LEA Feb '05: River of Many Sides

*sincere apologies for cross-posting*

Leonardo Electronic Almanac: February 2005
ISSN#1071-4391
art | science | technology - a definitive voice since 1993
http://lea.mit.edu

In this month's LEA, Irina Aristarkhova starts things off with an
editorial in which she reflects on the "tyranny of the possible"
that artists are presented with in their work with
various media. This tyranny, she argues, confronts artists with
the need to make wise use of the myriad choices available to
them.

In "Crossing the Bridge," Annette Barbier discusses the
performance of River of Many Sides, an interactive media
performance that involved the collaboration of artists from the
U.S.A. and Vietnam, as well as the many cross-cultural issues that
arose out of the process. Unsurprisingly, what is known to
Americans as "The Vietnam War" and to Vietnamese as "The American
War" emerges as a central influence on the work.

From LEA's archive, first published in July 1994, Greg Garvey
provides insight into his Automatic ConfessionMachine (ACM), and
Stephen Bell explores the aesthetics of interaction in an article
and anotated list of characteristics.

Leonardo Reviews brings us discussions of a festival and two
conferences with some interesting meeting points: DEAF (the Dutch
Electronic Arts Festival) '04, in which a central concern was the
nexus between the electronic arts and consciousness studies; a
conference of the American Synesthesia Association; and
Consciousness Reframed: Qi and Complexity, which explored notions
of consciousness, spirituality and the arts.

************************************************************************

Latest Calls for Papers
——————————

* Locative Media *

LEA is seeking papers on locative media, a condition of emergence,
simultaneously opening up new ways of engaging in the world and
mapping its own domain. For this issue, submissions that present
the exploratory movements of Locative Media in historical context
are of equal interest to submissions that offer a snap shot or
polaroid of its current state of emergence.

Deadline for submissions: 7 March 2005
More info:
http://mitpress2.mit.edu/e-journals/LEA/LEA2004/authors.htm#lmedia
Submit: lctvmedia [@] astn [dot] net

LEA Information and URLs
——————————————-
Receive your FREE subscription to the Leonardo Electronic Almanac
e-mail digest at http://mitpress.mit.edu/lea/e-mail – just
provide your email address, name, and password, and check off that
you'd like to be added to the Leonardo Electronic Almanac monthly
e-mail list to keep on top of the latest news in the Leonardo
community.

How to advertise in LEA?
http://mitpress2.mit.edu/e-journals/Leonardo/isast/placeads.html#LEAads

For a paid subscription (to become an ISAST member and access
archives dating back to 1993):
http://mitpress.mit.edu/catalog/item/default.asp?ttype=4&tid=27&mode=p

The Leonardo Educators Initiative
——————————————————-
The Leonardo Abstracts Service (LABS) is a comprehensive database
of abstracts of Ph.d, Masters and MFA theses in the emerging
intersection between art, science and technology. Thesis Abstract
Submittal form at http://leonardolabs.pomona.edu

LEA also maintains a discussion list open only to faculty in the
field. Faculty wishing to join this list should submit their
details @ http://mitpress2.mit.edu/e-journals/LEA/faculty.html

What is LEA?
———————-
For over a decade, the Leonardo Electronic Almanac (LEA) has
thrived as an international peer-reviewed electronic journal and
web archive, covering the interaction of the arts, sciences and
technology. LEA emphasizes rapid publication of recent work and
critical discussion on topics of current excitement. Many
contributors are younger scholars and artists, and there is a
slant towards shorter, less academic texts.

Contents include Leonardo Reviews, edited by Michael Punt,
Leonardo Research Abstracts of recent Ph.D. and Masters theses,
curated Galleries of current new media artwork, and special issues
on topics ranging from Artists and Scientists in times of War, to
Zero Gravity Art, to the History of New Media.

