Notes on a definition of Net Art based on what I remember from a borrowed copy of Nettitudes

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WWWWWWWWWW.JODI.ORG (1995)

Lately, I've been feeling a sense of inhibition relating to Josephine Bosma's book Nettitudes, which I've had checked out from the library for the past six months. I started getting emails a few weeks ago that the book had to be returned, each one charting a steadily increasing overdue fine. (Update: the book is now being billed as lost.) The idea of returning the book became a source of anxiety, because even though I could make a copy or buy another one, I've become attached to it. Also, I don't quite remember where I put it.

This is relevant to my job because the Prix Net Art announcement, which went up earlier this week, had to of course include a definition of net art. And as with last year, this definition was something Chronus and TASML curator and Prix instigator and co-organizer Zhang Ga and I discussed intently. As Zhang has argued from the beginning, one signficant motivation for this prize was to publicly discuss and debate the definition of net art.

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Announcing the Inaugural Prix Net Art Awardees: JODI & Kari Altmann

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After extensive deliberation, the Prix Net Art jury—comprising curators Michael Connor, Samantha Culp, Zhang Ga, and Sabine Himmelsbach—is proud to announce that inaugural $10,000 Prix Net Art is awarded to artist duo JODI, with a $5,000 Award of Distinction granted to Kari Altmann. For detailed information about Prix Net Art, visit prixnetart.org.

Jury Statement:

The internet is more than just a canvas, medium, or publishing platform for art. The internet is a system that links human and machine intelligence to produce politics, economics, culture, and subjectivities. To make "internet art" is to intervene in, or participate mindfully in, these processes.

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Rhizome's 2014-15 Support for Artists: Announcing New Microgrants and Commissions

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Aleksandra Domanović, From yu to me, supported by Rhizome's commissions program in 2014.

Rhizome supports the creation of significant new art through commissions and direct funding for artists. These works may take various forms and scales, but are tied together by their considered illumination of contemporary digital culture.

Today, I outline our vision for awarding money to artists in 2014-15, focusing on three new initiatives with funding totaling nearly $40,000.

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Announcing the Prix Net Art

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Beginning this autumn, Rhizome and Beijing-based TASML and CAT/CCIA will award a substantial new prize for internet art. 

The "no strings attached" prize, which will be awarded three times in total in 2014, 2015, and 2016, will recognize the past work and future promise of one artist making outstanding work on the internet. The awardee will receive $10,000; a second distinction award of $5,000 will also be made each year.

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