ATC@UCB:
Sound Unbound: Strategies for Reconstructing Media
Paul Miller aka DJ Spooky, with 47
The Art, Technology, and Culture Colloquium
Mon, 16 Sept, 7:30-9:30pm: UC Berkeley,
Location: 160 Kroeber Hall
All ATC Lectures are free and open to the public.
Miller's Sound Unbound will be a "live" multi-media audio and visual
presentation of the history of digital art and media from the
viewpoint of an artist who remixes "found" audio and video using
turntables and digital projectors. History itself will be the
material for the mix, and the lecture presentation will focus on how
dj culture has evolved out of the same technologies that are used for
digital media and art.
**********************************************************************
In the second half of the presentation, Paul will be joined by the new
media art collective 47 for a panel on reconstructing media and
digital graffiti. The panel will explore strategies for increasing
media literacy and responses to a world increasing saturated by
imagery and dominated by corporate propaganda.
**********************************************************************
Paul will be introduced by David Wessel, Professor of Music.
**********************************************************************
Paul D. Miller is a conceptual artist, writer, and musician working in
NYC. His written work has appeared in The Village Voice, The Source,
Artforum, Raygun, Rap Pages, Paper Magazine, and a host of other
periodicals. He is a co-Publisher, along with the African American
downtown poet Steve Canon, of the magazine "A Gathering of the Tribes"
- a periodical dedicated to new works by writers from a multi-cultural
context. He is currently Editor of the media journal 21C. See:
21cmagazine.com
Miller's work as an artist has appeared in a wide variety of contexts
such as the Whitney Biennial, The Venice Biennial for Architecture
(year 2000), the prestigious Ludwig Museum in Cologne, Germany,
Kunsthalle, Vienna and The Andy Warhol Museum in Pittsburgh, among
others. Miller has given presentations at Harvard Law School,
Princeton, the Museum of Contemporary Art (L.A.), Columbia University
School of Architecture, and MIDEM. He is a faculty member at the
European Graduate School.
Miller is best known under the moniker of his "constructed persona":
"DJ Spooky that Subliminal Kid" a character from his upcoming novel
"Flow My Blood the Dj Said," that uses a wide variety of digitally
created music as a form of post-modern sculpture. Miller has recorded
many CDs and has collaborated with a wide variety of musicians and
composers such as Iannis Xenakis, Ryuichi Sakamoto, Butch Morris, Kool
Keith a.k.a. Doctor Octagon, Killa Priest from Wu-Tang Clan, Yoko Ono,
and Thurston Moore from Sonic Youth. His two latest releases "Under
the Influence" and "Modern Mantra" are dj mix records that include
tracks from artists including Moby, Future Sound of London, Ryuichi
Sakamoto, Talvin Singh, Saul Williams, Anti-Pop Constortium, DJ Krush,
Aesop Rock, Jack Dangers, and others. In his live performances DJ
Spooky weaves a unique sonic texture using vinyl records, CDs,
electronic effects, an amplified kalimba and an upright electric bass,
mixing video footage live from his laptop computer. More at
www.djspooky.com
**********************************************************************
The group 47 creates digital art and performances using innovative new
media production techniques. Their primary tools are animation, video
programming, sound and digital light projection. As digital graffiti
artists, avatars of information culture and architects of media, 47
builds narratives within the modern media flux. As live performers and
activists, 47 celebrate life while pushing art and politics to the
edge. At the present 47 consists of Ethan Eismann, Abe Burmeister and
Seth Fershko, aka the Generalizer, Billy Blaze, and Phenom. More at
www.four7.com
**********************************************************************
Culture Cache Gallery will parallel the themes and artists of this
presentation in an exhibit called Metataggers : Digital Graffiti, on
view September 13-22 with a reception Sept. 13, 7-11pm. The primary
medium for the show is digital projection, both video and still.
Miranda Gill started Culture Cache Gallery as a website devoted to
emerging local artists in 1999. Merging from the digital highway onto
the concrete frontier, Culture Cache emphasizes the 'Mission' School,
the 'low brow' aesthetic, and other local movements now gaining wide
recognition. 1800 Bryant St. @ corner of 17th 415.626.7776. More at:
www.culturecache.com
**********************************************************************
The ATC Colloquium will continue our partnership with the Berkeley Art
Museum and the Walker Art Center to present online video of ATC talks,
available both in QuickTime (highlights) or MP3 audio. For links and
the full 2002-2003 series schedule, please see:
www.ieor.berkeley.edu/~goldberg/lecs/
**********************************************************************
[ps. I realize it's Yom Kippur, but it will be sundown by 7:30
and we'll need some music after all that atoning… -ken]
Paul Miller aka DJ Spooky, Berkeley Monday 7:30pm
-
Type: discussion
Comments
ATC@UCB:
Sound Unbound: Strategies for Reconstructing Media
Paul Miller aka DJ Spooky, with 47
The Art, Technology, and Culture Colloquium
Mon, 16 Sept, 7:30-9:30pm: UC Berkeley,
Location: 160 Kroeber Hall
All ATC Lectures are free and open to the public.
Miller's Sound Unbound will be a "live" multi-media audio and visual
presentation of the history of digital art and media from the
viewpoint of an artist who remixes "found" audio and video using
turntables and digital projectors. History itself will be the
material for the mix, and the lecture presentation will focus on how
dj culture has evolved out of the same technologies that are used for
digital media and art.
**********************************************************************
In the second half of the presentation, Paul will be joined by the new
media art collective 47 for a panel on reconstructing media and
digital graffiti. The panel will explore strategies for increasing
media literacy and responses to a world increasing saturated by
imagery and dominated by corporate propaganda.
**********************************************************************
Paul will be introduced by David Wessel, Professor of Music.
**********************************************************************
Paul D. Miller is a conceptual artist, writer, and musician working in
NYC. His written work has appeared in The Village Voice, The Source,
Artforum, Raygun, Rap Pages, Paper Magazine, and a host of other
periodicals. He is a co-Publisher, along with the African American
downtown poet Steve Canon, of the magazine "A Gathering of the Tribes"
- a periodical dedicated to new works by writers from a multi-cultural
context. He is currently Editor of the media journal 21C. See:
21cmagazine.com
Miller's work as an artist has appeared in a wide variety of contexts
such as the Whitney Biennial, The Venice Biennial for Architecture
(year 2000), the prestigious Ludwig Museum in Cologne, Germany,
Kunsthalle, Vienna and The Andy Warhol Museum in Pittsburgh, among
others. Miller has given presentations at Harvard Law School,
Princeton, the Museum of Contemporary Art (L.A.), Columbia University
School of Architecture, and MIDEM. He is a faculty member at the
European Graduate School.
Miller is best known under the moniker of his "constructed persona":
"DJ Spooky that Subliminal Kid" a character from his upcoming novel
"Flow My Blood the Dj Said," that uses a wide variety of digitally
created music as a form of post-modern sculpture. Miller has recorded
many CDs and has collaborated with a wide variety of musicians and
composers such as Iannis Xenakis, Ryuichi Sakamoto, Butch Morris, Kool
Keith a.k.a. Doctor Octagon, Killa Priest from Wu-Tang Clan, Yoko Ono,
and Thurston Moore from Sonic Youth. His two latest releases "Under
the Influence" and "Modern Mantra" are dj mix records that include
tracks from artists including Moby, Future Sound of London, Ryuichi
Sakamoto, Talvin Singh, Saul Williams, Anti-Pop Constortium, DJ Krush,
Aesop Rock, Jack Dangers, and others. In his live performances DJ
Spooky weaves a unique sonic texture using vinyl records, CDs,
electronic effects, an amplified kalimba and an upright electric bass,
mixing video footage live from his laptop computer. More at
www.djspooky.com
**********************************************************************
The group 47 creates digital art and performances using innovative new
media production techniques. Their primary tools are animation, video
programming, sound and digital light projection. As digital graffiti
artists, avatars of information culture and architects of media, 47
builds narratives within the modern media flux. As live performers and
activists, 47 celebrate life while pushing art and politics to the
edge. At the present 47 consists of Ethan Eismann, Abe Burmeister and
Seth Fershko, aka the Generalizer, Billy Blaze, and Phenom. More at
www.four7.com
**********************************************************************
Culture Cache Gallery will parallel the themes and artists of this
presentation in an exhibit called Metataggers : Digital Graffiti, on
view September 13-22 with a reception Sept. 13, 7-11pm. The primary
medium for the show is digital projection, both video and still.