Copyright

Comments

, Nisar Keshvani

*sincere apologies for cross-posting*

Leonardo Electronic Almanac: February 2005
ISSN#1071-4391
art | science | technology - a definitive voice since 1993
http://lea.mit.edu

In this month's LEA, Irina Aristarkhova starts things off with an editorial in which she reflects on the "tyranny of the possible" that artists are presented with in their work with
various media. This tyranny, she argues, confronts artists with the need to make wise use of the myriad choices available to them.

In "Crossing the Bridge," Annette Barbier discusses the performance of River of Many Sides, an interactive media performance that involved the collaboration of artists from the
U.S.A. and Vietnam, as well as the many cross-cultural issues that arose out of the process. Unsurprisingly, what is known to Americans as "The Vietnam War" and to Vietnamese as "The American War" emerges as a central influence on the work.

From LEA's archive, first published in July 1994, Greg Garvey provides insight into his Automatic ConfessionMachine (ACM), and Stephen Bell explores the aesthetics of interaction in an article and anotated list of characteristics.

Leonardo Reviews brings us discussions of a festival and two conferences with some interesting meeting points: DEAF (the Dutch Electronic Arts Festival) '04, in which a central concern was the nexus between the electronic arts and consciousness studies; a conference of the American Synesthesia Association; and Consciousness Reframed: Qi and Complexity, which explored notions of consciousness, spirituality and the arts.

************************************************************************

Latest Calls for Papers
——————————

* Locative Media *

LEA is seeking papers on locative media, a condition of emergence, simultaneously opening up new ways of engaging in the world and mapping its own domain. For this issue, submissions that present the exploratory movements of Locative Media in historical context are of equal interest to submissions that offer a snap shot or polaroid of its current state of emergence.

Deadline for submissions: 7 March 2005
More info: http://mitpress2.mit.edu/e-journals/LEA/LEA2004/authors.htm#lmedia
Submit: lctvmedia [@] astn [dot] net

LEA Information and URLs
——————————————-
Receive your FREE subscription to the Leonardo Electronic Almanac e-mail digest at http://mitpress.mit.edu/lea/e-mail – just provide your email address, name, and password, and check off that you'd like to be added to the Leonardo Electronic Almanac monthly e-mail list to keep on top of the latest news in the Leonardo community.

How to advertise in LEA?
http://mitpress2.mit.edu/e-journals/Leonardo/isast/placeads.html#LEAads

For a paid subscription (to become an ISAST member and access archives dating back to 1993): http://mitpress.mit.edu/catalog/item/default.asp?ttype=4&tid'&mode=p

The Leonardo Educators Initiative
——————————————————-
The Leonardo Abstracts Service (LABS) is a comprehensive database of abstracts of Ph.d, Masters and MFA theses in the emerging intersection between art, science and technology. Thesis Abstract Submittal form at http://leonardolabs.pomona.edu

LEA also maintains a discussion list open only to faculty in the field. Faculty wishing to join this list should submit their details @ http://mitpress2.mit.edu/e-journals/LEA/faculty.html

What is LEA?
———————-
For over a decade, the Leonardo Electronic Almanac (LEA) has thrived as an international peer-reviewed electronic journal and web archive, covering the interaction of the arts, sciences and technology. LEA emphasizes rapid publication of recent work and critical discussion on topics of current excitement. Many contributors are younger scholars and artists, and there is a slant towards shorter, less academic texts.

Contents include Leonardo Reviews, edited by Michael Punt, Leonardo Research Abstracts of recent Ph.D. and Masters theses, curated Galleries of current new media artwork, and special issues on topics ranging from Artists and Scientists in times of War, to Zero Gravity Art, to the History of New Media.

Copyright© 1993 - 2005: The Leonardo Electronic Almanac is published by Leonardo / International Society for the Arts, Sciences and Technology (ISAST) in association with the MIT Press. All rights reserved.

, Jim Andrews

> *sincere apologies for cross-posting*

There is no such thing as a sincere apology for cross-posting.

ja