Michael Connor
Since 2002
Works in Brooklyn, New York United States of America


01SJ Diary: Day 1


Editor's Note: Over the next few days, curator Michael Connor will report from the 01SJ Festival taking place this week in San Jose, CA.


When I arrived in San Jose yesterday for the opening of 01SJ, I couldn't help but feel that this would be a defining year for the biennial festival of "Art on the Edge." The festival was launched in 2006 alongside the itinerant ISEA conference, and I was eager to see how 01SJ would take shape without its more established partner. For 01SJ, based in the heart of Silicon Valley, building local audiences depends on presenting programs that resonate with the tech-savvy, while cultivating their interest in contemporary art.


Last night was the official opening of the Superlight exhibition at the San Jose Museum of Art, a central component of the 01SJ program. In his opening remarks at the exhibition, Artistic Director Steve Dietz addressed this challenge explicitly, reinforcing the point that the festival is bringing together the "so-called contemporary art world" with the "so-called new media art world." This relationship was played out in various ways through recent artworks that offer political and personal responses to a world riven by seemingly intractable problems.



Genevieve Grieves, Picturing the Old People, 2008

Talented newcomer Genevieve Grieves addresses the history of Indigenous representation in Australia in her piece Picturing the Old People. For this body of work, Grieves researched 19th-century photographs held in the collection of the State Library of Victoria. She identified particular motifs that ran through many of these photographs, such as romanticized images of the "noble savage" to the allure of the "exotic woman." She created five video portraits modeled after these archetypal motifs, in which the subjects occasionally come to life to enact their suppressed desires. In the video entitled Warrior, a man ...

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