My interest in the motion sensor drawing,cyber drawing, in relating an ontology must confront the fact that "ology" must initiate a misnomer where the reading of experience is not about but is. Because technical platforms tend to insulate a photo indices bias the morphological arrows by which perception is experience returns us to Zeno's critique of stations of the arrow- the Artist's State become a more interesting idea within which syllepsis- the GreeK "Tuchi" can reach a technical outreach in which the phenomonlogical and semiotic are embedded somewhat in the mode of the Assyrian "skrr", or morphime handling gradients of perception between scratch and sculpture, while experiencing materiality as osmotic to the strings of virtuality, their underwriting and overwriting, trace and vector embedded to rastor and vector