Re: RHIZOME DIGEST: 7.09.04 .. Blog vs Board (re: Blogging Survey)

look folks.. i believe i have been somewhat misquoted. first of all i
said, 'net.art has lost it's way' not we have lost our way. and…
i don't consider myself an 'old fart' ;)

the discussion intercepted was about the limits of ephemeral media
practice interfacing with the broader contemporary art world– ie the
art market. in otherwords, even mark napier can't support himself,
his art and his family on an occassional net.art commission– just
like the rest of us

how much time does an artist want to spend with their nose pressed
against the screen vs translating ideas into physical/material work;
communicating with geographically local communities vs
dispersed/global presences..

your thoughts on blogs are interesting.. much of it comes down to how
much time/energy to devote to self promotion?

.. i'm not on raw, if you want to reply.. be direct

tina



liza sabater <[email protected]> added:


> Tina LaPorta the other said to me "As net artists, we've lost out
> way". It came out of a conversation that net art was supposed to be
> about decentralization, the rhizome, nomadism and as it is it's become
> institutionalized. So in effect, the first wave of net artists
> basically emulated online the very systems they sought to by-pass
> offline in order to show/disseminate their art. Is this bad? I don't
> think so because, really, social networking software like wikis and
> blogs, for example, have exploded in the last 2 years. Rhizome and the
> first wave of net artists has been around since 1996. Their old farts
> in web / technology years if you think about it.

twhid replied:

I'm need to comment on this 'net artists lost their way' thing.

I don't see net artists losing their way. There isn't as much of it
going on, it's not as exciting and new as it was, but to say, "we've
lost our way" simply makes lots and lots of assumptions about what net
artists were thinking about in the early days. I for one didn't think
all that much about rhizomatic structures or nomadism (nomadism?). I
was more excited about the fact that I, ME, JUST LITTLE OLE ME, had
access to a mass medium! That was what excited me. Also, most newer net
art projects use decentralized, networked processes in the make-up of
the work even if it's being supported by centralized art world
institutions.










total screen
http://tinalaporta.net/totalscreen/

voyeur_web
http://tinalaporta.net/voyeurweb/

Comments

, Liza Sabater

Tina,

Never, EVER did I intend to insult you.
I always ask for ask permission before giving attribution;
especially if it does not involve writers/bloggers.
I did not this time and apologize for the faux pas.

7 years in tech is a long time in internet & technology years
but yes, it's true, it does not make you an old fart.

I sincerely apologize.

Best,
l i z a



On Monday, Jul 12, 2004, at 18:34 America/New_York, Tina La Porta wrote:

> look folks.. i believe i have been somewhat misquoted. first of all i
> said, 'net.art has lost it's way' not we have lost our way. and…
> i don't consider myself an 'old fart' ;)
>
> the discussion intercepted was about the limits of ephemeral media
> practice interfacing with the broader contemporary art world– ie the
> art market. in otherwords, even mark napier can't support himself, his
> art and his family on an occassional net.art commission– just like
> the rest of us
>
> how much time does an artist want to spend with their nose pressed
> against the screen vs translating ideas into physical/material work;
> communicating with geographically local communities vs
> dispersed/global presences..
>
> your thoughts on blogs are interesting.. much of it comes down to how
> much time/energy to devote to self promotion?
>
> .. i'm not on raw, if you want to reply.. be direct
>
> tina
>
>
>
> liza sabater <[email protected]> added:
>
>
>> Tina LaPorta the other said to me "As net artists, we've lost out
>> way". It came out of a conversation that net art was supposed to be
>> about decentralization, the rhizome, nomadism and as it is it's
>> become
>> institutionalized. So in effect, the first wave of net artists
>> basically emulated online the very systems they sought to by-pass
>> offline in order to show/disseminate their art. Is this bad? I don't
>> think so because, really, social networking software like wikis and
>> blogs, for example, have exploded in the last 2 years. Rhizome and
>> the
>> first wave of net artists has been around since 1996. Their old farts
>> in web / technology years if you think about it.
>
> twhid replied:
>
> I'm need to comment on this 'net artists lost their way' thing.
>
> I don't see net artists losing their way. There isn't as much of it
> going on, it's not as exciting and new as it was, but to say, "we've
> lost our way" simply makes lots and lots of assumptions about what net
> artists were thinking about in the early days. I for one didn't think
> all that much about rhizomatic structures or nomadism (nomadism?). I
> was more excited about the fact that I, ME, JUST LITTLE OLE ME, had
> access to a mass medium! That was what excited me. Also, most newer net
> art projects use decentralized, networked processes in the make-up of
> the work even if it's being supported by centralized art world
> institutions.
>
>
>
>
>
>
>
> –
>
>
> total screen
> http://tinalaporta.net/totalscreen/
>
> voyeur_web
> http://tinalaporta.net/voyeurweb/
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>

, Lee Wells

Very nicely said Tina.

Cheers,
Lee

On 7/12/04 6:34 PM, "Tina La Porta" <[email protected]> wrote:

> look folks.. i believe i have been somewhat misquoted. first of all i
> said, 'net.art has lost it's way' not we have lost our way. and…
> i don't consider myself an 'old fart' ;)
>
> the discussion intercepted was about the limits of ephemeral media
> practice interfacing with the broader contemporary art world– ie the
> art market. in otherwords, even mark napier can't support himself,
> his art and his family on an occassional net.art commission– just
> like the rest of us
>
> how much time does an artist want to spend with their nose pressed
> against the screen vs translating ideas into physical/material work;
> communicating with geographically local communities vs
> dispersed/global presences..
>
> your thoughts on blogs are interesting.. much of it comes down to how
> much time/energy to devote to self promotion?
>
> .. i'm not on raw, if you want to reply.. be direct
>
> tina
>
>
>
> liza sabater <[email protected]> added:
>
>
>> Tina LaPorta the other said to me "As net artists, we've lost out
>> way". It came out of a conversation that net art was supposed to be
>> about decentralization, the rhizome, nomadism and as it is it's become
>> institutionalized. So in effect, the first wave of net artists
>> basically emulated online the very systems they sought to by-pass
>> offline in order to show/disseminate their art. Is this bad? I don't
>> think so because, really, social networking software like wikis and
>> blogs, for example, have exploded in the last 2 years. Rhizome and the
>> first wave of net artists has been around since 1996. Their old farts
>> in web / technology years if you think about it.
>
> twhid replied:
>
> I'm need to comment on this 'net artists lost their way' thing.
>
> I don't see net artists losing their way. There isn't as much of it
> going on, it's not as exciting and new as it was, but to say, "we've
> lost our way" simply makes lots and lots of assumptions about what net
> artists were thinking about in the early days. I for one didn't think
> all that much about rhizomatic structures or nomadism (nomadism?). I
> was more excited about the fact that I, ME, JUST LITTLE OLE ME, had
> access to a mass medium! That was what excited me. Also, most newer net
> art projects use decentralized, networked processes in the make-up of
> the work even if it's being supported by centralized art world
> institutions.
>
>
>
>
>
>

, Lee Wells

7 years is nothing. Now 10 years that