Top 5 - 10

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Image from There I Fixed It

Jonah Brucker-Cohen is a researcher, artist, professor and writer. His writing has appeared in numerous international publications including WIRED Magazine, Make Magazine, Neural, Rhizome, Art Asia Pacific, Gizmodo and more, and his work has been shown at events such as DEAF (03,04), Art Futura (04), SIGGRAPH (00,05), UBICOMP (02,03,04), CHI (04,06) Transmediale (02,04,08), NIME (07), ISEA (02,04,06,09), Institute of Contemporary Art in London (04), Whitney Museum of American Art's ArtPort (03), Ars Electronica (02,04,08), Chelsea Art Museum, ZKM Museum of Contemporary Art (04-5),Museum of Modern Art (MOMA - NYC)(2008), and the San Francisco Museum of Modern Art (SFMOMA) (2008). He received his Ph.D. in the Disruptive Design Team of the Networking and Telecommunications Research Group (NTRG), Trinity College Dublin. He is an adjunct assistant professor of communications at NYU's Interactive Telecommunications Program (ITP) and in the Media, Culture, Communication dept of NYU Steinhardt School of Culture Education and Human Development.



2009 was an important year for the Internet as a whole. The advent of web 2.0 and "crowdsourcing" initiatives has enabled a much richer array of content from users who might never have ventured onto the Internet in previous years. My top 10 sites for this year cover a wide range of topics from art made for mobile devices with iPhoneArt.org to evidence of both information saturation with Information Aesthetics and physical and pseudo intellectual abundance with This is Why You're Fat and There I Fixed It, to strange observances of mistakes in the public realm with Fail Blog. In addition to these crowdsourced content sites, I also see some ongoing potential with artist-created sites such as Brett Domino's lowtech approach to music making ...

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Top 5 - 10

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Usman Haque, Primal Source, 2009

Jo-Anne Green is Co-Director of New Radio and Performing Arts, Inc., a small, not-for-profit experimental arts organization whose current projects include Turbulence.org, Networked_Performance, Networked_Music_Review, Networked: a (networked_book) about (networked_art) and Upgrade! Boston. She is also an artist, writer, curator, and Adjunct Faculty at Emerson College.

Helen Thorington is Founder and Co-Director of New Radio and Performing Arts, Inc. She is a sound artist and radio producer whose works have been aired internationally and received numerous prestigious awards. Helen has also created compositions for film and dance, including the Bill T. Jones and Arnie Zane Dance Company. She has exhibited, performed, published and lectured world-wide.



► "Natural Fuse" by Haque Design + Research

► "Tantalum Memorial" by Graham Harwood, Richard Wright and Matsuko Yokokoji on Network Research

► "Video Vortex" Institute for Network Cultures

► V_2 Test_Lab: Intimate Interfaces

► fibreculture #14: Web 2.0: Before, during and after the event

► NomadicMilk: Nigeria 2009

► Public Sphere_s by Steve Dietz on Medien Kunst Netz

► "Primal Source" by Usman Haque on Interactive Architecture.org

► "Ergenekon.tc" by Burak Arikan

► Vague Terrain 15: microsound

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Interview with Mark Amerika

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Amerika describes himself as a "thoughtographer", an "artist-medium", a "fictional philosopher", a "remixologist", a "network conductor", a wanderer who constantly changes identities and roles in a fragmentary world where time acquires an a-synchronic and non real dimension. By trying to express the complexity and the interest of contemporary digital reality, he delves into different aspects of himself and draws on elements and traits that he transfers to the characters of his works, by using the media, the technological platforms of our time. Developing projects on the net, filming with mobile phones, remixing common moments and figures of today's culture in a VJ-like audiovisual rhythm, Amerika redefines the characteristics of today's culture and opens up the possibilities for new interpretations and thoughts from the audience itself. -- "UNREALTIME" at the National Museum of Contemporary Art in Athens

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World’s First, Possibly Only and Probably Last iPhone Drum Circle (aka IPDC) (2009) - MTAA and Mike Koller

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The Basic Plan - On Sunday September 20 at 2pm, MTAA, Mike Koller and anyone else who wants to join us will set out a brightly colored blanket surround by a circle of chairs at McCarren Park, Williamsburg, Brooklyn. They will have amplified iPhones on which they have downloaded touchscreen drum and bongo applications. They will have open amp jacks that you can plug into. For the next hour we will attempt to "jam."

