REASON FOR HUGE BREAKDOWN IN,UNTIL NOW IDYLLIC,WORLD OF NET ART IS ONE DOT.=
SPACE BETWEEN WALL STREET TOWER OF POWER IS FULL OF JUMPING PEOPLE,SOME OF =
THEM STILL FLY AND ROAR:"DOT,DOT,DOOOOOOT!"SOME LAYING ON ASPHALT HYPOCRITI=
CAL PRETEND OR ACTING TOMATO,KETCHUP EVEN…..DOT'S ARE REASON AMERICA'S ON=
LEG 24$ HOURS,PRESIDENT'S(censored)WITH CONDELISE RICE,HE THINK HE'S CLINT=
ON AND MUMBLE:"MONICA,DOT,MONICA,DOT!"CONDOMLISE PRETEND SHE'S (.).THERE'S =
NO WAR IN THE WORLD,ARMISTICE'S EVERYWHERE UNTIL DOT(.)
AFTER NET. ADMIT QUILT AND LIVE NET ALONG!
=
Now something completely different(in honor of "Monthy Python flying dot(.)"
My world is internal. My experiences, feelings, and senses have a life of =
their own inside me.
I experience life very intensely. My art offers others a window into my in=
ternal world.
My internal world and, accordingly, my art is filled with colors, shadows,
transparencies, three-dimentionality, and opptical effects.
One objective of my work is to play with the multiple possibilities of mate=
rials and concepts.
I often use circular and curved shapes, as well as calligraphy. For me, th=
e "circle with a center"
pattern is the basic structure of creation. It is reflected in both the mi=
cro and the macro world.
I have lived in many worlds and the caligraphy helps me to express that. T=
he caligraphy
in my work is spontaneous, ironical, and not literal, even though there are=
some symbols that
are influenced by cartoons and comics.
As an artist, I am gratified when viewers are absorbed and bewildered by th=
e color, depth,
and three-dimentionality of my work. Once my piece is framed, I love it wh=
en a finger fights the urge to
touch the surface, only to crash against the reality of the glass.
KILLER DOT .
-
Type: discussion
Comments
—– Original Message —–
From: manik
To: [email protected]
Sent: Tuesday, August 01, 2006 8:25 AM
Subject: KILLER DOT .
REASON FOR HUGE BREAKDOWN IN,UNTIL NOW IDYLLIC,WORLD OF NET ART IS ONE DO=
T.SPACE BETWEEN WALL STREET TOWER OF POWER IS FULL OF JUMPING PEOPLE,SOME O=
F THEM STILL FLY AND ROAR:"DOT,DOT,DOOOOOOT!"SOME LAYING ON ASPHALT HYPOCRI=
TICAL PRETEND OR ACTING TOMATO,KETCHUP EVEN…..DOT'S ARE REASON AMERICA'S =
ON LEG 24$ HOURS,PRESIDENT'S(censored)WITH CONDELISE RICE,HE THINK HE'S CLI=
NTON AND MUMBLE:"MONICA,DOT,MONICA,DOT!"CONDOMLISE PRETEND SHE'S (.).THERE'=
S NO WAR IN THE WORLD,ARMISTICE'S EVERYWHERE UNTIL DOT(.)
AFTER NET. ADMIT QUILT AND LIVE NET ALONG!
=
Now something completely different(in honor of "Monthy Python flying dot(=
.)"
My world is internal. My experiences, feelings, and senses have a life o=
f their own inside me.
I experience life very intensely. My art offers others a window into my =
internal world.
My internal world and, accordingly, my art is filled with colors, shadows,
transparencies, three-dimentionality, and opptical effects.
One objective of my work is to play with the multiple possibilities of ma=
terials and concepts.
I often use circular and curved shapes, as well as calligraphy. For me, =
the "circle with a center"
pattern is the basic structure of creation. It is reflected in both the =
micro and the macro world.
I have lived in many worlds and the caligraphy helps me to express that. =
The caligraphy
in my work is spontaneous, ironical, and not literal, even though there a=
re some symbols that
are influenced by cartoons and comics.
As an artist, I am gratified when viewers are absorbed and bewildered by =
the color, depth,
and three-dimentionality of my work. Once my piece is framed, I love it =
when a finger fights the urge to
touch the surface, only to crash against the reality of the glass.