Trying the Hand of God (2009) - Knifeandfork

(0)

Picture 4.png

Picture 5.png


Knifeandfork explores the media-perpetuated nature of the chance moment in Trying the Hand of God, hosting a carefully choreographed continuous reenactment of the infamous illegal, but not penalized, "Hand of God" soccer goal from the 1986 FIFA World Cup. The performance is staged on a recreation of Mexico City's Azteca Stadium, constructed within the confines of the MOCA Sculpture Plaza. A limited number of audience members have the opportunity to play the role of Diego Maradona, the Argentine soccer legend who scored the controversial goal against England during the quarterfinals, eventually leading his team to win the match and the tournament.

Through live performance, Knifeandfork introduces the potential for variations on a familiar, media-repeated image. The issue of variation is particularly interesting in this case, as the controversy over the "Hand of God" goal raised complex questions of chance, skill, and fate. In their choreographed reenactments, Knifeandfork attempts to control for all possible variables, yet the possibility of a "perfect" performance inevitably remains elusive. Rather, the repetitions serve as a form of kinetic documentation, both of what was and what might have been, and they grant the audience agency over the representation of this iconic event which has been otherwise ossified by media reproduction.

-- DESCRIPTION FROM ARTIST'S SITE

MORE »


Automotive Action Painting (2006) - George Barber

(0)

MORE »


MUTEK 2010 / Montreal

(2)

MUTEK2010_logo_en.jpg

Montreal in June is an explosion of festivals. MUTEK, the annual festival of “digital creativity and electronic music,” is one of the most intriguing. The focus of the festival, now in its eleventh year, is on live experimental electronic music. This year's MUTEK sported an impressive roster -- electronic supergroups like Matmos and Mouse on Mars; cutting-edge UK dubstep producers such as Ikonika; and notable German DJs like Dixon, Henrik Schwarz, and DJ Koze.

nursewithwound1.jpg
Nurse With Wound Live at MUTEK 2010

One of the most anticipated live sets at MUTEK was a rare performance by the trailblazing British group Nurse with Wound. Nurse with Wound is a difficult act to pin down. The band, a revolving cast of characters helmed by the shadowy Steven Stapleton, has been in existence, in some form or another, since 1978. Some call Nurse with Wound "industrial music," but that's a bit of a misnomer. The band does bear some similarities with crusading British bands like Throbbing Gristle, Coil, and Current 93, but their music -- disorienting sound collages, ambient drones, tape edits, noise -- is defiantly anti-genre. Perhaps a better way to describe Nurse with Wound is through their artistic inspirations -- Dada sound poetry and French musique concrète, Futurist rhetoric and Surrealist cinema. The band's third album, released in 1980, was titled "Merzbild Schwet," a reference to Kurt Schwitters and his "Merz" philosophy and series of works; Side One was titled "Futurismo"; Side Two was titled "Dada." (Interestingly, many other musicians of the time were referencing Kurt Schwitters -- Faust, Brian Eno, and later the Japanese noise artist Merzbow -- the "Merzbau" being one of Schwitters' most famous works.)

Nurse with Wound played a haunting set in a dark auditorium against a sinister black-and-white film backdrop. Ambient drones were punctuated with harsh, sudden crashes -- reminiscent of ...

MORE »


Shana Moulton Talk at EAI Tonight

(0)

Shana Moulton, Whispering Pines 7, 2006. (Video still)

Video and performance artist Shana Moulton, whose series "Whispering Pines" Brian Droitcour profiled here on Rhizome recently, will speak at EAI tonight at 6:30pm. This is her first artist talk in New York City, and it includes a screening of her newest additions to "Whispering Pines." This should be worth checking out, plus, it's free to the public! More information here.

MORE »


Interview with Nicoline van Harskamp

(0)

nvh-2_1final.jpg
Nicoline van Harskamp, Any Other Business (Stage) (Photograph by Willem Sluyterman van Loo)

On June 18th at 7pm, artist Nicoline van Harskamp will present for the first time in the U.S. her performance work Expressive Power Series Part 1: Max Bonner on the Phenomenology of Speech at the New Museum, an event part of Rhizome’s New Silent Series. Her practice investigates the political implications of language and speech, and her pieces often take the form of performance. Van Harskamp took some time to answer a few questions regarding her upcoming Expressive Power Series Part 1: Max Bonner on the Phenomenology of Speech.

What of your other projects and/or research may have laid the groundwork for Expressive Power Series Part 1?

