surveillance for brief moments of unmonitored alone time are joining what the media has called the Aloneing Movement.

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How to Speedread Properly

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There's an underlying assumption in most of the thinkpieces spawned by emergent speedreading apps: that you'll be using them to catch up on the massive assortment of thinkpieces you don't have the time to ingest.

Velocity, Spritz (which is actually proprietary tech, not yet an "app"), and the 2006 web-based spreeder all facilitate speedreading via a method known as Rapid Serial Visual Presentation (RSVP). RSVP, as spreeder marketing copy explains, focuses on "silencing subvocalization" (which, in turn, is defined in Velocity's copy as your "inner voice"). spreeder and Velocity accomplish this by basically flashing words at you really fast. Spritz adds its own "Optimal Recognition Point," often a vowel, in red so as to excise time-consuming eye movements. In each case, the eye is presented here as the blood-brain barrier, with the text ever trying to pass through it more efficiently. This is a rather unique method for dealing with the stresses of the war-like domain of the longread; now you can "read" everything.

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Some Sites and Their Artifacts: 123D Catch

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The 123D Catch website promises its users that they can "Turn ordinary photos into extraordinary 3D models;" the resulting models can be shared with other users on the 123D Catch community site. In this video, which premieres on Rhizome, Clement Valla and A.E. Benenson argue that the 3D models of 123D Catch should be understood not as recreations of photographed objects but as records of machine vision: 

Like the junk-piles known as middens to archaeologists, the 123D Catch site paradoxically conserves its objects at the moment of their fragmentation.

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Better Sexual Politics Through Noselicking: A report from Different Games

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Realistic Kissing Simulator (2013) James Andrews and Loren Schmidt

Dueling tongues protrude from simplified profiles. They worm through swinging-door lips, taking an unpredictable course as they collide; they push upwards and into a nose, flopping limply past the chin, or prodding one of the eyes, forcing it to blink. Sometimes, a lucky tongue finds its way to its counterpart's mouth, but that’s not really the goal.

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Her Quantified Self

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Courtesy of Natalie James at NJinLA.com

The alarm on her FuelBand pulses at 5:30 am because she wants to be a better person. Studies show that early risers are more proactive, more likely to anticipate problems, and more optimistic than those who sleep in. She wakes up two hours later because no one is expecting her to be anywhere. She slept for 12 hours and worries for a moment that it means she is depressed. It's still early, she thinks aloud.

From bed she scrolls through news, links, baby pictures, and other pieces of life. She composes an update to share and deletes it. She writes something else and deletes that too. She looks around the room. She's happy to be home even if it doesn't show. She chides herself for forgetting to practice gratitude. She closes her eyes and thinks about her family with gentle love and appreciation. Thank you, she whispers to the universe. Her goodwill quickly evaporates as she hears Deb, her mother, making a morning racket in the kitchen. She decides to wait until Deb leaves to get out of bed.

Lately she finds herself eating almost exclusively from Trader Joe's because it's easier to track in MyFitnessPal. She thinks they probably have some kind of deal. She eats every three hours beginning an hour after she wakes up. Right now she's consuming 1500 calories a day, but she hasn't been counting. She might need some encouragement.

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Seven Big Ideas from Seven on Seven 2014

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Frances Stark and David Kravitz during the Seven on Seven work day. Photo: Ed Singleton.

The fifth anniversary edition of Rhizome's Seven on Seven took place on Saturday. The project pairs seven leading artists with seven influential technologists in teams of two, and challenges them to develop something new–whatever they choose to imagine—over the course of a single day. The results were unveiled to the public on Saturday at the New Museum, and are recapped here.

#1. Occupy invented #normcore

In the keynote, Kate Crawford suggested that K-Hole's #normcore trend report, as well as the Snowden-leaked GCHQ Powerpoint, could be read as manifestations of the anxieties of an age of mass surveillance, those of the surveillers and those of the surveilled.

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To Bind and to Liberate: Printing Out the Internet

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Kenneth Goldsmith at Labor Gallery, Mexico City, 2013. Posted on Printingtheinternet.tumblr.com with the caption, "We printed the fucking internet."

"Printing the internet is not creative nor art. It is a waste of time and resources. Please, find something more creative to do."

So reads a comment on a petition on change.org. Directed at Kenneth Goldsmith, the petition was published in 2013 in response to a project the poet organized at LABOR gallery in Mexico City, where Goldsmith invited people from all over the world to print out the internet and send the pages to the gallery.

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