Mark Leckey at the Serpentine Gallery (19 May – 26 June 2011)

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The difficulty in making work now is that there’s this model of how a distributed kind of collective work could be made (i.e., through the Internet), but it can’t be made in a gallery. The nature, or structure, of the gallery doesn’t allow for that; it needs certain kinds of forms, certain objects. There’s this term I like, “stigmergy”: an ant goes out, lays a path of pheromones; the other ants follow that path, and then that path gets built up until it becomes a pathway. They use this term in open source to describe a programming language that has being continually added to and amended so that the original code has been lost or forgotten, but you’re left with a structure that everyone can use. As an idea of making art, that seems really interesting—something made with the benefits of technology. At the same time, that idea is a long way from the art being made now, and a long way from Benjamin’s idea of art’s aura. The aura is still there; it still surrounds artworks, massively. The trouble is that more you start to distribute art or disperse it, the more mutable art becomes, until finally, it dissipates into just “LOLCats” or something. - Mark Leckey in an interview with Mark Fisher (Kaleidoscope, Summer 2011)

Installation view, Serpentine Gallery, London
(19 May – 26 June 2011)

 

 

Fiorucci Made Me Hardcore (1999.) Installation view

 

 

Previously: Brian Droitcour's interview with Leckey for Rhizome (2009)