NAR announcements

http://netartreview.net

In this message:
1) News
2) List of Weekly Features
3) list of monthly Features

1)News:
Net Art Review in the process of collaboration now has four Contributing
Editors:
Ana Boa-Ventura –Contributing Editor (Austin, TX, US)
Molly Hankwitz – Contributing Editor (Brisbane, AU/San Francisco, US)
Lora McPhail – Contributing Editor (Los Angeles, CA, US)
Eduardo Navas – Contributing Editor (Los Angeles/San Diego, CA, US)

NAR would like to thank Lora McPhail for doing a great job as Editor in
Chief for the last year and a half. We have switched to the format of four
contributing writers to be efficient under different circumstances. We hope
to bring our readers a better interface and even more diverse content in the
near future.

As always NAR offer daily announcements and recommendations as well as news,
so drop by often.


2)Weekly Features:
For the last two months or so, Molly Hankwitz has been editing a series of
Weekly Features focusing on Art and Mobile Tech:

http://netartreview.net/weeklyFeatures/2005_05_08_archive.html
NAR REVIEW: BLAST THEORY
BY: Ana Boa-Ventura

GPS and other mobile devices are questioning in an unprecedented way
conceptual splits between the 'real' and on-screen spaces. 'Mixed reality'
is the term used to designate this new art and research field where reality
and the virtual are connected through mostly mobile and wireless
technologies.

PROJECT HIGHLIGHT::

URBAN TAPESTRIES
Experimenting with Urban Space and ICTs

Techniques of Collaboration
Urban Tapestries focuses on asynchronous human interactions in the urban
environment, developing a layer of wireless communications to support the
sharing of 'social knowledge'. A key aspect of our collaboration has been
monthly day-long meetings where the core team has assembled together to
brainstorm and bodystorm key issues and ideas.



http://netartreview.net/weeklyFeatures/2005_05_15_archive.html
oveJACKETS and FLICKR PEEP SHOW
BY::Mark R Hancock

Our wireless, networked world of alone-yet-together in the Ethernet, begs
many different questions about what this new way of being means. How will
businesses create new ways of generating revenue? How will media companies
sell their output to us? What will be the future of print media?


http://netartreview.net/weeklyFeatures/2005_05_22_archive.html
ARTISTS AND MAPPING:Situationism and Locative Media
BY:: Ana Boa-Ventura

The Situationists were no different from the Dadaists and the Surrealists in
their desire to suppress art. Art and culture should be part of everyday
life, and it is an interesting component of recent art, that the
Situationist International is often associated with emerging locative media,
ubiquitous computing and urban life.


http://netartreview.net/weeklyFeatures/2005_05_29_archive.html
PROJECT::Netzfunk
BY: Ignacio Nieto

Netzfunk grupo de personas que trabaja el arte del silencio, esta
produciendo en Santiago de Chile, hasta finales de Junio, un taller de
tecnologias suaves para el postgrado de Estetica de la Universidad de Chile.
El objetivo principal del taller es transgredir la mirada apolitica que se
tiene sobre objetos tecnologicos, alterando su utilidad funcional a una
discursividad politica.


OTHER*PROJECTS::Mobile Research and the Asian Space
BY::Molly Hankwitz

Cross cultural collaboration drives much of the compelling creative
communications in Oceania and Southeast Asia. Networked art plays between
national spaces and is recognized with great interest for this reason.
Projects such as Fibreculture, Multimedia Arts Asia Pacific and Seoul 'Media
City' link artists, theorists, researchers and cultural policy-makers from
the disparate geographies. The degree, however, to which net artists can
play any role in the development of 'communications' networks is an area of
art and technology (despite low-budget 'wi fi')that remains to be seen.




Currently:
http://netartreview.net
ART AND MOBILE TECH::PROJECTS REVIEW::

Speakers Corner Revisited or Sound and Free Speech in the City
BY::Ana Boa-Ventura

Its authors call it a mobile sculpture. One Free Minute
relies on a sculptural object that looks like one of those tabletop vintage
record players. This project is about public discourse, and the ways in
which it has been affected by technology. It turns the private world of the
cell phone up on its head, and adds an element of 'free speech'. The first
performance date: Friday June 3, 5-7PM EST, at the Oval of the Ohio State
University.

