HTTP/1

Aug. 1, 2005

Type: discussion

HTTP/1.1-200-OK–Date:-Mon,-01-Aug-2005-16:31:33-GMT–Server:-Apache/2
.0.50-(Fedora)–Last-Modified:-Mon,-01-Aug-2005-05:17:56-GMT–ETag:-"a
b98e9-29b0-5aaa2900"–Accept-Ranges:-bytes–Content-Length:-10672–Con
nection:-close–Content-Type:-text/html———–a:hover-{text-decora
tion:-underline–}—a-{text-decoration:-none;-color:-#ffffff}—body-
{Font-family:-"Arial-Narrow,-Arial,-Verdana,-sans-serif"}——–relat
ed-to-Barok,-which-explores-the-impact-of-language-on-advanced-researc
h,—in-a-culture-whose-economy-is-based-on-production-through-knowled
ge.—Using-a-novel-approach-informed-by-artistic-practice,-it-brings-
together—unlikely-partners,-in-a-series-of-collaborations-and-discus
sions.-Here,-new—understandings-are-reached-about-the-work-which-we-
both-generate-and-value,—through-a-vernacular-which-evolves-from-the
-enclosures-of-specialization.—The-project-is-called:-Barok:-Studies
-in-Nomadic-Information."—content=–"-designer–design–art–define-
beauty–aesthetic-object–Barok:-Studies-of-Nomadic-Information/Nomadi
c-Observations-of-Beauty–art-and-science–art-and-language–aesthetic
s-and-information–art-and-economy–linguistics-and-information–philo
sophy-and-information–architecture-and-art–new-Baroque–art-journal-
-design-journal–science-journal–interdisciplinary–interdisciplinari
ty–innovation–"—–[New]Barok:-Studies-of-Nomadic-Information,-Noma
dic-Observations-of-Beauty——————————–google_ad_cl
ient-=-"pub-1520554961550463";–google_ad_width-=-728;–google_ad_heig
ht-=-15;–google_ad_format-=-"728x15_0ads_al_s";–google_ad_channel-="
";–google_color_border-=-"333333";–google_color_bg-=-"000000";–goog
le_color_link-=-"FFFFFF";–google_color_url-=-"999999";–google_color_
text-=-"CCCCCC";–//——-src="http://pagead2.googlesyndication.com/p
agead/show_ads.js"———————FONT-SIZE:-10pt;-COLOR:-white;-
FONT-FAMILY:-'Arial-Narrow'"–borderColor=#e8e8e7-bgColor=#e8e8e7-ALIG
N-="center"————style="BACKGROUND-COLOR:-#838d99"—-About-Bar&
#333;k————style="BACKGROUND-COLOR:-#838d99"—-Issues———
—style="BACKGROUND-COLOR:-#838d99"—-New-Market————style="B
ACKGROUND-COLOR:-#838d99"—Subscribe———-style="BACKGROUND-COLOR
:-#838d99"—-Contact——————————————–Histo
rically,-the-Baroque-included-the-act-or-result——–of-curving-or-b
ending-and-usually-referred-to-visual-forms.-The–[new]-Barōk,-re
fers-to-an-action,-rather-than-a——–physical-characteristic.-It-de
scribes-the-forces-that-act-upon-information,——-causing-it-to-twis
t-and-turn——–into-new-meanings.———————————-
style="FONT-SIZE:-10pt;-COLOR:-white;-FONT-FAMILY:-'Arial-Narrow';-BAC
KGROUND-COLOR:-#838d99"——–Dear-Reader,——-Welcome-to-our-web-s
ite!-We-are-about-to-launch-our-first-publication:——————Ba
rōk:-Nomadic-Observations-of-Beauty——-Our-intent-is-to-identi
fy-objects-and-moments-of-exceptional-beauty,—–which-are-often-over
looked-because-of-the-complexity-of-information-which-flows-around-us-
every-day.—–Unlike-traditional-publications,-Barōk-seeks-to-lo
cate-nomadic-occurrences-of-beauty-which-may-at-times—–lie-outside-
of-the-established-venues-of-culture;-we-seek-beauty-in-the-unexpected
.—-As-creative-thinkers,-we-find-ourselves-in-unusual-times,-and-it-
seemed-only-fitting-to-structure-a-publication–in-a-manner-which&nbsp
;——-honestly-reflects-its-place-of-origin:-a-culture-based-on-exch
ange.———————–Things-are-a-part-of-our-life;-accumulatin
g-can——–define-us,-acquiring-can-inspire-us,-and-selling-things-w
e-no-longer-want,-can-at-times-be-truly——–exhilarating.-But-thing
s-only-attract-our-attention-momentarily;-Other——–thoughts-and-ex
periences-rush-in,-and-then-quickly-move-on.-We-are——–accustomed-
to-these-fluctuations,-and-can-even-derive-pleasure-from——–them;-
it-is-clear-that-these-small-shifts-often-define-life——–in o
ur-information-world.-Why-is-the-publication-named:——–Barōk:
-Nomadic-Observations-of-Beauty?—-Since-the-end-of-the-20th-century,
-information-has-come-to-be-regarded——–as-something-utilitarian;-
it-is-now-an-economic-resource,-and-is——–considered-on-par-with-o
ther-resources-such-as-labor,-material-or-capital.——–Information-
is-also-unique,-in-that-it-is-ephemeral,-and-quickly-changes——–fo
rm-and-meaning-depending-on-the-context-in-which-it-is-found.———