As explained by Mickey Hart of the Grateful Dead "The main objective (of a drum circle) is to share rhythm and get in tune with each other and themselves. To form a group consciousness. To entrain and resonate. By entrainment, I mean that a new voice, a collective voice, emerges from the group as they drum together."

As explained by M.River of MTAA "The main objective of the iPhone Drum Circle is to get a total stranger to do a little dance on our blanket. That and hopefully enjoying the last summer Sunday in the park this year for an hour."

-- FROM THE PROJECT SITE

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Art In Your Pocket

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As the niche genre of software art expands beyond the web and into mobile devices, media artists are finding ways to integrate their work into a new form of business model. Instead of giving away your work for free on the web, Apple's iPhone and iTouch devices provide an ample platform for distribution (through the Apple App Store) and hardware support for novel ways to experience screen-based work.

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ringtone (free) (2009) - Daniel Luphoa Chew

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Interview with Graham Harwood

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Telephone Trottoire is a publishing system for communities to share news, stories, and opinions over the mobile phone. The system dials members of the Congolese community and plays them a recording in the Lingala language. The recording might be a story, song, or joke, or it could be a discussion of a serious issue. The recipient of the call has the option of leaving a comment in response or forwarding the call to someone else, allowing the system to grow virally. It was developed on behalf of Congolese communities in London by MediaShed, a 'free-media' organization based in Southend-on-Sea, England.

At 01SJ 2008, three artists Graham Harwood, Richard Wright and Matsuko Yokokoji (formerly Mongrel ) presented Tantalum Memorial, an art installation based on Telephone Trottoire. This same installation will be on view at the art and digital culture festival transmediale in Berlin this week. Tantalum Memorial is one of eight projects to win the transmediale 2009 Award. I met up with Harwood at a Peet's Coffee in San Jose last June to discuss these two projects. He wore a hat with the word 'ADDICT' emblazoned across the front (his son's) and ordered an herbal tea. - Michael Connor

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Comma, Pregnant Pause (2004) - Oliver Payne and Nick Relph

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LAUNCH

Excerpt from text accompanying Comma, Pregnant Pause:

A comma indicates a pause or break between parts of a sentence; in spoken communication, a pregnant pause is one that is full of meaning - significant - suggestive. This video features mobile phones, in whose text messages commas are seldom used. There are often, however, pregnant pauses during the wait for a reply. This work starts with the commentary:

'I want to be the best there ever was, to beat all the best that's my cause.'

The video is dominated by two seated people dressed as mobile phones. Their costumes are based on 'Mowbli', the ubiquitous mobile phone logo from Carphone Warehouse, and their faces are covered by scary-looking masks, taken from the popular series of films Scream, 1996, 1997, 2000, and Scary Movie, 2000, 2001, 2003, but originating in Edward Munch's painting, The Scream, 1893. Their conversation is indicated by two different text alerts - '1,2,3,4' and a musical sound, like a guitar or harp - whilst each text message appears as a series of subtitles. The conversations are fractured, featuring messages such as, 'the newest thing is now wearing the word'. Young people are part of a texting culture in which messages sometimes go astray, so spoken conversation would often be more efficient.

FULL TEXT

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Untitled Text Msg (Jenny) (2008) - Adam McEwen

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Pencil on graph paper

Via magiccarpet

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Call Me!

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Touting the theme of "Impakt yourspace," the latest edition of Utrecht's Impakt Festival takes on the impact of Web 2.0 through its typically tightly-organized set of panels and curated programs of film, video, new media and performance. The central event, "Hybrid Playground," presents variations by Dutch artists on the melding of social networks and physical spaces. Here, attendees will experience KKEP's ParaPlay project, a democratic iTunes happening, and Bliin, which enables mobile phone users to post media to shared geographic maps; NetNiet.org's Gifted, a real-time phone-enabled social judgment system; and Alchemyst's open-source Roomware, which detects phone users and links their identity to networked personal profiles. Other internet-aware events include tech-inflected animations by painter Federico Solmi and "Self-Confession vs. Exploitation" a program of film and video diaries ranging from Joyce Wieland's 8mm work of the 1960s to modern-day web-based autobiographies. In perhaps the most self-referential move of all, Impakt will convene a panel on "The Future of Festivals" with organizers from Migrating Forms, Submarineand tank.tv, exploring what the role of live media events should be in the light of our increasingly online social world. - Ed Halter

Image Credit: NetNiet.org, Gifted, 2008

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