A Scanner, Darkly: On Andrea Crespo's "polymorphoses"


Andrea Crespo, multi (sensorygates), (2015; detail)

In futurist Ray Kurzweil's early version of the flatbed scanner, angled mirrors feed the image of a document through a series of encoding CCDs. Similarly positioned mirrors are also used in the treatment of amputee victims; the image of an extant limb is projected onto the phantom limb, allowing the patient to engage with this limb's sensory map.

Constantly reflecting on this imagery, Andrea Crespo's recent solo show "polymorphoses" at Hester in New York evokes an environment of clinical intimacy in its aesthetic and conceptual coherence. Similar to an LED screen or scanner, the digital prints on the four poly voile curtains covering the windows are backlit by the sun. Positioned in front of these curtains, an EMDR light bar (used by cognitive therapists to treat post-traumatic stress disorder) replicates a scanner's mobile light in the sculpture polymist: echolalic transponder; its accompanying soundtrack abstracts the diegetic sound of this light's kinetics as low digital tones.

Andrea Crespo, "polymorphoses," exhibition view

A scanner's white light rhythmically appears, segmenting the film parabiosis: neurolibidinal induction complex 2.2: this work's primarily black tone makes its bluish-white figures recall the emerging effect of minimal boot-up images. The film's DeviantArt-sourced images of conjoined anime characters regularly converge, split, and merge again. At the same time, the visual economy of this style's figuration is combined with minimal diagrams of mitochondrial reproduction, suggestive of the biological processes within technology. Drawing a parallel between biological and technological encoding and multiplication, the film links the scanner's abstraction of materiality into a system of digital circulation and memetic engineering with the production of DNA. The film's conjoined figures are considered within the interfaces and hardware in which they are embedded: in the film, they are suggested in a chatroom, cycled through on a Gameboy screen, and presented on a twitchy flatscreen monitor.


Andrey Yazev and Emilio Gomariz at Fach & Asendorf Gallery


Stills from Emilio Gomariz Lady Glitch (2010)

Architect and artist Ole Fach and the media artist Kim Asendorf just launched Fach & Asendorf Gallery, an online exhibition gallery for original "net.art, media art, digital madness and satisfaction."

Current exhibitions:

Andrey Yazev - Untitled Scrollbars
Emilio Gomariz - Lady Glitch & Dragon Glitch