———–

This month Net Art Review Features

::NET.TEN:: \Online Selections//
BY: Sala-manca

This month Net Art Review invites sala-manca, a collaborative based in
Jerusalem to recommend ten online resources to our readers.
http://netartreview.net/monthly/06051.html

FEATURE.REVIEW: Blogtalk DownUnder
BY Mark R. Hancock

The proliferation of blogs over the past few years has been incredible. Most
people who have an Internet connection know at least one person who authors
a blog, or they, themselves, maintain and write one. In a few short years,
blogs topics have covered the gamut from pregnancy to hypertext theory .
http://netartreview.net/monthly/06052.html

FEATURE.INTERVIEW:
Ignacio Nieto Interviews Simon Schiessl

Simon Schiessl: My work is mainly about physical objects. I am not so much
interested in working within the medium "computer" - It is more about
generating complex installations in which data processing is just one part
among others. In most of my pieces I try to avoid standard user interfaces:
the 3:4 computer screen; mouse; keyboard; and, including underlying
operating systems, as I feel limited by them. In fact, I don't like personal
computers, but I do like circuits.
http://netartreview.net/index.php

FEATURE.REVIEW:
Action = to activate the image
BY Ana Valdes

Actions are based on response and collaboration. The action includes the
process - the joining of the elements and the events that take place, and
the result - the work of art including its encounter with the participants
and/or audience, and its connection to the original situation, the source of
the work.
http://netartreview.net/monthly/06054.html

n an ongoing collaboration, this month NAR features another .PDF originally
published in a minima:: No.11, a media and contemporary art publication
based in Spain. This month Ana Vujanovic interviews Igor Stromajer.
http://netartreview.net/monthly/igor.pdf

Comments

, Eduardo Navas

In this message from NAR:
http://netartreview.net

1) excerpts from monthly features
2) excerpts from weekly features


We want to say good bye to Garrett Lynch, one of our founding contributors.
Garrett contributed to NAR for over two years. We miss him. We thank
Garrett for all his hard work and wish him the best on developing his
artwork.
———

This month NAR offers the net.ten by invited artist Annina Rust, writing by
Kristen Palana on the Internet and Tanzania, a especial commentary by Raquel
Herrera Ferrer on Interactiva, a review of InteractivA by Eduardo Navas, and
a theoretical text, in PDF format, by Antonio Cerveira Pinto released in
collaboration with a minima:: a biligual print publication based in Spain.

The weeklies offer one week focus on war and terror plus writings on Art and
Globalization by Molly Hankwitz, Lora McPhail and Eduardo Navas.

——–

1) Monthlies

::NET.TEN:: \Online Selections//
BY: Annina Rust

This month Net Art Review invites Annina Rust to recommend ten online
resources to our readers.
http://netartreview.net/monthly/0805_5.html

SPECIAL REPORT.REVIEW:
INTERACTIVA 05,
THE POSTCOLONIAL DILEMMA OF INTEGRATION VS. OPPOSITION
BY: Eduardo Navas

The biennale InteractivA 05 took place for the third consecutive time in
Merida, Yucatan, Mexico. Raul Ferrera Balanquet was the executive curator;
Lucrezia Cippitelli and Gita Hashemi were the invited curators. Artists from
different countries participated contributing works that included
installations as well as Internet projects (for a complete list of artists,
please see the InteractivA 05 website). This was by far the most ambitious
and best organized InteractivA, yet. The biennale not only consisted of an
exhibition in three major galleries of the Centro Cultural Olympo in
Downtown Merida, but it also included a series of conferences which took
place over nine days, from July 16–25.
http://netartreview.net/monthly/0805_4_1.html

SPECIAL FEATURE.COMMENTARY:
INTERACTIVA '05 O LA EXISTENCIA DE MERIDA/
INTERACTIVA '05 OR MERIDA'S EXISTENCE

BY: Raquel Herrera Ferrer

I was surprised, from my let's call it "barcelonian" point of view, of the
constant debate articulated around "postcolonial" issues, and of how a
biennal like Interactiva wasn't considered only as an "act of faith" but as
a "political act" too. However, I have the impression that this double
approach vertebrating the possible interpretations of the sense, survival
and sustainable quality of Interactiva towards its future would put aside a
very important reverse: independence as a choice, as a preference, as a
"relief" from a pressing and suffocating art "Establishment".

