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Joëlle Bitton: “Abstract” + “RAW”

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Abstract is an interactive installation on the theme of waiting and the perception of the time passing-by: inviting visitors in a space where the body and its movement play the role of interfaces. From a point of view on the Japanese garden and its vision on the surrounding, aesthetic and philosophical world, this project is inspired by the tension between elements intentionally thought here in a contradictory dialog: abstraction and texture, concealment and disclosure, empty space and framed space. This installation–at at Gallery EF, Tokyo–places the visitor on the razor’s edge: always on the border, between two worlds, passing from one to the other. This is the experience of difference and of a fragile balance, of what is called in the Japanese culture, the impermanence of things. The latter is then staged in a relationship to the cycle of time, to the emotions that the expectation of something to happen can generate. [via Architectradure]

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RAW: An audio / photographic tool for conveying minimally - mediated impressions of everyday life - Authors: Joelle Bitton, Stefan Agamanolis, Matthew Karau; Research group: Human Connectedness; Research lab: Media Lab Europe; Year: 2002 - 2004; System: Projection, binauraul sound and programmed in ISIS.

RAW is a set of tools and processes for capturing, in an unconventional way, everyday subjective experience of a place, a culture, a people. RAW is named for the raw data gathered that purposefully remain unedited throughout the processes. The combined characteristics of RAW (including an emphasis on context of use, non-edition, and data presentation) make this concept a novel approach to authorship, to cultural exchanges, to audiovisual language, and to documentation. At its core, RAW is an audiovisual recording device that combines a digital camera and audio recorder. Taking a picture triggers the recording of the sound a minute before and a minute after it. The relationship created between sound and image forms a disjoint flow and opens a new field of audiovisual expression. These previously uncaptured moments in time can be kept as personal artefacts and archived for human studies. The collected, unedited data will also be explored in a daring way within public interactive installations. While RAW can address different intentions, its primary application is to be at the disposal of individuals in a series of social and cultural contexts. Specifically, its use in the African country of Mali has driven the research and development of the project. Blog.

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