Miranda Gill started Culture Cache Gallery as a website devoted to
emerging local artists in 1999. Merging from the digital highway onto
the concrete frontier, Culture Cache emphasizes the 'Mission' School,
the 'low brow' aesthetic, and other local movements now gaining wide
recognition. 1800 Bryant St. @ corner of 17th 415.626.7776. More at:
www.culturecache.com
**********************************************************************
The ATC Colloquium will continue our partnership with the Berkeley Art
Museum and the Walker Art Center to present online video of ATC talks,
available both in QuickTime (highlights) or MP3 audio. For links and
the full 2002-2003 series schedule, please see:
www.ieor.berkeley.edu/~goldberg/lecs/
**********************************************************************
[ps. I realize it's Yom Kippur, but it will be sundown by 7:30
and we'll need some music after all that atoning… -ken]
——=_NextPart_001_0008_01C2599C.E7BCDE40
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Dionysus like to dance and Paul D. Miller plays great dance music! My =
favourite album is "Songs of a Dead Dreamer" and in this work, by de words =
of her alter-ego, Dj Spooky, That Subliminal kid, he wrote in the booklet o=
f CD: "The link-ages between memory, time, and place, are all externalized =
and made accessiblc to the listner from the wiewpoint of the Dj who makes d=
e mix (…). The mix, in this picture, allows the invocation of different l=
anguages, texts and sound to converge, meld and create a new medium that tr=
anscends its original components". A good exemple of that, is what Paul D. =
Miller did with a sampler of the David Lynch instrumental tune, "In heaven,=
everything is perfect," from their debut movie, "Eraserhead". This particu=
lar trake is the number seven of the album and have for title, "Juba". The =
organ of the David Lynch tune, in the Dj Spooky context, invoke me a ameri=
can stadium full of people, in a day of a baseball game.That's a reminiscen=
ce of the fairwell state of USA, the happy state bulding in a massive repre=
ssion of the black culture, represented in "Juba" by tribal percussions and=
a flute and, in the end of the track, the organ sound get out of tune and =
switch off.
Another excellent work of Paul D. Miller, is "Necropolis, the Dialogic=
Project," a compilation with Dj SoulSlinger, Outtro, We, Naut Humon, Joe N=
ation and Dj Spooky mixed this experimental album of ambient dub and Jungle=
: "The anomalies in this mix are coordinate points marking an invisible ter=
rain (…) distortion and feedback, strange silences that pop up from nowhe=
re, scratchy record noises, etc, are all sgnifiers of a construction zone o=
f sound seeking sensibility. Teach your eyes to hear and your ears to see a=
nd you will understand what we call reality," wrote Paul Miller.
Listen to him… I have no words!
Joao Pedro
[email protected]
http://oliveirapereira1.no.sapo.pt
—– Original Message —–
From: <[email protected]>
To: "Announce ATC @ UCBerkeley" <[email protected]>
Sent: Tuesday, September 10, 2002 6:59 PM
Subject: RHIZOME_RAW: Paul Miller aka DJ Spooky, Berkeley Monday 7:30pm
> ATC@UCB:
>
> Sound Unbound: Strategies for Reconstructing Media
> Paul Miller aka DJ Spooky, with 47
>
> The Art, Technology, and Culture Colloquium
> Mon, 16 Sept, 7:30-9:30pm: UC Berkeley,
> Location: 160 Kroeber Hall
> All ATC Lectures are free and open to the public.
>
> Miller's Sound Unbound will be a "live" multi-media audio and visual
> presentation of the history of digital art and media from the
> viewpoint of an artist who remixes "found" audio and video using
> turntables and digital projectors. History itself will be the
> material for the mix, and the lecture presentation will focus on how
> dj culture has evolved out of the same technologies that are used for
> digital media and art.
>
> **********************************************************************
> In the second half of the presentation, Paul will be joined by the new
> media art collective 47 for a panel on reconstructing media and
> digital graffiti. The panel will explore strategies for increasing
> media literacy and responses to a world increasing saturated by
> imagery and dominated by corporate propaganda.
>
> **********************************************************************
> Paul will be introduced by David Wessel, Professor of Music.
>
> **********************************************************************
> Paul D. Miller is a conceptual artist, writer, and musician working in
> NYC. His written work has appeared in The Village Voice, The Source,
> Artforum, Raygun, Rap Pages, Paper Magazine, and a host of other
> periodicals. He is a co-Publisher, along with the African American
> downtown poet Steve Canon, of the magazine "A Gathering of the Tribes"
> - a periodical dedicated to new works by writers from a multi-cultural
> context. He is currently Editor of the media journal 21C. See:
> 21cmagazine.com
>
> Miller's work as an artist has appeared in a wide variety of contexts
> such as the Whitney Biennial, The Venice Biennial for Architecture
> (year 2000), the prestigious Ludwig Museum in Cologne, Germany,
> Kunsthalle, Vienna and The Andy Warhol Museum in Pittsburgh, among
> others. Miller has given presentations at Harvard Law School,
> Princeton, the Museum of Contemporary Art (L.A.), Columbia University
> School of Architecture, and MIDEM. He is a faculty member at the
> European Graduate School.
>
> Miller is best known under the moniker of his "constructed persona":
> "DJ Spooky that Subliminal Kid" a character from his upcoming novel
> "Flow My Blood the Dj Said," that uses a wide variety of digitally
> created music as a form of post-modern sculpture. Miller has recorded
> many CDs and has collaborated with a wide variety of musicians and
> composers such as Iannis Xenakis, Ryuichi Sakamoto, Butch Morris, Kool
> Keith a.k.a. Doctor Octagon, Killa Priest from Wu-Tang Clan, Yoko Ono,
> and Thurston Moore from Sonic Youth. His two latest releases "Under
> the Influence" and "Modern Mantra" are dj mix records that include
> tracks from artists including Moby, Future Sound of London, Ryuichi
> Sakamoto, Talvin Singh, Saul Williams, Anti-Pop Constortium, DJ Krush,
> Aesop Rock, Jack Dangers, and others. In his live performances DJ
> Spooky weaves a unique sonic texture using vinyl records, CDs,
> electronic effects, an amplified kalimba and an upright electric bass,
> mixing video footage live from his laptop computer. More at
> www.djspooky.com
>
> **********************************************************************
> The group 47 creates digital art and performances using innovative new
> media production techniques. Their primary tools are animation, video
> programming, sound and digital light projection. As digital graffiti
> artists, avatars of information culture and architects of media, 47
> builds narratives within the modern media flux. As live performers and
> activists, 47 celebrate life while pushing art and politics to the
> edge. At the present 47 consists of Ethan Eismann, Abe Burmeister and
> Seth Fershko, aka the Generalizer, Billy Blaze, and Phenom. More at
> www.four7.com
>
> **********************************************************************
> Culture Cache Gallery will parallel the themes and artists of this
> presentation in an exhibit called Metataggers : Digital Graffiti, on
> view September 13-22 with a reception Sept. 13, 7-11pm. The primary
> medium for the show is digital projection, both video and still.
> Miranda Gill started Culture Cache Gallery as a website devoted to
> emerging local artists in 1999. Merging from the digital highway onto
> the concrete frontier, Culture Cache emphasizes the 'Mission' School,
> the 'low brow' aesthetic, and other local movements now gaining wide
> recognition. 1800 Bryant St. @ corner of 17th 415.626.7776. More at:
> www.culturecache.com
>
> **********************************************************************
> The ATC Colloquium will continue our partnership with the Berkeley Art
> Museum and the Walker Art Center to present online video of ATC talks,
> available both in QuickTime (highlights) or MP3 audio. For links and
> the full 2002-2003 series schedule, please see:
> www.ieor.berkeley.edu/~goldberg/lecs/
>
> **********************************************************************
>
> [ps. I realize it's Yom Kippur, but it will be sundown by 7:30
> and we'll need some music after all that atoning… -ken]
>
>
> + If the reader will keep me company I shall be glad.
> -> post: [email protected]
> -> questions: [email protected]
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
——=_NextPart_001_0008_01C2599C.E7BCDE40
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<DIV><FONT face=Arial size=2> Dionysus like to =
dance
and Paul D. Miller plays great dance music! My favourite album is=
"Songs of a Dead Dreamer" and in this work, by de words of her alter-ego, D=
j
Spooky, That Subliminal kid, he wrote in the booklet of CD: "The link-ages=
between memory, time, and place, are all externalized and made accessiblc t=
o the
listner from the wiewpoint of the Dj who makes de mix (…). The mix, in th=
is
picture, allows the invocation of different languages, texts and sound to=
converge, meld and create a new medium that transcends its original compone=
nts".