—With-this-in-mind,-Barōk:-Nomadic-Observations-of-Beauty,–ref
ers-to-moments-in-our-culture-where-flows-of-information-intersect-and
–cross-over,-creating-unique-forms-which-can-clearly-be-described-as-
beautiful.————-Beauty-in-this-sense-is-not-static,-but-a-recog
nition-or–observation,-which-occurs-only-for-a-brief-and-transitory-m
oment,-and-then-is–gone-forever;-except-in-memory-or-by-the-artifacts
-it-leaves-behind.————-Beauty-has-great-importance-in-the-worl
d-of——–information-because-it-becomes-a-carrier-of-meaning.——
–Unlike-science,-it-does-not-investigate-the-causes-of-an-object—–
—or-event.-Where-the-sciences-seek-to-explain;-beauty-only-identifie
s.——–But-identification-within-a-complex-stream-of-words-and-symb
ols-provides-new——–directions-and-indicators,-and-opens-up-fresh-
possibilities;-inventing-words,-objects,——–and-experiences-where-
before-there-was-only-the-chatter-of-the-familiar-and——–meaningle
ss.————–What-can-I-expect-from-this-publication?——Bar&#33
3;k-is-intended-for-a-unique-reader,-who-wishes-to-identify,-observe,-
and-understand-nomadic-forms-of-beauty-submerged-within-the-informatio
n-of-our-culture.-It-is-also-a-source-for-purchasing-unique-objects,-w
hich-are-aligned-with-current-and-transitory-cultural-trends.——-It
-is-our-hope-that-Barōk-will——–provide-our-readers-with-both
-a-calm——–refuge-and-at-times-the-challenge-of-the-unfamiliar.-Si
nce-Barōk-seeks-to-identify-beauty-which-resides-outside-of-the-e
stablished-venues-of-culture,-we-travel-into-areas-of-interest-which-w
ould-otherwise-be-excluded-from-traditional-aesthetic-concerns,-(i.e.-
museums,-galleries,-design-publications,-corporations,-and——–othe
rs-who-may-define-our-public-sense-of-beauty).-This-does-not-mean-we-w
ill-not-include-these——–sources,-but-they-will-not-define-the-lim
its-of-our-investigations.-We-hope-to——–prove,-beauty-can-be-foun
d-in-the-most-unusual-places,-and-beautiful——–objects-can-be-made
-from-almost-anything;-or-nothing.-After-all,-life——–in-a-world-i
nundated-with-data-is-far-too-serious-to-not-allow-for-some——–for
ms-of-play,-and-Barōk-intends-to-provide-many-such-opportunities.
——————————–As-a-monthly-publication,——–Bar&#
333;k-will-feature-four-distinct-areas:————-Objects–Images-of
-unusual——–objects;-from-unlikely-places:-These-images-will-docum
ent-objects-of——–beauty-found-by-researchers-from-many-fields,-in
cluding-the-arts,——–humanities-and-sciences.——-Emerging-obser
vations,–New——–ideas-from-the-disciplines:-including-art,-scienc
e,-technology,-economics,——–and-many-other-fields-as-observations
-occur.——-Historical-observations–Ideas-which-are-already-archive
d:-relevant-ideas-which-may-bubble-up-for-researchers–at-particular-i
ntersections-of-culture.—-The-New-Market—-This-is-the-most-unusual
-part-of——–Barōk.-The-concept-behind-the-New-Market-is-to-pr
ovide———–subscribers-with-an-opportunity-to-purchase-unique-obj
ects,-which-are-both———–beautiful-and-intriguing.-We-are-hoping
-to-develop-new-markets,-for-ideas,———–information,-and-things,
-which-may-not-easily-fit-into-traditonal-categories-of-commerce.—–
——–The-objects-offered-will-reflect-the-theme-of———–the-is
sue,-be-in-limited-quantity,-and-only-be-on-sale-for-a-brief-period—
——–of-time,-(the-first-week-after-the-issue-is-published).-The-ob
jects-will-be-submitted———–by-an-evolving-group-of-artists,-des
igners,-scientists-and-engineers.-The-proceeds———–from-the-sale
s-of-the-objects-will-in-part-support-the-broader———–organizati
on,-Barōk:-Studies-in-Nomadic-Information,-whose-intent-is-to—-
——-serve-under-funded-research-areas-in-the-arts-and-sciences-and-
broaden-our———–understanding-of-these-complex-practices.-)—Pl
ease-click-on-the-Issues-button-at-the-top-of-the-page-to-learn-more-a
bout-the-upcoming-issue.———————————————T
hank-you-for-your-interest.———–style="FONT-WEIGHT:-normal"—–
—-Marta-Lyall—————Editor————–Barōk:-Nomadic-
Observations-of-Beauty——–2442-NW-Market-Street——–Suite-131–
——Seattle,-WA-98107—————[email protected]————-
——–http://pagead2.googlesyndication.com/pagead/show_ads.js-------
-http://www.newbarok.org
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Comments