Me sorprendio desde digamos mi "barcelonismo" el debate constante que se
articulo entorno a cuestiones "poscoloniales", y de como en estos terminos
una bienal como Interactiva constituia no solamente un "acto de fe", sino
tambien un "acto politico". Sin embargo, tengo la impresion de que este
planteamiento que vertebraba una y otra vez las eventuales interpretaciones
sobre el sentido, la pervivencia, la sostenibilidad de Interactiva de cara
al futuro dejaba de lado un reverso muy importante: la independencia como
eleccion, como preferencia, como alivio frente a un establishment que
aprieta y a menudo ahoga.
http://netartreview.net/monthly/0805_3.html


FEATURE.REVIEW: In Some Parts of the World, It's 1996 all Over Again
BY: Kristen Palana

The problem with the Utopia that is the Internet is that it has only been
available to a small percentage of the world's population. For Net Artists
it means that maybe we're not always reaching the audience we want. If
traditional Fine Art galleries are for the rich and well connected, the
Internet (like a street mural) was supposed to be the ultimate gallery and
forum accessible to the masses. In the United States and in Industrial
countries, it IS accessible. Even though there still exists a technological
divide between the rich and poor, nearly everyone in an Industrial Country
can walk into their local library and …voila!
-Connection-information-communication- and random time wasting cartoons and
games are at our fingertips. Even my parents know how to do it. My dad likes
those Shockwave slot machine games…
http://netartreview.net/monthly/0805_2.html


In an ongoing collaboration, this month NAR features another .PDF originally
published in a minima::, a media and contemporary art publication based in
Spain. This month features "Not-Art: Learning from computers is not the next
but actually the now big thing of 'post-modern', 'post-human' art" by
Antonio Cerveira Pinto.

:I took the expression Not-Art from a Terry Atkinson essay on the
possibility of a post-pictorialist, informational art practice that would
have to be carried on by a new artist specimen, other than the one modeled
upon the bleeding ear of Van Gogh. Significant parts of Terry's essay were
transcripted into this brief memo on the future of art in a world submitted
to an expanding and pervasive cybernetic paradigm.:
http://netartreview.net/monthly/Pinto.pdf


2) Weeklies

:: Wednesday, July 13, 2005 ::
PROJECT REVIEWS:: THE WAR ON TERROR
What to Do without Dialogue in These Times
BY: Molly Hankwitz

PROJECT REVIEW::
Carrizo-Parkfield Diaries
BY: Eduardo Navas
http://netartreview.net/weeklyFeatures/2005_07_10_archive.html

:: Wednesday, July 20, 2005 ::
A brief look at Art and Globalization
Edited by Eduardo Navas
http://netartreview.net/weeklyFeatures/2005_07_17_archive.html

:: Wednesday, July 27, 2005 ::

ada'iat_2004/2005 through spaces of Fortress EU's southwest border
by Molly Hankwitz

Project.Review: Antiwargame, boredom as commentary
by Eduardo Navas
http://netartreview.net/weeklyFeatures/2005_07_24_archive.html

:: Tuesday, August 02, 2005 ::
PROJECT:: hack.it.art
an exhibition and event about technological,
artistic and political activism in Italy
January 14th to February 27th, 2005

Kunstraum Kreuzberg/Bethanien,Berlin
REVIEWED BY:: Molly Hankwitz

ROJECT::HIGHLIGHT
Low-fi
new works by international artists using networked media
http://netartreview.net/weeklyFeatures/2005_07_31_archive.html


:: Wednesday, August 10, 2005 ::
urnoff: comments on PC turnoff week by Lora McPhail
http://netartreview.net/weeklyFeatures/2005_08_07_archive.html