A good exemple of that, is what Paul D. Miller did with a sampler of t=
he
David Lynch instrumental tune, "In heaven, everything is perfect," from the=
ir
debut movie, "Eraserhead". This particular trake is the number seven of the=
album and have for title, "Juba". The organ of the David Lynch tune, i=
n the
Dj Spooky context, invoke me a american stadium full of people, =
in a
day of a baseball game.That's a reminiscence of the fairwell state of USA, =
the
happy state bulding in a massive repression of the black culture,=
represented in "Juba" by tribal percussions and a flute and, in the en=
d
of the track, the organ sound get out of tune and switch
off.</FONT></DIV>
<DIV><FONT face=Arial size=2> Another excellent=
work of
Paul D. Miller, is "Necropolis, the Dialogic Project," a compilation w=
ith
Dj SoulSlinger, Outtro, We, Naut Humon, Joe Nation and Dj Spooky mixed=
this experimental album of ambient dub and Jungle: "The anomalies=
in
this mix are coordinate points marking an invisible terrain (…) distortio=
n and
feedback, strange silences that pop up from nowhere, scratchy record noises=
,
etc, are all sgnifiers of a construction zone of sound seeking sensibility.=
Teach your eyes to hear and your ears to see and you will understand what w=
e
call reality," wrote Paul Miller.</FONT></DIV>
<DIV><FONT face=Arial size=2> Listen to him…&=
nbsp;I
have no words!</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2> Joao
Pedro</FONT></DIV>
<DIV><FONT face=Arial size=2> </FONT><A
href="mailto:[email protected]"><FONT face=Arial
size=2>[email protected]</FONT></A></DIV>
<DIV><FONT face=Arial size=2> </FONT><A
href="http://oliveirapereira1.no.sapo.pt">http://oliveirapereira1.no.sapo=
.pt</A></DIV>
<DIV><FONT face=Arial size=2> </FONT></DIV>
<DIV><FONT face=Arial size=2>—– Original Message —– </FONT>
<DIV><FONT face=Arial size=2>From: <</FONT><A
href="mailto:[email protected]"><FONT face=Arial
size=2>[email protected]</FONT></A><FONT face=Arial
size=2>></FONT></DIV>
<DIV><FONT face=Arial size=2>To: "Announce ATC @ UCBerkeley" <</FONT=
><A
href="mailto:[email protected]"><FONT face=Arial
size=2>[email protected]</FONT></A><FONT face=Arial
size=2>></FONT></DIV>
<DIV><FONT face=Arial size=2>Sent: Tuesday, September 10, 2002 6:59
PM</FONT></DIV>
<DIV><FONT face=Arial size=2>Subject: RHIZOME_RAW: Paul Miller aka DJ S=
pooky,
Berkeley Monday 7:30pm</FONT></DIV></DIV>
<DIV><FONT face=Arial><BR><FONT size=2></FONT></FONT></DIV><FONT face=
=Arial
size=2>> </FONT><A href="mailto:ATC@UCB"><FONT face=Arial
size=2>ATC@UCB</FONT></A><FONT face=Arial size=2>: <BR>> <BR>> =
Sound
Unbound: Strategies for Reconstructing Media<BR>> Paul Miller aka DJ Spo=
oky,
with 47<BR>> <BR>> The Art, Technology, and Culture Colloquium<BR>>=
;
Mon, 16 Sept, 7:30-9:30pm: UC Berkeley,<BR>> Location: 160 Kroeber
Hall<BR>> All ATC Lectures are free and open to the public.<BR>> <BR>=
>
Miller's Sound Unbound will be a "live" multi-media audio and visual<BR>>=
;
presentation of the history of digital art and media from the<BR>> viewp=
oint
of an artist who remixes "found" audio and video using<BR>> turntables a=
nd
digital projectors. History itself will be the<BR>> material for t=
he
mix, and the lecture presentation will focus on how<BR>> dj culture has=
evolved out of the same technologies that are used for<BR>> digital medi=
a and
art.<BR>> <BR>>
**********************************************************************<BR>&=
gt;
In the second half of the presentation, Paul will be joined by the new<BR>&=
gt;
media art collective 47 for a panel on reconstructing media and<BR>> dig=
ital
graffiti. The panel will explore strategies for increasing<BR>> media
literacy and responses to a world increasing saturated by<BR>> imagery a=
nd
dominated by corporate propaganda.<BR>> <BR>>
**********************************************************************<BR>&=
gt;
Paul will be introduced by David Wessel, Professor of Music.<BR>> <BR>&g=
t;
**********************************************************************<BR>&=
gt;
Paul D. Miller is a conceptual artist, writer, and musician working in<BR>&=
gt;
NYC. His written work has appeared in The Village Voice, The Source,<BR>>=
;
Artforum, Raygun, Rap Pages, Paper Magazine, and a host of other<BR>>
periodicals. He is a co-Publisher, along with the African American<BR>>=
downtown poet Steve Canon, of the magazine "A Gathering of the Tribes"<BR>&=
gt; -
a periodical dedicated to new works by writers from a multi-cultural<BR>>=
;
context. He is currently Editor of the media journal 21C. See:<BR>>=
;
21cmagazine.com<BR>> <BR>> Miller's work as an artist has appeared in=
a
wide variety of contexts<BR>> such as the Whitney Biennial, The Venice=
Biennial for Architecture<BR>> (year 2000), the prestigious Ludwig Museu=
m in
Cologne, Germany,<BR>> Kunsthalle, Vienna and The Andy Warhol Museum in=
Pittsburgh, among<BR>> others. Miller has given presentations at Harvard=
Law
School,<BR>> Princeton, the Museum of Contemporary Art (L.A.), Columbia=
University<BR>> School of Architecture, and MIDEM. He is a faculty membe=
r at
the<BR>> European Graduate School.<BR>> <BR>> Miller is best known=
under the moniker of his "constructed persona":<BR>> "DJ Spooky that
Subliminal Kid" a character from his upcoming novel<BR>> "Flow My Blood =
the
Dj Said," that uses a wide variety of digitally<BR>> created music as a =
form
of post-modern sculpture. Miller has recorded<BR>> many CDs and has
collaborated with a wide variety of musicians and<BR>> composers such as=
Iannis Xenakis, Ryuichi Sakamoto, Butch Morris, Kool<BR>> Keith a.k.a. D=
octor
Octagon, Killa Priest from Wu-Tang Clan, Yoko Ono,<BR>> and Thurston Moo=
re
from Sonic Youth. His two latest releases "Under<BR>> the Influence" and=
"Modern Mantra" are dj mix records that include<BR>> tracks from artists=
including Moby, Future Sound of London, Ryuichi<BR>> Sakamoto, Talvin Si=
ngh,
Saul Williams, Anti-Pop Constortium, DJ Krush,<BR>> Aesop Rock, Jack Dan=
gers,
and others. In his live performances DJ<BR>> Spooky weaves a unique soni=
c
texture using vinyl records, CDs,<BR>> electronic effects, an amplified=
kalimba and an upright electric bass,<BR>> mixing video footage live fro=
m his
laptop computer. More at<BR>> </FONT><A
href="http://www.djspooky.com"><FONT face=Arial
size=2>www.djspooky.com</FONT></A><BR><FONT face=Arial size=2>> <B=
R>>
**********************************************************************<BR>&=
gt;
The group 47 creates digital art and performances using innovative new<BR>&=
gt;
media production techniques. Their primary tools are animation, video<BR>&g=
t;
programming, sound and digital light projection. As digital graffiti<BR>>=
;
artists, avatars of information culture and architects of media, 47<BR>>=
builds narratives within the modern media flux. As live performers and<BR>&=
gt;
activists, 47 celebrate life while pushing art and politics to the<BR>>=
edge. At the present 47 consists of Ethan Eismann, Abe Burmeister
and<BR>> Seth Fershko, aka the Generalizer, Billy Blaze, and Phenom.&nbs=
p;
More at<BR>> </FONT><A href="http://www.four7.com"><FONT face=Arial=
size=2>www.four7.com</FONT></A><BR><FONT face=Arial size=2>> <BR>&=
gt;
**********************************************************************<BR>&=
gt;
Culture Cache Gallery will parallel the themes and artists of this<BR>>=
presentation in an exhibit called Metataggers : Digital Graffiti, on<BR>>=
;
view September 13-22 with a reception Sept. 13, 7-11pm. The
primary<BR>> medium for the show is digital projection, both video and=
still.<BR>> Miranda Gill started Culture Cache Gallery as a website devo=
ted
to<BR>> emerging local artists in 1999. Merging from the digital=
highway onto<BR>> the concrete frontier, Culture Cache emphasizes the
'Mission' School,<BR>> the 'low brow' aesthetic, and other local movemen=
ts
now gaining wide<BR>> recognition. 1800 Bryant St. @ corner of 17t=
h
415.626.7776. More at:<BR>> </FONT><A
href="http://www.culturecache.com"><FONT face=Arial
size=2>www.culturecache.com</FONT></A><BR><FONT face=Arial size=2>>=
; <BR>>
**********************************************************************<BR>&=
gt;
The ATC Colloquium will continue our partnership with the Berkeley Art<BR>&=
