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"Good morning",
Are you already ready to our guided visit in the second floor of the Museum=
of the Essential and Beyond That?
The second floor of the museum is part of the primitive building and its ga=
lleries are created for the inauguration of it / July - 2002. Yes, the muse=
um have grown a lot since its inauguration, one year ago: the attic, Paris =
Connection and the terrace did not exist when our institution was launched=
. The text below was written to the inauguration
The museum started out as a "work in progress": so is it information archit=
ecture? But it is also an imaginary two-story pixel-building with a basemen=
t. The building's architectural design can be changed at any time, whether =
by constructing another story or changing part of its shape - a Niemeyer de=
sign, constellation, space station, Piranesi engraving: creative interface
. This museum was conceived as an open structure in which information is sp=
read out in a number of spaces; a machine that can travel infinitely in all=
directions.
However the second floor galleries are always being enriched with new works=
. The museum seems to be an alive organism, a spatial-temporal shape built =
up through movement: transportation and communication able to grow in the =
most different ways. We have already lots of growing projects to 2004… Yo=
u must wait!
Below the map of the second floor:
As you can see, there are four galleries and a spam room in the second floo=
r.
Galleries and artists:
1- Cloning and web: Babel, Isabel Aranda and Regina Celia Pinto
2- The concept of borders today: Agricola de Cologne, Alan Sondheim, Antoni=
o Alvarado, Barry Smilie & Rian Douglas, George Hartley & Juan Felipe Herre=
ra, Lewis Lacook, Miguel A. Jimenez and Suely Farhi
3- Cartographies and globalization: Caterina Davinio, Giovanni Strada, Hele=
nice Dorneles, Lia Belart, Luc Fierens, Marcelo Frazao, Muriel Frega, Nil=
da Saldamando, Ricardo Corona & Eliane Borges, Sandra Miguelez & Rafael G=
onzalez
4- Borders of web.art, net.art and art today: Alvaro Ardevol, Barry Smyli=
e and Ryan Douglas, Brad Brace, Diana Domingues and Artecno Group, Freder=
ic Durieu & Jean-Jacques Birge, Guto Nobrega, Isabel Aranda, Isabel Sai=
j, Jim Andrews, Joeser Alvarez, Manik, Regina Celia Pinto, Reiner Stras=
ser, Ricardo Baez-Duarte, Roberto Echen, Sarawut Chutiwongpeti, Tanja Vuj=
inovik & Zvonka Simcik
and the spams room, where the uruguayan Clemente Padin invites you to sen=
d one of his famous spams, including the spam of the museum ;-))
As you can see to visit the second floor is a varied program because we hav=
e artists of several parts of the world, grouped by work and subject. If yo=
u did not visit the second floor yet, browser at:
http://arteonline.arq.br (click the logo map) and enjoy our diversified col=
lection.
and many thanks to all artists that are showing their works in the second =
floor. If you are not and want to join us, choose your gallery and send an =
email to: [email protected]
…Tomorrow the first floor, do not lose!
Regina Celia Pinto
(director of the Museum of the Essential and Beyond That)
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<DIV align=center><FONT face=Arial size=2><STRONG>"Good morning",
</STRONG></FONT></DIV>
<DIV align=center><STRONG><FONT face=Arial size=2></FONT></STRONG>&nb=
sp;</DIV>
<DIV align=center><FONT face=Arial size=2><STRONG>Are you already&nbs=
p;ready to
our guided visit in the second floor of the Museum of the Essential and Bey=
ond
That?</STRONG> </FONT></DIV>
<DIV align=center><FONT face=Arial size=2>The second floor of the mus=
eum is part
of the primitive building and its galleries are created for the
inauguration of it / July - 2002. Yes, the museum have grown a lot since it=
s
inauguration, one year ago: the attic, Paris Connection and the terra=
ce
did not exist when our institution was launched. The text below was written=
to
the inauguration</FONT></DIV>
<DIV align=center>
<P><FONT face=Arial color=#000000 size=2>The museum started out as a =
"work in
progress": so is it information architecture? But it is also an imaginary=
<STRONG>two-story pixel-building with a basement</STRONG>
Are you already ready?
-
Type: discussion