Building Across from Glitter Bend
What is the structure that you're "foregrounding"?
The five panels of Moving, Endless (Samples) immediately reminded me of the tonality of James Turrell's installations. Turrell sculpted light within the boundaries of the built structure, whereas in your work, light is dictated by the limitations of the screen. Turrell's practice heightened the viewer's awareness of sight, and I would like to know if this concern propels you, especially as it relates to the contemporary experience of a viewer stationed in front of the computer.