gt;
Museum and the Walker Art Center to present online video of ATC talks,<BR>&=
gt;
available both in QuickTime (highlights) or MP3 audio. For links
and<BR>> the full 2002-2003 series schedule, please see:<BR>> </FONT>=
<A
href="http://www.ieor.berkeley.edu/~goldberg/lecs/"><FONT face=Arial
size=2>www.ieor.berkeley.edu/~goldberg/lecs/</FONT></A><BR><FONT face=A=
rial
size=2>> <BR>>
**********************************************************************<BR>&=
gt;
<BR>> [ps. I realize it's Yom Kippur, but it will be sundown by 7:30<BR>=
>
and we'll need some music after all that atoning… -ken]<BR>> <BR=
>>
<BR>> + If the reader will keep me company I shall be glad.<BR>> ->=
;
post: </FONT><A href="mailto:[email protected]"><FONT face=Arial
size=2>[email protected]</FONT></A><BR><FONT face=Arial size=2>> -&=
gt;
questions: </FONT><A href="mailto:[email protected]"><FONT face=Arial
size=2>[email protected]</FONT></A><BR><FONT face=Arial size=2>> -&=
gt;
subscribe/unsubscribe: </FONT><A
href="http://rhizome.org/preferences/subscribe.rhiz"><FONT face=Arial=
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=2>>
+<BR>> Subscribers to Rhizome are subject to the terms set out in the<BR=
>>
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href="http://rhizome.org/info/29.php"><FONT face=Arial
size=2>http://rhizome.org/info/29.php</FONT></A><BR><FONT face=Arial si=
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charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
—– Original Message —–
From: Joao Pedro
To: [email protected]
Cc: Oliveira Pereira
Sent: Wednesday, September 11, 2002 2:09 PM
Subject: Re: RHIZOME_RAW: Paul Miller aka DJ Spooky, Berkeley Monday 7:30pm
Dionysus like to dance and Paul D. Miller plays great dance music! My =
favourite album is "Songs of a Dead Dreamer" and in this work, by de words =
of her alter-ego, Dj Spooky, That Subliminal kid, he wrote in the booklet o=
f CD: "The link-ages between memory, time, and place, are all externalized =
and made accessiblc to the listner from the wiewpoint of the Dj who makes d=
e mix (…). The mix, in this picture, allows the invocation of different l=
anguages, texts and sound to converge, meld and create a new medium that tr=
anscends its original components". A good exemple of that, is what Paul D. =
Miller did with a sampler of the David Lynch instrumental tune, "In heaven,=
everything is perfect," from their debut movie, "Eraserhead". This particu=
lar trake is the number seven of the album and have for title, "Juba". The =
organ of the David Lynch tune, in the Dj Spooky context, invoke me a ameri=
can stadium full of people, in a day of a baseball game.That's a reminiscen=
ce of the fairwell state of USA, the happy state bulding in a massive repre=
ssion of the black culture, represented in "Juba" by tribal percussions and=
a flute and, in the end of the track, the organ sound get out of tune and =
switch off.
Another excellent work of Paul D. Miller, is "Necropolis, the Dialogic=
Project," a compilation with Dj SoulSlinger, Outtro, We, Naut Humon, Joe N=
ation and Dj Spooky mixed this experimental album of ambient dub and Jungle=
: "The anomalies in this mix are coordinate points marking an invisible ter=
rain (…) distortion and feedback, strange silences that pop up from nowhe=
re, scratchy record noises, etc, are all sgnifiers of a construction zone o=
f sound seeking sensibility. Teach your eyes to hear and your ears to see a=
nd you will understand what we call reality," wrote Paul Miller.
Listen to him… I have no words!
Joao Pedro
[email protected]
http://oliveirapereira1.no.sapo.pt
—– Original Message —–
From: <[email protected]>
To: "Announce ATC @ UCBerkeley" <[email protected]>
Sent: Tuesday, September 10, 2002 6:59 PM
Subject: RHIZOME_RAW: Paul Miller aka DJ Spooky, Berkeley Monday 7:30pm
> ATC@UCB:
>
> Sound Unbound: Strategies for Reconstructing Media
> Paul Miller aka DJ Spooky, with 47
>
> The Art, Technology, and Culture Colloquium
> Mon, 16 Sept, 7:30-9:30pm: UC Berkeley,
> Location: 160 Kroeber Hall
> All ATC Lectures are free and open to the public.
>
> Miller's Sound Unbound will be a "live" multi-media audio and visual
> presentation of the history of digital art and media from the
> viewpoint of an artist who remixes "found" audio and video using
> turntables and digital projectors. History itself will be the
> material for the mix, and the lecture presentation will focus on how
> dj culture has evolved out of the same technologies that are used for
> digital media and art.
>
> **********************************************************************
> In the second half of the presentation, Paul will be joined by the new
> media art collective 47 for a panel on reconstructing media and
> digital graffiti. The panel will explore strategies for increasing
> media literacy and responses to a world increasing saturated by
> imagery and dominated by corporate propaganda.
>
> **********************************************************************
> Paul will be introduced by David Wessel, Professor of Music.
>
> **********************************************************************
> Paul D. Miller is a conceptual artist, writer, and musician working in
> NYC. His written work has appeared in The Village Voice, The Source,
> Artforum, Raygun, Rap Pages, Paper Magazine, and a host of other
> periodicals. He is a co-Publisher, along with the African American
> downtown poet Steve Canon, of the magazine "A Gathering of the Tribes"
> - a periodical dedicated to new works by writers from a multi-cultural
> context. He is currently Editor of the media journal 21C. See:
> 21cmagazine.com
>
> Miller's work as an artist has appeared in a wide variety of contexts
> such as the Whitney Biennial, The Venice Biennial for Architecture
> (year 2000), the prestigious Ludwig Museum in Cologne, Germany,
> Kunsthalle, Vienna and The Andy Warhol Museum in Pittsburgh, among
> others. Miller has given presentations at Harvard Law School,
> Princeton, the Museum of Contemporary Art (L.A.), Columbia University
> School of Architecture, and MIDEM. He is a faculty member at the
> European Graduate School.
>
> Miller is best known under the moniker of his "constructed persona":
> "DJ Spooky that Subliminal Kid" a character from his upcoming novel
> "Flow My Blood the Dj Said," that uses a wide variety of digitally
> created music as a form of post-modern sculpture. Miller has recorded
> many CDs and has collaborated with a wide variety of musicians and
> composers such as Iannis Xenakis, Ryuichi Sakamoto, Butch Morris, Kool
> Keith a.k.a. Doctor Octagon, Killa Priest from Wu-Tang Clan, Yoko Ono,
> and Thurston Moore from Sonic Youth. His two latest releases "Under
> the Influence" and "Modern Mantra" are dj mix records that include
> tracks from artists including Moby, Future Sound of London, Ryuichi
> Sakamoto, Talvin Singh, Saul Williams, Anti-Pop Constortium, DJ Krush,
> Aesop Rock, Jack Dangers, and others. In his live performances DJ
> Spooky weaves a unique sonic texture using vinyl records, CDs,
> electronic effects, an amplified kalimba and an upright electric bass,
> mixing video footage live from his laptop computer. More at
> www.djspooky.com
>
> **********************************************************************
> The group 47 creates digital art and performances using innovative new
> media production techniques. Their primary tools are animation, video
> programming, sound and digital light projection. As digital graffiti
> artists, avatars of information culture and architects of media, 47
> builds narratives within the modern media flux. As live performers and
> activists, 47 celebrate life while pushing art and politics to the
> edge. At the present 47 consists of Ethan Eismann, Abe Burmeister and
> Seth Fershko, aka the Generalizer, Billy Blaze, and Phenom. More at
> www.four7.com
>
> **********************************************************************
> Culture Cache Gallery will parallel the themes and artists of this
> presentation in an exhibit called Metataggers : Digital Graffiti, on
> view September 13-22 with a reception Sept. 13, 7-11pm. The primary
> medium for the show is digital projection, both video and still.
