atc @ ucb: rirkrit tiravanija, monday 7:30pm

next week, as we put the count into country, rirkrit tiravanija will
address the subject of land. -ken
———————————————————

The Art, Technology, and Culture Colloquium
of UC Berkeley's Center for New Media Presents:

the land
Rirkrit Tiravanija, New York, Bangkok, and Berlin

Mon, 1 Nov, 7:30-9pm: UC Berkeley, 160 Kroeber Hall
All ATC Lectures are free and open to the public.

The land project was initiated by Rirkrit and Kamin Letchaiprasert as
a self-sustaining environment emerging from the artistic community.
The land is located in the northern part of Thailand, near the village
of Sanpathong, 20 km southwest from the provincial city of Chiang Mai.
It is intended to be cultivated as an open space or community free
from ownership, with elements favoring discussions and experimentation
in the fields of culture. The land is open to the day-to-day
activities of local living (i.e. the growing of rice) and to the
neighboring community. On the social field of the land, artistic
practices are discussed and tested. This project, a hybrid of
innovation and traditionalism, contrasts contemporary materials and
technologies with ancient forms of agriculture.

While the land is a rice field and a garden, freely accessible to all,
it also supports architectural constructions that may be utilized in
variety of ways, from shelters for sleeping to kitchens for cooking to
platforms from which to deliver lectures or performances. A number of
artists and architects are involved in this aspect of the land's
potential, though participation is not confined solely to those in the
arts. The people who have contributed to the land's structure so far
have come from both local and international artistic backgrounds, with
artists such as: Kamin Letchaiprasert, Mitr Jai Inn, Tobias Rehberger,
Philippe Parreno, Francois Roche, Angkrit Ajchariyasophon, Prachaya
Phinthong, the artist group SUPERFLEX and Tiravanija. These small
constructions vary from outhouses collecting biogas which is later
converted for cooking, to kitchens and a central hall with generator
powered by elephants' movements, to living (meditation) huts are
designed and built as artistic and architectural experiments, although
they also function as spaces which artists, students, and farmers
alike can utilize. Because the land is empty of expectation, it is
truly open to possibility, and in this openness, science,
architecture, art, religion, technology, and the environment all play
a part in determining the design and function of the space. In a
sense, it is through this complete lack of determination that so many
experiments, and discoveries are engendered: emptiness as an
incubator, of sorts.

Anyone may build a new structure on the land with the only condition
being that the addition remain accessible to all, as is the goal of
the land generally. We provide the land and commit to care-taking and
repairs of the buildings that are to remain on the land on a permanent
basis, but encourage each artist to raise the funding for the actual
construction. Rirkrit's own structure, as well as that of Tobias
Rehberger, was exhibited as part of the "What If…Art on the Verge of
Architecture and Design" curated by Maria Lind at the Moderna Museet
Stockholm.

====================================================================

Rirkrit Tiravanija was born in Buenos Aires, Argentina, in 1961. After
high school in Bangkok, Thailand, he studied at the Ontario School of Art
in Toronto, the Banff Center School of Fine Arts, the School of the Art
Institute of Chicago, and the Whitney Independent Studies Program in New
York. He has exhibited widely, including solo shows at Kunsthalle Basel,
The Museum of Modern Art, New York, Los Angeles County Museum of Art;
Portikus, Frankfurt; and Secession, Vienna. For the 50th International
Venice Biennale (2003), he co-curated Utopia Station, which has since
traveled to several venues, most recently opening at the Haus der Kunst,
Munich. Since 1998, Tiravanija has also been working on The Land, a
large-scale collaborative and transdisciplinary project near Chiang Mai,
Thailand. Tiravanija is a finalist for the 2004 Hugo Boss Prize and lives
and works in New York, Bangkok, and Berlin.

====================================================================

The ATC is sponsored by UC Berkeley's: Center for New Media, Office of the
Executive Vice Chancellor and Provost, College of Engineering
Interdisciplinary Studies Program, Center for Information Technology in
the Interest of Society, Consortium for the Arts, BAM/PFA, Townsend Center
for the Humanities, and the Intel Corporation.

