three more from Dirty Milk

I was standing in the feedback of hours, untouched by
any of the changes coursing through your skin, with
all the white falsity of digital networking caching
dead musics in my face. I was thinking kinship levels
of everything overslept; the birds hadn't gotten up
yet, the sun in her wraparound sunglasses and
tanningBooth smile still had to lend her cool sweet
body to the banks of sky's rhetoric suffused with
surgery; the hands moved within me, plucking from my
veins these intrinsic equations: mind: time shadows;
the slopes of tone. I was messing myself up with her
downsizing in those slick tunnels of usage. When I
woke that day, still coping with fatal latitudes, the
trees and their anatomies had separated for good.




Her voice notches birdsong to delicious flute. Lulls
in use have tamped all cursive stalks into noisy dirt.
Earnings hoisted , soon blond stir panned fruit until
full. Tools numbed by broods of tasks curl genre
around toys on alert.





As dumb luck would have it, trees are budding beyond
her control in the segment before sleep, as I dream
rows of alphabets frosted with silk. Am I awake, or do
all these hours shiver to pin-size, soliloquoy? True,
you do seem saddened by them, or is it the injection
you fear, slipshod membrane scored with razor snoring
but staring white-eyed at the ceiling of her dreams
until the canon wears off? I weather night thinly,
like a copse of braille.


=====


http://www.lewislacook.com/
net art review: http://www.netartreview.net/
tubulence artist studio: http://turbulence.org/studios/lacook/index.html
furtherfield: http://www.furtherfield.org/home.html



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Comments

, Michael Szpakowski

Lewis
your stuff is consistently great and a pleasure to
read!
michael
— Lewis LaCook <[email protected]> wrote:
>
> I was standing in the feedback of hours, untouched
> by
> any of the changes coursing through your skin, with
> all the white falsity of digital networking caching
> dead musics in my face. I was thinking kinship
> levels
> of everything overslept; the birds hadn't gotten up
> yet, the sun in her wraparound sunglasses and
> tanningBooth smile still had to lend her cool sweet
> body to the banks of sky's rhetoric suffused with
> surgery; the hands moved within me, plucking from my
> veins these intrinsic equations: mind: time shadows;
> the slopes of tone. I was messing myself up with her
> downsizing in those slick tunnels of usage. When I
> woke that day, still coping with fatal latitudes,
> the
> trees and their anatomies had separated for good.
>
>
>
>
> Her voice notches birdsong to delicious flute. Lulls
> in use have tamped all cursive stalks into noisy
> dirt.
> Earnings hoisted , soon blond stir panned fruit
> until
> full. Tools numbed by broods of tasks curl genre
> around toys on alert.
>
>
>
>
>
> As dumb luck would have it, trees are budding
> beyond
> her control in the segment before sleep, as I dream
> rows of alphabets frosted with silk. Am I awake, or
> do
> all these hours shiver to pin-size, soliloquoy?
> True,
> you do seem saddened by them, or is it the injection
> you fear, slipshod membrane scored with razor
> snoring
> but staring white-eyed at the ceiling of her dreams
> until the canon wears off? I weather night thinly,
> like a copse of braille.
>
>
> =====
>
>
> http://www.lewislacook.com/
> net art review: http://www.netartreview.net/
> tubulence artist studio:
> http://turbulence.org/studios/lacook/index.html
> furtherfield: http://www.furtherfield.org/home.html
>
>
>
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> Yahoo! Tax Center - File online, calculators, forms,
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=====
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