> Miranda Gill started Culture Cache Gallery as a website devoted to
> emerging local artists in 1999. Merging from the digital highway onto
> the concrete frontier, Culture Cache emphasizes the 'Mission' School,
> the 'low brow' aesthetic, and other local movements now gaining wide
> recognition. 1800 Bryant St. @ corner of 17th 415.626.7776. More at:
> www.culturecache.com
>
> **********************************************************************
> The ATC Colloquium will continue our partnership with the Berkeley Art
> Museum and the Walker Art Center to present online video of ATC talks,
> available both in QuickTime (highlights) or MP3 audio. For links and
> the full 2002-2003 series schedule, please see:
> www.ieor.berkeley.edu/~goldberg/lecs/
>
> **********************************************************************
>
> [ps. I realize it's Yom Kippur, but it will be sundown by 7:30
> and we'll need some music after all that atoning… -ken]
>
>
> + If the reader will keep me company I shall be glad.
> -> post: [email protected]
> -> questions: [email protected]
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
——=_NextPart_001_0009_01C2599D.6AE53920
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<BODY bgColor=#ffffff background=cid:000701c25995$0919cc40$22a537d4@mec=
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<DIV> </DIV>
<DIV style="FONT: 10pt arial">—– Original Message —–
<DIV style="BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> <A
[email protected] href="mailto:[email protected]">J=
oao
Pedro</A> </DIV>
<DIV><B>To:</B> <A [email protected]
href="mailto:[email protected]">[email protected]</A> </DIV>
<DIV><B>Cc:</B> <A [email protected]
href="mailto:[email protected]">Oliveira Pereira</A> </DIV>
<DIV><B>Sent:</B> Wednesday, September 11, 2002 2:09 PM</DIV>
<DIV><B>Subject:</B> Re: RHIZOME_RAW: Paul Miller aka DJ Spooky, Berkeley M=
onday
7:30pm</DIV></DIV>
<DIV><BR></DIV>
<DIV><FONT face=Arial size=2> Dionysus like to =
dance
and Paul D. Miller plays great dance music! My favourite album is=
"Songs of a Dead Dreamer" and in this work, by de words of her alter-ego, D=
j
Spooky, That Subliminal kid, he wrote in the booklet of CD: "The link-ages=
between memory, time, and place, are all externalized and made accessiblc t=
o the
listner from the wiewpoint of the Dj who makes de mix (…). The mix, in th=
is
picture, allows the invocation of different languages, texts and sound to=
converge, meld and create a new medium that transcends its original compone=
nts".
A good exemple of that, is what Paul D. Miller did with a sampler of t=
he
David Lynch instrumental tune, "In heaven, everything is perfect," from the=
ir
debut movie, "Eraserhead". This particular trake is the number seven of the=
album and have for title, "Juba". The organ of the David Lynch tune, i=
n the
Dj Spooky context, invoke me a american stadium full of people, =
in a
day of a baseball game.That's a reminiscence of the fairwell state of USA, =
the
happy state bulding in a massive repression of the black culture,=
represented in "Juba" by tribal percussions and a flute and, in the en=
d
of the track, the organ sound get out of tune and switch
off.</FONT></DIV>
<DIV><FONT face=Arial size=2> Another excellent=
work of
Paul D. Miller, is "Necropolis, the Dialogic Project," a compilation w=
ith
Dj SoulSlinger, Outtro, We, Naut Humon, Joe Nation and Dj Spooky mixed=
this experimental album of ambient dub and Jungle: "The anomalies=
in
this mix are coordinate points marking an invisible terrain (…) distortio=
n and
feedback, strange silences that pop up from nowhere, scratchy record noises=
,
etc, are all sgnifiers of a construction zone of sound seeking sensibility.=
Teach your eyes to hear and your ears to see and you will understand what w=
e
call reality," wrote Paul Miller.</FONT></DIV>
<DIV><FONT face=Arial size=2> Listen to him…&=
nbsp;I
have no words!</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2> Joao
Pedro</FONT></DIV>
<DIV><FONT face=Arial size=2> </FONT><A
href="mailto:[email protected]"><FONT face=Arial
size=2>[email protected]</FONT></A></DIV>
<DIV><FONT face=Arial size=2> </FONT><A
href="http://oliveirapereira1.no.sapo.pt">http://oliveirapereira1.no.sapo=
.pt</A></DIV>
<DIV><FONT face=Arial size=2> </FONT></DIV>
<DIV><FONT face=Arial size=2>—– Original Message —– </FONT>
<DIV><FONT face=Arial size=2>From: <</FONT><A
href="mailto:[email protected]"><FONT face=Arial
size=2>[email protected]</FONT></A><FONT face=Arial
size=2>></FONT></DIV>
<DIV><FONT face=Arial size=2>To: "Announce ATC @ UCBerkeley" <</FONT=
><A
href="mailto:[email protected]"><FONT face=Arial
size=2>[email protected]</FONT></A><FONT face=Arial
size=2>></FONT></DIV>
<DIV><FONT face=Arial size=2>Sent: Tuesday, September 10, 2002 6:59
PM</FONT></DIV>
<DIV><FONT face=Arial size=2>Subject: RHIZOME_RAW: Paul Miller aka DJ S=
pooky,
Berkeley Monday 7:30pm</FONT></DIV></DIV>
<DIV><FONT face=Arial><BR><FONT size=2></FONT></FONT></DIV><FONT face=
=Arial
size=2>> </FONT><A href="mailto:ATC@UCB"><FONT face=Arial
size=2>ATC@UCB</FONT></A><FONT face=Arial size=2>: <BR>> <BR>> =
Sound
Unbound: Strategies for Reconstructing Media<BR>> Paul Miller aka DJ Spo=
oky,
with 47<BR>> <BR>> The Art, Technology, and Culture Colloquium<BR>>=
;
Mon, 16 Sept, 7:30-9:30pm: UC Berkeley,<BR>> Location: 160 Kroeber
Hall<BR>> All ATC Lectures are free and open to the public.<BR>> <BR>=
>
Miller's Sound Unbound will be a "live" multi-media audio and visual<BR>>=
;
presentation of the history of digital art and media from the<BR>> viewp=
oint
of an artist who remixes "found" audio and video using<BR>> turntables a=
nd
digital projectors. History itself will be the<BR>> material for t=
he
mix, and the lecture presentation will focus on how<BR>> dj culture has=
evolved out of the same technologies that are used for<BR>> digital medi=
a and
art.<BR>> <BR>>
**********************************************************************<BR>&=
gt;
In the second half of the presentation, Paul will be joined by the new<BR>&=
gt;
media art collective 47 for a panel on reconstructing media and<BR>> dig=
ital
graffiti. The panel will explore strategies for increasing<BR>> media
literacy and responses to a world increasing saturated by<BR>> imagery a=
nd
dominated by corporate propaganda.<BR>> <BR>>
**********************************************************************<BR>&=
gt;
Paul will be introduced by David Wessel, Professor of Music.<BR>> <BR>&g=
t;
**********************************************************************<BR>&=
gt;
Paul D. Miller is a conceptual artist, writer, and musician working in<BR>&=
gt;
NYC. His written work has appeared in The Village Voice, The Source,<BR>>=
;
Artforum, Raygun, Rap Pages, Paper Magazine, and a host of other<BR>>
periodicals. He is a co-Publisher, along with the African American<BR>>=
downtown poet Steve Canon, of the magazine "A Gathering of the Tribes"<BR>&=
gt; -
a periodical dedicated to new works by writers from a multi-cultural<BR>>=
;
context. He is currently Editor of the media journal 21C. See:<BR>>=
;
21cmagazine.com<BR>> <BR>> Miller's work as an artist has appeared in=
a
wide variety of contexts<BR>> such as the Whitney Biennial, The Venice=
Biennial for Architecture<BR>> (year 2000), the prestigious Ludwig Museu=
m in
Cologne, Germany,<BR>> Kunsthalle, Vienna and The Andy Warhol Museum in=
Pittsburgh, among<BR>> others. Miller has given presentations at Harvard=
Law
School,<BR>> Princeton, the Museum of Contemporary Art (L.A.), Columbia=
