Michael Connor
Since 2002
Works in Brooklyn, New York United States of America


The Greatest Hits of Rhizome April 2013


In April 2013, the most viewed article on Rhizome was Daniel Rourke's richly illustrated interview with David OReilly, animator and director of a recent episode of Cartoon Network's series Adventure Time. The most commented-upon thread was, of course, Breaking the Ice, in which generational differences emerged, future directions were debated, pasts relived, and present staff members reminded of founding ideals.

We added Oliver Laric's "An Incomplete Timeline of Online Exhibitions and Biennials" to the ArtBase following Laric's decision to withdraw from BiennaleOnline. Later, organizer David Dehaeck fired back in the pages of El País, saying "The BiennaleOnline is about art and not bits and bytes." Got that?

In the month's longreads, Tom McCormack probed the links between ASCII art and Apollinaire, and Part 3 of Jacob Gaboury's well-researched 'Queer History of Computing' series continued to bring sexual politics into technology history. 

Daniel Rourke profiled Alex Myers and Emilie Gervais, Megan Heuer delved into Peggy Ahwesh and Sadie Benning's use of Pixelvision, I wrote about Ryder Rypps' Red Bull-fueled endurance performance Hyper Current Living and visited Eyebeam's F.A.T. retrospective, and Alexander Keefe dug up screeds by occultist techno-utopian Xul Solar.

Our Seven on Seven conference was always on our minds; in case you missed it, check out the videos of all presentations, my recap, Giampaolo Bianconi's remarkably lucid live blog, and profiles of participants Jill MagidFatima Al QadiriJeremy BaileyCameron Martin and Harper Reed

 

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Notes on ASMR, Massumi and the Joy of Digital Painting


When I first came across ASMR, it struck me as an Internet meme that bordered on a vast consensual hallucination, like the stories of fainting spells that sweep village schools.


The Week Ahead: Bloc Party Edition


Events and deadlines that are on our radar this week: 

Montréal

The fifth annual Sight & Sound festival hits town this week, marking the fifth anniversary of the artist-run new media venue Eastern Bloc.  


"Art and Not Bits and Bytes"


Last Friday, Rhizome published a new artwork by Oliver Laric that was originally made for BiennaleOnline, but which could not be shown because HTML code and outgoing links were (surprisingly, for an online biennial) proscribed. Today, BiennaleOnline organizer David Dehaeck fires back in the pages of El País, saying "The BiennaleOnline is about art and not bits and bytes."

 

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Commissions Deadline Extended to May 15


Over the past couple days, my inbox has been filled with pleas for deadline leniency from bleary-eyed artists around the world who, presumably upon stumbling from their beds after several weeks of napping, suddenly realized that proposals for Rhizome commissions were due imminently. Never fear: we hear your pleas. You now have until May 15. Get cracking!

I would like to remind you of several salient facts. Awards are typically between $1,000 and $5,000. Four of the awards will be given to artists from New York. One of the commissions will go to an artist (from anywhere) with a proposal for a socially-engaged project to take place in New York. Three commissions will be given to projects that engage with Tumblr. I'm not sure of the math, but some grants will also go to artists who are not from New York and engaged neither socially nor with Tumblr.

As always, members will vote for one of the commissions; voting will now open on May 16.