Commitment Radio (2006) - Dave Chiu and Alexandra Deschamps-Sonsino

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Commitment Radio examines radio presets and what it means to make a choice. Instead of using unmarked generic buttons, presets on Commitment Radio create permanent marks. Over time, Commitment Radio will become personalized with your changing musical tastes, political leanings, locations, and age.

The functioning physical prototype of Commitment Radio allows you to scan for stations by moving a dial along the tuning strip. To listen to a station, however, you must push the dial into the radio, leaving an indelible mark.

Over time, Commitment Radio will become personalized with your changing musical tastes, political leanings, locations, and age. Because the radio has a finite amount of space, Commitment Radio encourages deliberateness in your choices and actions.

-- FROM THE ARTIST'S STATEMENT

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FM Radio Map (2006) - Simon Elvins

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Site-specific map plotting the location of FM commercial and pirate radio stations within London. Power lines are drawn in pencil on the back of the map which conduct the electricity from the radio to the front of poster. Placing a metal pushpin onto each station then allows us to listen to the sound broadcast live from that location.

-- FROM THE ARTIST'S STATEMENT

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The FM Ferry Experiment (2007) - neuroTransmitter (Angel Nevarez & Valerie Tevere)

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The FM Ferry Experiment, a project conceived and programmed by neuroTransmitter, was an eight-day mobile radio project held on the Staten Island Ferry during the Fall of 2007. With the collaboration of the New York City Department of Transportation and the FM signal of WSIA-FM, this project transformed the S.i. Ferry into a floating radio station, continually traveling between Lower Manhattan and Staten Island, and transmitting out to the NYC region.

Through the media of radio and live broadcast performance we were interested in spatially and sonically activating the space in and around the Staten Island Ferry, considering it's architecture, mode of transport, use of public space, and the geographical contours of the ferry's immediate environment as it moved through Upper New York Bay.

Live sound performances, experimental sound works, interviews, and lectures took place on the ferry and transmitted (along with pre-recorded programming) to New York City listeners via WSIA-FM. Each program ran approximately 25 minutes - the time it takes the ferry to complete the commute from shore to shore.

-- FROM THE ARTIST'S STATEMENT

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Shared Frequencies (2007) - Kabir Carter

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Shared Frequencies is a portable sound installation and performance environment that relies on multiplex radio communications events as its primary performance material. An array of radio scanners is paired with a set of analog synthesizer modules, and assembled on a set of small, modest folding tables. The scanners pick up a wide variety of speech, encoded data streams, and noise that are converted into (more) synthetic sound. The results of these electroacoustic interactions are projected into the air, and the sounds heard are physically modified by the shape and volume of the installation's site.

-- FROM THE ARTIST'S STATEMENT

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Norman McLaren: Synchromie. Musique Optique at WRO Art Center on Vernissage TV

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Last month, I posted Norman McLaren's 1971 work Synchromy to Rhizome. Vernissage TV visited the WRO Art Center in Wrocław, Poland, where the exhibition surveying his career "Norman McLaren: Synchromie. Musique Optique" is currently on display. In this clip, curator Piotr Krajewski discusses McLaren's technique and relationship to sound.

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The Night Sounds (1999) - Shawn Decker

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The Night Sounds by Shawn Decker

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mandalas para la vida moderna (2006) - Ivan Puig

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Fold Loud (2007) - JooYoun Paek

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Fold Loud is a (de)constructing musical play interface that uses origami paper-folding techniques and ritualistic Taoist principles to give users a sense of slow, soothing relaxation.

Fold Loud interconnects ancient traditions and modern technology by combining origami, vocal sound and interactive techniques. Unlike mainstream technology intended for fast-paced life, Fold Loud is healing, recovering and balancing.

Playing Fold Loud involves folding origami shapes to create soothing harmonic vocal sounds. Each fold is assigned to a different human vocal sound so that combinations of folds create harmonies. Users can fold multiple Fold Loud sheets together to produce a chorus of voices. Opened circuits made out of conductive fabric are visibly stitched onto the sheets of paper which creates a meta-technological aesthetic. When the sheets are folded along crease lines, a circuit is closed like a switch. Thus, the interface guides participants to use repetitive delicate hand gestures such as flipping, pushing and creasing. Fold Loud invites users to slow down and reflect on different physical senses by crafting paper into both geometric origami objects and harmonic music.

-- FROM THE ARTIST'S STATEMENT

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Fine Collection of Curious Sound Objects (2010) - Georg Reil and Kathy Scheuring

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The arrangement includes six exceptional exhibits from the world of sounds and acoustics. At first sight looking trivial, each object incorporates a very unique ability.

The magical character of each object is accompanied with a little story, almost completely concealing the existence of technical components such as speakers or sensors. Only small connection ports as well as the uniform black finishing point to thier unusual abilities.

In form and functionalty all these exhibits pursue John Maeda’s "Simplicity". They are enjoying to use, they are surprising and one wants to explore and investigate them.

-- DESCRIPTION FROM THE PROJECT STATEMENT

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A Conversation with Samson Young and Yao Chung-Han

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The exhibition "Resonance" was initiated in early 2010 as an experiment in the conceptual underpinnings and practical manifestations of sound art as a genre and form in contemporary greater China. Growing out of a series of readings and conversations in Hong Kong with artists as varied as Yan Jun, Feng Jiangzhou, and Zhou Risheng, the final exhibition program included two installations by artists Samson Young, an artist and composer based in Hong Kong, and Yao Chung-Han, a sound artist based in Taipei. This selection of artists allows the experiment to step beyond the mainland sound art and experimental music scene, which is largely incoherent in its current free-for-all exploration of new sonic forms--a site of artistic freedom indeed, but also a difficult territory in which to reflect on the modes of sound already in use in the contemporary art community. Samson Young contributed a piece entitled Beethoven Piano Sonata, nr. 1 - nr. 14 (Senza Misura) (2010), a series of open circuit boards hung in rows on the gallery wall. Each board houses two LEDs and a speaker, each marking the tempo of a single movement of fourteen of Beethoven’s early piano sonatas. In the second gallery room, Yao Chung-Han installed an audiovisual piece entitled I Will Be Broken (2010), a suspended column of circular fluorescent lamps tied together with power cords that illuminates in a semi-random fashion and emits a prerecorded sequence of sounds. The two pieces engage in a dialogue of light and sound that confronts the tension between sound as aesthetic spectacle and sound as conceptual material, opening a productive conversation between styles and historical developments in the trajectory of sound in art. "Resonance" is on view at I/O Gallery in Hong Kong until September 5, 2010.

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