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Composer, musician, and creative hacker Tristan Perich is a New York City phenom. Unsurprisingly descended from Warhol-era conceptual artist Anton Perich, the younger Perich has become a fixture in the local avant garde scene, bringing his own brand of circuit-bent instruments to the contemporary music sphere. His band, The Loud Objects, have made a very well-received international magic-show of their singular work, which involves soldering musical chips together atop an overhead projector--clad in futuristic sunglasses, no less! He released an album of music composed entirely of 1-bit tunes, "the lowest possible digital representation of audio," in which the cd itself contains a circuit completed by the insertion of headphones into a jack on the side of the jewel case, at which point forty minutes of lo-fi music is played for the listener. Part sculpture, part sound-art, the project is a novel (and nice-sounding) interjection into a recording era dominated by ephemeral, low-quality MP3s. This Wednesday, Perich will premiere a new composition at Brooklyn's Issue Project Room, called Untitled (Bernadette Mayer). The work revolves around a poem written in 1969 by the eponymous poet and is arranged for five voices and fifteen channels of 1-bit music, providing evidence that working in a supposedly low-level system can still yield high levels of creativity and aural complexity. Perich's piece will be played together with his older three-violin work, Rotary. Both compositions will be performed by a diverse and extraordinarily talented group of Perich's contemporaries, including Abby Fischer, Lesley Flanigan, Sarah Moulton, Daisy Press, Pamela Stein, Monica Davis, Yuri Namkung, and Jessica Pavone. Incidentally, it is also worth noting that Perich has pulled-in some serious girl power here, which bodes well for what can tend to be a male-dominated community. If you're in the area, you won't want to miss hearing them power-up. - Marisa Olson


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