ATC Director: Ken Goldberg
ATC Associate Director: Greg Niemeyer
ATC Assistant: Therese Tierney
Curated with ATC Advisory Board

Full F04-S05 series schedule and video archive:
http://www.ieor.berkeley.edu/~goldberg/lecs/

Contact: [email protected], or phone: (510) 643-9565

Comments

, Rachel Greene

Begin forwarded message:

> From: Ken Goldberg <[email protected]>
> Date: October 27, 2004 11:41:52 AM EDT
> To: "announce atc @ ucb" <[email protected]>
> Subject: atc @ ucb: rirkrit tiravanija, monday 7:30pm
>
> next week, as we put the count into country, rirkrit tiravanija will
> address the subject of land. -ken
> ———————————————————
>
> The Art, Technology, and Culture Colloquium
> of UC Berkeley's Center for New Media Presents:
>
> the land
> Rirkrit Tiravanija, New York, Bangkok, and Berlin
>
> Mon, 1 Nov, 7:30-9pm: UC Berkeley, 160 Kroeber Hall
> All ATC Lectures are free and open to the public.
>
> The land project was initiated by Rirkrit and Kamin Letchaiprasert as
> a self-sustaining environment emerging from the artistic community.
> The land is located in the northern part of Thailand, near the village
> of Sanpathong, 20 km southwest from the provincial city of Chiang Mai.
> It is intended to be cultivated as an open space or community free
> from ownership, with elements favoring discussions and experimentation
> in the fields of culture. The land is open to the day-to-day
> activities of local living (i.e. the growing of rice) and to the
> neighboring community. On the social field of the land, artistic
> practices are discussed and tested. This project, a hybrid of
> innovation and traditionalism, contrasts contemporary materials and
> technologies with ancient forms of agriculture.
>
> While the land is a rice field and a garden, freely accessible to all,
> it also supports architectural constructions that may be utilized in
> variety of ways, from shelters for sleeping to kitchens for cooking to
> platforms from which to deliver lectures or performances. A number of
> artists and architects are involved in this aspect of the land's
> potential, though participation is not confined solely to those in the
> arts. The people who have contributed to the land's structure so far
> have come from both local and international artistic backgrounds, with
> artists such as: Kamin Letchaiprasert, Mitr Jai Inn, Tobias Rehberger,
> Philippe Parreno, Francois Roche, Angkrit Ajchariyasophon, Prachaya
> Phinthong, the artist group SUPERFLEX and Tiravanija. These small
> constructions vary from outhouses collecting biogas which is later
> converted for cooking, to kitchens and a central hall with generator
> powered by elephants' movements, to living (meditation) huts are
> designed and built as artistic and architectural experiments, although
> they also function as spaces which artists, students, and farmers
> alike can utilize. Because the land is empty of expectation, it is
> truly open to possibility, and in this openness, science,
> architecture, art, religion, technology, and the environment all play
> a part in determining the design and function of the space. In a
> sense, it is through this complete lack of determination that so many
> experiments, and discoveries are engendered: emptiness as an
> incubator, of sorts.
>
> Anyone may build a new structure on the land with the only condition
> being that the addition remain accessible to all, as is the goal of
> the land generally. We provide the land and commit to care-taking and
> repairs of the buildings that are to remain on the land on a permanent
> basis, but encourage each artist to raise the funding for the actual
> construction. Rirkrit's own structure, as well as that of Tobias
> Rehberger, was exhibited as part of the "What If…Art on the Verge of
> Architecture and Design" curated by Maria Lind at the Moderna Museet
> Stockholm.
>
> ====================================================================
>
> Rirkrit Tiravanija was born in Buenos Aires, Argentina, in 1961. After
> high school in Bangkok, Thailand, he studied at the Ontario School of
> Art
> in Toronto, the Banff Center School of Fine Arts, the School of the Art
> Institute of Chicago, and the Whitney Independent Studies Program in
> New
> York. He has exhibited widely, including solo shows at Kunsthalle
> Basel,
> The Museum of Modern Art, New York, Los Angeles County Museum of Art;
> Portikus, Frankfurt; and Secession, Vienna. For the 50th International
> Venice Biennale (2003), he co-curated Utopia Station, which has since
> traveled to several venues, most recently opening at the Haus der
> Kunst,
> Munich. Since 1998, Tiravanija has also been working on The Land, a
> large-scale collaborative and transdisciplinary project near Chiang
> Mai,
> Thailand. Tiravanija is a finalist for the 2004 Hugo Boss Prize and
> lives
> and works in New York, Bangkok, and Berlin.
>
> ====================================================================
>
> The ATC is sponsored by UC Berkeley's: Center for New Media, Office of
> the
> Executive Vice Chancellor and Provost, College of Engineering
> Interdisciplinary Studies Program, Center for Information Technology in
> the Interest of Society, Consortium for the Arts, BAM/PFA, Townsend
> Center
> for the Humanities, and the Intel Corporation.
>
> ATC Director: Ken Goldberg
> ATC Associate Director: Greg Niemeyer
> ATC Assistant: Therese Tierney
> Curated with ATC Advisory Board
>
> Full F04-S05 series schedule and video archive:
> http://www.ieor.berkeley.edu/~goldberg/lecs/
>
> Contact: [email protected], or phone: (510) 643-9565
>