Artist Profile: Bradley Pitts


Singluar Oscillations: Correspondences (email), 2008

First, could you talk about your two degrees in Aeronautics and Astronautics? Specifically describing the moments when you decided to reroute the instrumentalities of your field, and pursue them instead in a highly singular, individualistic exploratory way?

I started MIT thinking I wanted to be a theoretical astrophysicist due to the philosophical implications of that field. I quickly realized though, that I needed more tactile engagement in my work in order to be satisfied. Aeronautics and Astronautics was a way for me to combine my interests in space and material. It mixed scientific concepts with material application, but wasn’t able to satisfy my desire to contemplate and build meaning. Only in my architecture and visual arts studies did I find a space to combine concept/theory, material, and meaning into a “tactile philosophy”. In these disciplines there was less discussion about rules and solutions, and more discussion about one’s interpretation of context, intent, and the implications of one’s process. This opened up the possibility of designing experience and meaning over objects and functionality. 

Throughout my undergraduate studies I thought I would go on to get a Masters in Architecture and be an architect, but this changed when I was part of a team that conceived, designed, and built a group of micro satellites. At the end of the course we tested them aboard NASA’s parabolic-flight aircraft, the “Vomit Comet”, which produces 25-second periods of weightlessness and double-gravity. Instead of going to grad school in Architecture I got a Masters of Science in Aeronautics and Astronautics where my research was on advanced spacesuit design, a perfect combination of my interests in space, architecture, and bodily experience.

If there were any major turning points, they were spread out over my time at MIT ...