2005-08-01 18:09, Rhizomer

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rol:-no-store,-no-cache,-must-revalidate,-post-check=0,-pre-check=0–P
ragma:-no-cache–X-Pingback:-http://www.dunadigital.com/adee/noticias/
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nfo——————-Admin——————-Registro—————-
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out,-links,-etc…————————————–The-searchform
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ienal-Interactiva-05-y-publica-un-comentario-en-su-weblog,-incluyendo-
un-listado-de-links-relacionados.—-¿Todavia-no-tienes-Tempus-Fugit
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eply-»»———————-Name——————-Email-
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icias/xmlrpc.php–http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.
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2005-08-01 18:15, Rhizomer

2005-08-21 11:24, Rhizomer

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-.deleted-comment-{font-style:italic;color:gray;}—–#profile-contain
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trong-{-}—–#profile-container-p-{-}—–#profile-container-.profile
-textblock-{-}————–.profile-link-a:link-{color:#999999;text-d
ecoration:none;}————–.profile-link-a:active-{color:#ff0000;te
xt-decoration:none;}————–.profile-link-a:visited-{color:#9999
99;text-decoration:none;}—–.profile-link-a:hover{color:#DE7008;text
-decoration:none;}————————–@import-url("http://www.bl
ogger.com/css/blog_controls.css");–@import-url("http://www.blogger.co
m/dyn-css/authorization.css?blogID502186");———@import-url(htt
p://www.blogger.com/css/navbar/main.css);–@import-url(http://www.blog
ger.com/css/navbar/1.css);———-blogthis"-BlogThis!–function-Blog
This()-{Q='';x=document;y=window;if(x.selection)-{Q=x.selection.create
Range().text;}-else-if-(y.getSelection)-{-Q=y.getSelection();}-else-if
-(x.getSelection)-{-Q=x.getSelection();}popw-=-y.open('http://www.blog
ger.com/blog_this.pyra?t='-+-escape(Q)-+-'&u='-+-escape(location.href)
-+-'&n='-+-escape(document.title),'bloggerForm','scrollbars=no,width=4
75,height00,top5,leftu,status=yes,resizable=yes');void(0);}—-
———————-blog-art———-curators:-marisa-s.-olson-and-
abe-linkoln——————————Saturday,-August-13,-2005—-
—— ——-Johanna-Marxer's-"Minute-Library"————http:/
/www.minutelibrary.com/present/index.php-------#-posted-by-Marisa-S.-O
lson-@-6:55-PM 1-comments- ——————— ——
-"x257.com"————http://x257.com/-------#-posted-by-Marisa-S.-Ol
son-@-6:54-PM 1-comments- ———————–Wednesday,-
August-10,-2005———- ——-"postsecret"————http://p
ostsecret.blogspot.com/-------#-posted-by-Marisa-S.-Olson-@-12:21-AM&n
bsp;2-comments- ——————— ——-893-"YOU-are-th
e-magic,-YOU'RE-right-where-i-wanna-be!"————http://umeancompet
itor.blogspot.com/-------#-posted-by-Marisa-S.-Olson-@-12:20-AM 2
-comments- ——————— ——-"blogebrity"——–
—-http://blogebrity.com/-------#-posted-by-Marisa-S.-Olson-@-12:19-A
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 ——-freeway-blogger————http://www.freewayblogger.com/
——-#-posted-by-Abe-W.-Linkoln-@-12:16-AM 0-comments- —
—————— ——-marc-horowitz-"national-dinner-tour"—
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og-art.blogspot.com/2005/08/eggagog-this-is-fun-to-make-blog-on.html--
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2005-08-23 10:26, Rhizomer

2005-08-26 16:18, Rhizomer

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