University<BR>> School of Architecture, and MIDEM. He is a faculty membe=
r at
the<BR>> European Graduate School.<BR>> <BR>> Miller is best known=
under the moniker of his "constructed persona":<BR>> "DJ Spooky that
Subliminal Kid" a character from his upcoming novel<BR>> "Flow My Blood =
the
Dj Said," that uses a wide variety of digitally<BR>> created music as a =
form
of post-modern sculpture. Miller has recorded<BR>> many CDs and has
collaborated with a wide variety of musicians and<BR>> composers such as=
Iannis Xenakis, Ryuichi Sakamoto, Butch Morris, Kool<BR>> Keith a.k.a. D=
octor
Octagon, Killa Priest from Wu-Tang Clan, Yoko Ono,<BR>> and Thurston Moo=
re
from Sonic Youth. His two latest releases "Under<BR>> the Influence" and=
"Modern Mantra" are dj mix records that include<BR>> tracks from artists=
including Moby, Future Sound of London, Ryuichi<BR>> Sakamoto, Talvin Si=
ngh,
Saul Williams, Anti-Pop Constortium, DJ Krush,<BR>> Aesop Rock, Jack Dan=
gers,
and others. In his live performances DJ<BR>> Spooky weaves a unique soni=
c
texture using vinyl records, CDs,<BR>> electronic effects, an amplified=
kalimba and an upright electric bass,<BR>> mixing video footage live fro=
m his
laptop computer. More at<BR>> </FONT><A
href="http://www.djspooky.com"><FONT face=Arial
size=2>www.djspooky.com</FONT></A><BR><FONT face=Arial size=2>> <B=
R>>
**********************************************************************<BR>&=
gt;
The group 47 creates digital art and performances using innovative new<BR>&=
gt;
media production techniques. Their primary tools are animation, video<BR>&g=
t;
programming, sound and digital light projection. As digital graffiti<BR>>=
;
artists, avatars of information culture and architects of media, 47<BR>>=
builds narratives within the modern media flux. As live performers and<BR>&=
gt;
activists, 47 celebrate life while pushing art and politics to the<BR>>=
edge. At the present 47 consists of Ethan Eismann, Abe Burmeister
and<BR>> Seth Fershko, aka the Generalizer, Billy Blaze, and Phenom.&nbs=
p;
More at<BR>> </FONT><A href="http://www.four7.com"><FONT face=Arial=
size=2>www.four7.com</FONT></A><BR><FONT face=Arial size=2>> <BR>&=
gt;
**********************************************************************<BR>&=
gt;
Culture Cache Gallery will parallel the themes and artists of this<BR>>=
presentation in an exhibit called Metataggers : Digital Graffiti, on<BR>>=
;
view September 13-22 with a reception Sept. 13, 7-11pm. The
primary<BR>> medium for the show is digital projection, both video and=
still.<BR>> Miranda Gill started Culture Cache Gallery as a website devo=
ted
to<BR>> emerging local artists in 1999. Merging from the digital=
highway onto<BR>> the concrete frontier, Culture Cache emphasizes the
'Mission' School,<BR>> the 'low brow' aesthetic, and other local movemen=
ts
now gaining wide<BR>> recognition. 1800 Bryant St. @ corner of 17t=
h
415.626.7776. More at:<BR>> </FONT><A
href="http://www.culturecache.com"><FONT face=Arial
size=2>www.culturecache.com</FONT></A><BR><FONT face=Arial size=2>>=
; <BR>>
**********************************************************************<BR>&=
gt;
The ATC Colloquium will continue our partnership with the Berkeley Art<BR>&=
gt;
Museum and the Walker Art Center to present online video of ATC talks,<BR>&=
gt;
available both in QuickTime (highlights) or MP3 audio. For links
and<BR>> the full 2002-2003 series schedule, please see:<BR>> </FONT>=
<A
href="http://www.ieor.berkeley.edu/~goldberg/lecs/"><FONT face=Arial
size=2>www.ieor.berkeley.edu/~goldberg/lecs/</FONT></A><BR><FONT face=A=
rial
size=2>> <BR>>
**********************************************************************<BR>&=
gt;
<BR>> [ps. I realize it's Yom Kippur, but it will be sundown by 7:30<BR>=
>
and we'll need some music after all that atoning… -ken]<BR>> <BR=
>>
<BR>> + If the reader will keep me company I shall be glad.<BR>> ->=
;
post: </FONT><A href="mailto:[email protected]"><FONT face=Arial
size=2>[email protected]</FONT></A><BR><FONT face=Arial size=2>> -&=
gt;
questions: </FONT><A href="mailto:[email protected]"><FONT face=Arial
size=2>[email protected]</FONT></A><BR><FONT face=Arial size=2>> -&=
gt;
subscribe/unsubscribe: </FONT><A
href="http://rhizome.org/preferences/subscribe.rhiz"><FONT face=Arial=
size=2>http://rhizome.org/preferences/subscribe.rhiz</FONT></A><BR><FONT=
face=Arial size=2>> -> give: </FONT><A
href="http://rhizome.org/support"><FONT face=Arial
size=2>http://rhizome.org/support</FONT></A><BR><FONT face=Arial size=
=2>>
+<BR>> Subscribers to Rhizome are subject to the terms set out in the<BR=
>>
Membership Agreement available online at </FONT><A
href="http://rhizome.org/info/29.php"><FONT face=Arial
size=2>http://rhizome.org/info/29.php</FONT></A><BR><FONT face=Arial si=
ze=2>>
</FONT></BODY></HTML>
——=_NextPart_001_0009_01C2599D.6AE53920–
——=_NextPart_001_000B_01C259A0.7A8E49E0
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
—– Original Message —–
From: Joao Pedro
To: [email protected]
Cc: Oliveira Pereira
Sent: Wednesday, September 11, 2002 2:09 PM
Subject: Re: RHIZOME_RAW: Paul Miller aka DJ Spooky, Berkeley Monday 7:30pm
Dionysus like to dance and Paul D. Miller plays great dance music! My =
favourite album is "Songs of a Dead Dreamer" and in this work, by de words =
of her alter-ego, Dj Spooky, That Subliminal kid, he wrote in the booklet o=
f CD: "The link-ages between memory, time, and place, are all externalized =
and made accessiblc to the listner from the wiewpoint of the Dj who makes d=
e mix (…). The mix, in this picture, allows the invocation of different l=
anguages, texts and sound to converge, meld and create a new medium that tr=
anscends its original components". A good exemple of that, is what Paul D. =
Miller did with a sampler of the David Lynch instrumental tune, "In heaven,=
everything is perfect," from their debut movie, "Eraserhead". This particu=
lar trake is the number seven of the album and have for title, "Juba". The =
organ of the David Lynch tune, in the Dj Spooky context, invoke me a ameri=
can stadium full of people, in a day of a baseball game.That's a reminiscen=
ce of the fairwell state of USA, the happy state bulding in a massive repre=
ssion of the black culture, represented in "Juba" by tribal percussions and=
a flute and, in the end of the track, the organ sound get out of tune and =
switch off.
Another excellent work of Paul D. Miller, is "Necropolis, the Dialogic=
Project," a compilation with Dj SoulSlinger, Outtro, We, Naut Humon, Joe N=
ation and Dj Spooky mixed this experimental album of ambient dub and Jungle=
: "The anomalies in this mix are coordinate points marking an invisible ter=
rain (…) distortion and feedback, strange silences that pop up from nowhe=
re, scratchy record noises, etc, are all sgnifiers of a construction zone o=
f sound seeking sensibility. Teach your eyes to hear and your ears to see a=
nd you will understand what we call reality," wrote Paul Miller.
Listen to him… I have no words!
Joao Pedro
[email protected]
http://oliveirapereira1.no.sapo.pt
—– Original Message —–
From: <[email protected]>
To: "Announce ATC @ UCBerkeley" <[email protected]>
Sent: Tuesday, September 10, 2002 6:59 PM
Subject: RHIZOME_RAW: Paul Miller aka DJ Spooky, Berkeley Monday 7:30pm
> ATC@UCB:
>
> Sound Unbound: Strategies for Reconstructing Media
> Paul Miller aka DJ Spooky, with 47
>
> The Art, Technology, and Culture Colloquium
> Mon, 16 Sept, 7:30-9:30pm: UC Berkeley,
> Location: 160 Kroeber Hall
> All ATC Lectures are free and open to the public.
