It's ironic that Jin Sangtae learned computer repair working at a mammoth South Korean tech market, since he eventually applied those skills to creatively destroying electronics. One of Seoul's most important audio artists, Jin Sangtae creates glitched noise improvisations by manipulating exposed computer hard drive parts.
Jin produces his initial signal in Clanger Theremin, a digital theremin available as freeware designed for use on PDA devices. Controlling pitch, volume and modular effects with a stylus, Jin leads the signal through several exposed computer hard drives, each fed to a separate track on a mixer, a process that methodically undermines his instrument.
Jin's impressive level of control over hardware errors does generally overshadow the theremin signal. A repeated series of staccatos resembling vinyl skips can be gradually protracted into a striated drone and then diminished into a paper-thin hiss. High-pitched sounds are emphasized; although harsh noise artists Otomo Yoshihide and Merzbow are certainly influences on Jin, his squealing feedback evokes scientific, mechanical imagery rather than a nihilistic anti-aesthetic. Although Park's improvisations are structureless, his decisions of which ideas to develop at length and which to briefly interject reward deep listening.
Professionally, Jin Sangtae runs an audiovisual supplies distribution company, but Jin's office doubles as a small experimental performance space called Dotolim. Along with a few other venues in Seoul like Park Chang Soo's Houseconcert and Lee Han Joo's Yogiga gallery, Jin Sangtae's Dotolim concert has made him central to Seoul's experimental scene. While Houseconcert emphazises acoustic free jazz and Yogiga is a freeform sprawl, the circle of musicians surrounding Dotolim concerts is an erudite group of tech-savvy electroacoustic noise artists. The Balloon and Needle label, run by noise musicians Choi Joonyong and Hong Chulki ...