Rhizome is dedicated to art and ideas that create richer and more critical technology cultures. With this program, we continue our examination of influential, technological objects from interdisciplinary points of view, in the context of artistic research practice.
Rhizome contributor Orit Gat was invited to speak at Frieze Art Fair earlier this month. Audio from the panel, "Attention! Criticism and its Distractions," organized by Brian Dillon, is now available to download on the Frieze Foundation website.
Much of the panel's discussion refers to the essay Gat wrote for Rhizome last spring, "Screen. Image. Text":
The generations to come of age in the days of digital publishing and reading on screens have a much more complicated relationship with images. The human eye-brain system is capable of reading a large number of high quality images in a matter of split seconds, and this, alongside the hand-eye coordination—think about the pleasure of a touch screen versus inky newspaper pages—is rapidly developing to mirror our changing habits of consuming information. So much so that the contemporary heightened sensitivity to the way we read images can lead to an ability to, at times, ignore the quality of the images when inserted into a text, the way our brain glides over a typo in the flow of reading. The way we read images online is only one thing these magazines deal with in the process of publishing, but it is surely an element that dictates a large portion of the reading experience of these publications.
The first issue of the Illustrated London News (1842)
The endless discussions on the future of print bring up the contemporary fluency with images on a regular basis. Aside from the fact that digital publishing is often cheaper and always easier to disseminate, many consider the role of the image in digital publishing to be a key aspect in the contemporary experience of reading. The benefits of handheld devices are considered time and again, especially in relation to embedding a variety of image formats: slideshows, moving ...
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