>
> Miller's Sound Unbound will be a "live" multi-media audio and visual
> presentation of the history of digital art and media from the
> viewpoint of an artist who remixes "found" audio and video using
> turntables and digital projectors. History itself will be the
> material for the mix, and the lecture presentation will focus on how
> dj culture has evolved out of the same technologies that are used for
> digital media and art.
>
> **********************************************************************
> In the second half of the presentation, Paul will be joined by the new
> media art collective 47 for a panel on reconstructing media and
> digital graffiti. The panel will explore strategies for increasing
> media literacy and responses to a world increasing saturated by
> imagery and dominated by corporate propaganda.
>
> **********************************************************************
> Paul will be introduced by David Wessel, Professor of Music.
>
> **********************************************************************
> Paul D. Miller is a conceptual artist, writer, and musician working in
> NYC. His written work has appeared in The Village Voice, The Source,
> Artforum, Raygun, Rap Pages, Paper Magazine, and a host of other
> periodicals. He is a co-Publisher, along with the African American
> downtown poet Steve Canon, of the magazine "A Gathering of the Tribes"
> - a periodical dedicated to new works by writers from a multi-cultural
> context. He is currently Editor of the media journal 21C. See:
> 21cmagazine.com
>
> Miller's work as an artist has appeared in a wide variety of contexts
> such as the Whitney Biennial, The Venice Biennial for Architecture
> (year 2000), the prestigious Ludwig Museum in Cologne, Germany,
> Kunsthalle, Vienna and The Andy Warhol Museum in Pittsburgh, among
> others. Miller has given presentations at Harvard Law School,
> Princeton, the Museum of Contemporary Art (L.A.), Columbia University
> School of Architecture, and MIDEM. He is a faculty member at the
> European Graduate School.
>
> Miller is best known under the moniker of his "constructed persona":
> "DJ Spooky that Subliminal Kid" a character from his upcoming novel
> "Flow My Blood the Dj Said," that uses a wide variety of digitally
> created music as a form of post-modern sculpture. Miller has recorded
> many CDs and has collaborated with a wide variety of musicians and
> composers such as Iannis Xenakis, Ryuichi Sakamoto, Butch Morris, Kool
> Keith a.k.a. Doctor Octagon, Killa Priest from Wu-Tang Clan, Yoko Ono,
> and Thurston Moore from Sonic Youth. His two latest releases "Under
> the Influence" and "Modern Mantra" are dj mix records that include
> tracks from artists including Moby, Future Sound of London, Ryuichi
> Sakamoto, Talvin Singh, Saul Williams, Anti-Pop Constortium, DJ Krush,
> Aesop Rock, Jack Dangers, and others. In his live performances DJ
> Spooky weaves a unique sonic texture using vinyl records, CDs,
> electronic effects, an amplified kalimba and an upright electric bass,
> mixing video footage live from his laptop computer. More at
> www.djspooky.com
>
> **********************************************************************
> The group 47 creates digital art and performances using innovative new
> media production techniques. Their primary tools are animation, video
> programming, sound and digital light projection. As digital graffiti
> artists, avatars of information culture and architects of media, 47
> builds narratives within the modern media flux. As live performers and
> activists, 47 celebrate life while pushing art and politics to the
> edge. At the present 47 consists of Ethan Eismann, Abe Burmeister and
> Seth Fershko, aka the Generalizer, Billy Blaze, and Phenom. More at
> www.four7.com
>
> **********************************************************************
> Culture Cache Gallery will parallel the themes and artists of this
> presentation in an exhibit called Metataggers : Digital Graffiti, on
> view September 13-22 with a reception Sept. 13, 7-11pm. The primary
> medium for the show is digital projection, both video and still.
> Miranda Gill started Culture Cache Gallery as a website devoted to
> emerging local artists in 1999. Merging from the digital highway onto
> the concrete frontier, Culture Cache emphasizes the 'Mission' School,
> the 'low brow' aesthetic, and other local movements now gaining wide
> recognition. 1800 Bryant St. @ corner of 17th 415.626.7776. More at:
> www.culturecache.com
>
> **********************************************************************
> The ATC Colloquium will continue our partnership with the Berkeley Art
> Museum and the Walker Art Center to present online video of ATC talks,
> available both in QuickTime (highlights) or MP3 audio. For links and
> the full 2002-2003 series schedule, please see:
> www.ieor.berkeley.edu/~goldberg/lecs/
>
> **********************************************************************
>
> [ps. I realize it's Yom Kippur, but it will be sundown by 7:30
> and we'll need some music after all that atoning… -ken]
>
>
> + If the reader will keep me company I shall be glad.
> -> post: [email protected]
> -> questions: [email protected]
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
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<DIV> </DIV>
<DIV style="FONT: 10pt arial">—– Original Message —–
<DIV style="BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> <A
[email protected] href="mailto:[email protected]">J=
oao
Pedro</A> </DIV>
<DIV><B>To:</B> <A [email protected]
href="mailto:[email protected]">[email protected]</A> </DIV>
<DIV><B>Cc:</B> <A [email protected]
href="mailto:[email protected]">Oliveira Pereira</A> </DIV>
<DIV><B>Sent:</B> Wednesday, September 11, 2002 2:09 PM</DIV>
<DIV><B>Subject:</B> Re: RHIZOME_RAW: Paul Miller aka DJ Spooky, Berkeley M=
onday
7:30pm</DIV></DIV>
<DIV><BR></DIV>
<DIV><FONT face=Arial size=2> Dionysus like to =
dance
and Paul D. Miller plays great dance music! My favourite album is=
"Songs of a Dead Dreamer" and in this work, by de words of her alter-ego, D=
j
Spooky, That Subliminal kid, he wrote in the booklet of CD: "The link-ages=
between memory, time, and place, are all externalized and made accessiblc t=
o the
listner from the wiewpoint of the Dj who makes de mix (…). The mix, in th=
is
picture, allows the invocation of different languages, texts and sound to=
converge, meld and create a new medium that transcends its original compone=
nts".
A good exemple of that, is what Paul D. Miller did with a sampler of t=
he
David Lynch instrumental tune, "In heaven, everything is perfect," from the=
ir
debut movie, "Eraserhead". This particular trake is the number seven of the=
album and have for title, "Juba". The organ of the David Lynch tune, i=
n the
Dj Spooky context, invoke me a american stadium full of people, =
in a
day of a baseball game.That's a reminiscence of the fairwell state of USA, =
the
happy state bulding in a massive repression of the black culture,=
represented in "Juba" by tribal percussions and a flute and, in the en=
d
of the track, the organ sound get out of tune and switch
off.</FONT></DIV>
<DIV><FONT face=Arial size=2> Another excellent=
work of
Paul D. Miller, is "Necropolis, the Dialogic Project," a compilation w=
ith
Dj SoulSlinger, Outtro, We, Naut Humon, Joe Nation and Dj Spooky mixed=
this experimental album of ambient dub and Jungle: "The anomalies=
in
this mix are coordinate points marking an invisible terrain (…) distortio=
n and
feedback, strange silences that pop up from nowhere, scratchy record noises=
,
etc, are all sgnifiers of a construction zone of sound seeking sensibility.=
Teach your eyes to hear and your ears to see and you will understand what w=
e
call reality," wrote Paul Miller.</FONT></DIV>
<DIV><FONT face=Arial size=2> Listen to him…&=
nbsp;I
have no words!</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2> Joao
Pedro</FONT></DIV>
<DIV><FONT face=Arial size=2> </FONT><A
href="mailto:[email protected]"><FONT face=Arial
size=2>[email protected]</FONT></A></DIV>
<DIV><FONT face=Arial size=2> </FONT><A
href="http://oliveirapereira1.no.sapo.pt">http://oliveirapereira1.no.sapo=
