Pixel Paul

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Study for Frozen Film Frame of "Frame Study 15" (1975)

Though experimental filmmaker Paul Sharits' incredibly detailed film scores depict plans for possible films, they have a manic beauty all their own. Some of his most fascinating studies, like the one above, served as plans for his Frozen Film Frame series, in which colored film strips are sandwiched between plexiglass and hung from the ceiling, allowing natural light to illuminte their multicolored frames.

From Frozen Film Frame series (1971-6)

Another example, below, was a study for his Specimen series.

Frame Study 15: Study for “Specimen II,” 1975

From Specimen

Undeniably alluring, Sharits' plans, which don't necessarily synchronize with a finished product, point towards his desire to bring cinema into a non-theatric mode of presentation. Viewed today, the images have endless, striking associations with pixels and glitches. Sharits' emphasis on the object of film in the Specimen and Frozen Film Frame series presages the materiality of blocky low-res aesthetic visibile in much contemporary electronic art.