The performance takes as its basis the script for Any Other Business, a 6-hour performance that I made last year, set in a conference center in Amsterdam. I wanted to bring out the central thesis of that work, to summarize it down to an hour in a way. So, for Expressive Power Series Part 1, I took four of its most contradictory and most outspoken characters and planted them in a seminar room of an art center. During the 6-hour Any Other Business piece, the characters never get to speak to each other, but are merely juxtaposed. In the new piece, I wanted them to confront each other directly. And when writing their new lines, they started to say things they didn’t say before.

Things that I learned or heard since last year; things that I am working on for new pieces; things that I was thinking about a long time ago and that suddenly seemed relevant again. They ended up summarizing my own thinking at the moment, in a way representing the voices in my ...

MORE »


Two New Turbulence Commissions

(0)

Networked art non profit Turbulence announced two new (sound-related) commissions yesterday - WWW-Enabled Noise Toy by Loud Objects and Moments of Inertia by R. Luke DuBois, with Todd Reynolds. Be sure to check them out - you can read a bit about the works below.



noisetoy\_300.jpg

WWW-Enabled Noise Toy by Loud Objects (with funds from the Jerome Foundation)

Loud Objects (Kunal Gupta, Tristan Perich and Katie Shima), NYC-based circuit sorcerers, present a wacky way to learn hardware audio programming. The WWW-Enabled Noise Toy invites anyone with a web browser to write their own audio code, program it remotely onto a Noise Toy, and play it live via webcam. In the spirit of “try it yourself” software demos, the website provides a simple environment for experimenting with low-level microchip-generated audio. Load code from the Loud Objects’ own library of performance algorithms, hone your own noise techniques, and add your work to the online archive to share it with other microchip coders and create an open source noise community.



moments\_of\_inertia.jpg

Moments of Inertia by R. Luke DuBois, with Todd Reynolds

Moments of Inertia is an evening-length performance based on a teleological study of gesture in musical performance and how it relates to gesture in intimate social interaction. The work is written for solo violin with real-time computer accompaniment and video. Moments consists of twelve violin études written for Todd Reynolds - ranging from 1-10 minutes in length - each of which uses a different violin performance gesture as a control input for manipulating a short piece of high-speed film (300 frames-per-second) - of objects and people in motion. Taking its cue from principles in physics that determine an object’s resistance to change, the violinist’s gestures time-remap and scrub the video clip to explore the intricacies of the performed action.

MORE »


Images in the Sky (2005) - Marc Kremers and Damien Poulain

(0)

IMG_2992.JPG

img_4866.jpg

img_4871.jpg

200 images from the Internet were released into the sky via red, green and blue helium filled balloons on the 2nd of October 2005 in Victoria Park, London. For all we know they could all just fall into the Channel. But we hope that if someone finds an image they will get back to us and let us know where they are, and participate by sending us an image or message of their own.

-- DESCRIPTION FROM THE "IMAGES IN THE SKY" SITE

MORE »


Samson Young's Hong Kong iPhone Orchestra / Performance at ART HK 10 (from VernissageTV)

(0)


As part of the supporting program of ART HK, Hong Kong International Art Fair, I/O (Input/Out) and I/O Off-Site presented a performance by Hong Kong artist Samson Young. VernissageTV was on site to document Samson Young leading the iphone musicians through a music score of matrix notations on the opening day of the art fair. Everyone owning an iPhone and battery powered computer speakers could apply to participate in the performance after an hour of rehearsal. The participants were given instructions and the necessary free iPhone software.

-- DESCRIPTION FROM VERNISSAGE TV

MORE »


Untitled (2010) - Brody Condon

(4)

saks1.png

saks3.png

saks4.png

In coordination with Saks Fifth Avenue and the PS1 Greater New York Exhibition, Brody Condon was invited to contribute a project to be displayed in the Saks window on 50th St. Brody’s proposal was to film a performance inside Saks itself. To his surprise Saks was familiar with his work and agreed.

The piece, a modification of the Trisha Brown work Accumulation (1971), is a floor-based dance performance based on various seizure-like movements choreographed by Stephen Lichty, who is himself familiar with movement disorders.

-- DESCRIPTION FROM DIS MAGAZINE

MORE »


Field to Desktop

(0)

fields.png

Field Broadcast, which kicks off tomorrow and runs through May 17th, will present unedited, live streams of a series of artworks from thirty-three artists captured in fields (yes, the green, earthy kind) to your desktop. When I first read about the show on Networked Music Review, it reminded me a bit of David Claerbout's Present, a work he created for Dia's Artist Web Projects in 2000. Present is an application that allows the user to watch the full lifespan of a flower on their desktop. Like the Field Broadcast exhibition, it inserts a semblance of the natural or the organic into the virtual environment. With so many artists involved in Field Broadcast, it will be interesting to see how they interact with their surroundings -- if the fields will factor in as a component or simply become a backdrop.

MORE »