.pt</A></DIV>
<DIV><FONT face=Arial size=2> </FONT></DIV>
<DIV><FONT face=Arial size=2>—– Original Message —– </FONT>
<DIV><FONT face=Arial size=2>From: <</FONT><A
href="mailto:[email protected]"><FONT face=Arial
size=2>[email protected]</FONT></A><FONT face=Arial
size=2>></FONT></DIV>
<DIV><FONT face=Arial size=2>To: "Announce ATC @ UCBerkeley" <</FONT=
><A
href="mailto:[email protected]"><FONT face=Arial
size=2>[email protected]</FONT></A><FONT face=Arial
size=2>></FONT></DIV>
<DIV><FONT face=Arial size=2>Sent: Tuesday, September 10, 2002 6:59
PM</FONT></DIV>
<DIV><FONT face=Arial size=2>Subject: RHIZOME_RAW: Paul Miller aka DJ S=
pooky,
Berkeley Monday 7:30pm</FONT></DIV></DIV>
<DIV><FONT face=Arial><BR><FONT size=2></FONT></FONT></DIV><FONT face=
=Arial
size=2>> </FONT><A href="mailto:ATC@UCB"><FONT face=Arial
size=2>ATC@UCB</FONT></A><FONT face=Arial size=2>: <BR>> <BR>> =
Sound
Unbound: Strategies for Reconstructing Media<BR>> Paul Miller aka DJ Spo=
oky,
with 47<BR>> <BR>> The Art, Technology, and Culture Colloquium<BR>>=
;
Mon, 16 Sept, 7:30-9:30pm: UC Berkeley,<BR>> Location: 160 Kroeber
Hall<BR>> All ATC Lectures are free and open to the public.<BR>> <BR>=
>
Miller's Sound Unbound will be a "live" multi-media audio and visual<BR>>=
;
presentation of the history of digital art and media from the<BR>> viewp=
oint
of an artist who remixes "found" audio and video using<BR>> turntables a=
nd
digital projectors. History itself will be the<BR>> material for t=
he
mix, and the lecture presentation will focus on how<BR>> dj culture has=
evolved out of the same technologies that are used for<BR>> digital medi=
a and
art.<BR>> <BR>>
**********************************************************************<BR>&=
gt;
In the second half of the presentation, Paul will be joined by the new<BR>&=
gt;
media art collective 47 for a panel on reconstructing media and<BR>> dig=
ital
graffiti. The panel will explore strategies for increasing<BR>> media
literacy and responses to a world increasing saturated by<BR>> imagery a=
nd
dominated by corporate propaganda.<BR>> <BR>>
**********************************************************************<BR>&=
gt;
Paul will be introduced by David Wessel, Professor of Music.<BR>> <BR>&g=
t;
**********************************************************************<BR>&=
gt;
Paul D. Miller is a conceptual artist, writer, and musician working in<BR>&=
gt;
NYC. His written work has appeared in The Village Voice, The Source,<BR>>=
;
Artforum, Raygun, Rap Pages, Paper Magazine, and a host of other<BR>>
periodicals. He is a co-Publisher, along with the African American<BR>>=
downtown poet Steve Canon, of the magazine "A Gathering of the Tribes"<BR>&=
gt; -
a periodical dedicated to new works by writers from a multi-cultural<BR>>=
;
context. He is currently Editor of the media journal 21C. See:<BR>>=
;
21cmagazine.com<BR>> <BR>> Miller's work as an artist has appeared in=
a
wide variety of contexts<BR>> such as the Whitney Biennial, The Venice=
Biennial for Architecture<BR>> (year 2000), the prestigious Ludwig Museu=
m in
Cologne, Germany,<BR>> Kunsthalle, Vienna and The Andy Warhol Museum in=
Pittsburgh, among<BR>> others. Miller has given presentations at Harvard=
Law
School,<BR>> Princeton, the Museum of Contemporary Art (L.A.), Columbia=
University<BR>> School of Architecture, and MIDEM. He is a faculty membe=
r at
the<BR>> European Graduate School.<BR>> <BR>> Miller is best known=
under the moniker of his "constructed persona":<BR>> "DJ Spooky that
Subliminal Kid" a character from his upcoming novel<BR>> "Flow My Blood =
the
Dj Said," that uses a wide variety of digitally<BR>> created music as a =
form
of post-modern sculpture. Miller has recorded<BR>> many CDs and has
collaborated with a wide variety of musicians and<BR>> composers such as=
Iannis Xenakis, Ryuichi Sakamoto, Butch Morris, Kool<BR>> Keith a.k.a. D=
octor
Octagon, Killa Priest from Wu-Tang Clan, Yoko Ono,<BR>> and Thurston Moo=
re
from Sonic Youth. His two latest releases "Under<BR>> the Influence" and=
"Modern Mantra" are dj mix records that include<BR>> tracks from artists=
including Moby, Future Sound of London, Ryuichi<BR>> Sakamoto, Talvin Si=
ngh,
Saul Williams, Anti-Pop Constortium, DJ Krush,<BR>> Aesop Rock, Jack Dan=
gers,
and others. In his live performances DJ<BR>> Spooky weaves a unique soni=
c
texture using vinyl records, CDs,<BR>> electronic effects, an amplified=
kalimba and an upright electric bass,<BR>> mixing video footage live fro=
m his
laptop computer. More at<BR>> </FONT><A
href="http://www.djspooky.com"><FONT face=Arial
size=2>www.djspooky.com</FONT></A><BR><FONT face=Arial size=2>> <B=
R>>
**********************************************************************<BR>&=
gt;
The group 47 creates digital art and performances using innovative new<BR>&=
gt;
media production techniques. Their primary tools are animation, video<BR>&g=
t;
programming, sound and digital light projection. As digital graffiti<BR>>=
;
artists, avatars of information culture and architects of media, 47<BR>>=
builds narratives within the modern media flux. As live performers and<BR>&=
gt;
activists, 47 celebrate life while pushing art and politics to the<BR>>=
edge. At the present 47 consists of Ethan Eismann, Abe Burmeister
and<BR>> Seth Fershko, aka the Generalizer, Billy Blaze, and Phenom.&nbs=
p;
More at<BR>> </FONT><A href="http://www.four7.com"><FONT face=Arial=
size=2>www.four7.com</FONT></A><BR><FONT face=Arial size=2>> <BR>&=
gt;
**********************************************************************<BR>&=
gt;
Culture Cache Gallery will parallel the themes and artists of this<BR>>=
presentation in an exhibit called Metataggers : Digital Graffiti, on<BR>>=
;
view September 13-22 with a reception Sept. 13, 7-11pm. The
primary<BR>> medium for the show is digital projection, both video and=
still.<BR>> Miranda Gill started Culture Cache Gallery as a website devo=
ted
to<BR>> emerging local artists in 1999. Merging from the digital=
highway onto<BR>> the concrete frontier, Culture Cache emphasizes the
'Mission' School,<BR>> the 'low brow' aesthetic, and other local movemen=
ts
now gaining wide<BR>> recognition. 1800 Bryant St. @ corner of 17t=
h
415.626.7776. More at:<BR>> </FONT><A
href="http://www.culturecache.com"><FONT face=Arial
size=2>www.culturecache.com</FONT></A><BR><FONT face=Arial size=2>>=
; <BR>>
**********************************************************************<BR>&=
gt;
The ATC Colloquium will continue our partnership with the Berkeley Art<BR>&=
gt;
Museum and the Walker Art Center to present online video of ATC talks,<BR>&=
gt;
available both in QuickTime (highlights) or MP3 audio. For links
and<BR>> the full 2002-2003 series schedule, please see:<BR>> </FONT>=
<A
href="http://www.ieor.berkeley.edu/~goldberg/lecs/"><FONT face=Arial
size=2>www.ieor.berkeley.edu/~goldberg/lecs/</FONT></A><BR><FONT face=A=
rial
size=2>> <BR>>
**********************************************************************<BR>&=
gt;
<BR>> [ps. I realize it's Yom Kippur, but it will be sundown by 7:30<BR>=
>
and we'll need some music after all that atoning… -ken]<BR>> <BR=
>>
<BR>> + If the reader will keep me company I shall be glad.<BR>> ->=
;
post: </FONT><A href="mailto:[email protected]"><FONT face=Arial
size=2>[email protected]</FONT></A><BR><FONT face=Arial size=2>> -&=
gt;
questions: </FONT><A href="mailto:[email protected]"><FONT face=Arial
size=2>[email protected]</FONT></A><BR><FONT face=Arial size=2>> -&=
gt;
subscribe/unsubscribe: </FONT><A
href="http://rhizome.org/preferences/subscribe.rhiz"><FONT face=Arial=
size=2>http://rhizome.org/preferences/subscribe.rhiz</FONT></A><BR><FONT=
face=Arial size=2>> -> give: </FONT><A
href="http://rhizome.org/support"><FONT face=Arial
size=2>http://rhizome.org/support</FONT></A><BR><FONT face=Arial size=
=2>>
+<BR>> Subscribers to Rhizome are subject to the terms set out in the<BR=
>>
Membership Agreement available online at </FONT><A
href="http://rhizome.org/info/29.php"><FONT face=Arial
size=2>http://rhizome.org/info/29.php</FONT></A><BR><FONT face=Arial si=
ze=2>>
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——=_NextPart_001_000B_01C259A0.7A8E49E0–