Zoë Salditch
zoe.salditch@rhizome.org
Works in New York, New York United States of America

BIO
Your favorite internet friend. <3
Director of Artist Relations @ Electric Objects. Formerly @ Rhizome and Eyebeam Art + Technology Center.


Artist Profile: Sabrina Ratté


Sabrina Ratté's video, Activated Memory, is featured on The Download this month.

Still from Activated Memory (2011)

On your tumblr, you quote Phillip K. Dick's "How to Build a Universe That Doesn't Fall Apart Two Days Later," wherein he presents his thoughts on "reality" from his perspective of a science-fiction writer whose job is to create universes in his novels and stories. Does your video work represent the reality you see? Are you attempting to make the viewer see reality as you see it?

I believe that Philip K. Dick is a master at questioning reality as we see it. When I first read Ubik, I was fascinated by the way Philip K. Dick would call in to question the basic structure of reality and disturb the meaning that we give to our everyday life. Diving into his world can cause a huge life crisis! It made me realize that we need to take certain things for granted or have faith in a « reality » that we choose in order to go on. (While being aware at the same time that this is only one choice among an infinity of others.) Doubting that we live in 2011, or being unsure if we are dead or alive can be very dangerous - and yet these questions can lead to very interesting lands if well managed. Philip K. Dick is dangerous in that sense. Are we in someone’s mind ? Are we dead ? Are the objects around us really concrete or can they melt in another dimension? Will this elevator go back in time if I step in it? The fact that he writes these ideas into a science fiction context allowes him to go further into his reflexions and gives him the opportunity to build these incredibly complex and convincing ...

READ ON »


Community Campaign 2012: The Download features Ryder Ripps


In-process screenshot of Ryder Ripps's Facebook, courtsey of the artist

Last week, we kicked off our annual Community Campaign with the announcement of a new program for Rhizome members called The Download. Through The Download, Rhizome members are invited to get a first look at a new and significant artwork by one artist every month. Artworks will come in a variety of ubiquitous file formats such as .gifs, .html, .mov, and .jpegs. All works will be delivered as a .zip via The Download page. Once the artwork is downloaded, it is yours to collect, share with friends, and display on the screen of any suitable device. The Download is a premier opportunity to become a collector of great digital art!

For the first Download, we are highlighting a new work by conceptual artist Ryder Ripps (Internet Archaeologydump.fm and OKFocus). Ryder Ripps's Facebook (2011) is a copy of his entire personal Facebook history including all of his photos, private messages, chats, and wall posts. The viewer is invited to explore all of Ripps's Facebook activity, exposing some of the most intimate and private information. As with previous works, this project confronts issues of privacyFacebook, and fetishization of technology. Read more about Ripps's work on The Download page.

Next month, we will feature a new work by video artist Sabrina Ratté including music by Roger Tellier-Craig, aka Le Révélateur. Look out for more information about upcoming featured artists in the next few months.

The Download is supported by the Artist Fund, a pool of financial support generated by our members that is divided evenly among the participating artists. You can learn more about The Download and the Artist Fund on the FAQ page.

If you would like to be able to receive The Download first-hand and directly support artists, please contribute to Rhizome's Community Campaign and the Artists Fund today!

 


Intern Roundup part 2 of 3


For part two of our intern roundup, we would like to introduce you to another new member of the team: Ross Leonardy. Ross is studying Fashion Design at Parsons, and is filling the crucial role of general intern. Ross supports day to day operations at Rhizome headquarters, doing everything from conducting research to helping out with events to organizing to photo editing. Let's hear it for the general intern - Welcome, Ross!

READ ON »


The Physical Archive


Last Thursday, Ben and I took a field trip to check out Rhizome's physical archive. Tara Hart, the New Museum's Digital Archivist, showed us where the Rhizome files are stored in the museum's archive located next door at 231. We had about an hour before we needed to get back to work, so we took couple of boxes and dug right in. This was fun departure from the usual day to day activities around the office. Here are some gems we found from our trip:

 

In a binder labeled "Rhizome Ads", a record of advertisements from various art and technology publications.

(from Leonardo, Vol. 33 Number 2, 2000)

I love the selling points here. Starrynight search interface -- Amazing!

We also found a bunch of folders labeled by month and year which held articles about various artists involved with Rhizome, new media art calls, opening invitations and other ephemera. Flipping through, I came across this great hand written postcard from Mouchette.

(Found in a folder labeled October 2001)

In another folder, I found this Xeroxed announcement for Cory Arcangel's Whitney Artport commission.

(circa 2002)

There are over twenty-something boxes to go through, who knows what we'll find next. I promise to keep you updated!

READ ON »



Discussions (15) Opportunities (6) Events (2) Jobs (5)
OPPORTUNITY

The Exquisite Contraption (February 2014)


Deadline:
Mon Dec 16, 2013 00:00

The Exquisite Contraption (February 2014)

Flux Factory invites artists, designers, engineers, hackers, and makers to collaborate on an elaborate, exquisite corpse-style Rube Goldberg machine that will span multiple rooms and floors throughout Flux Factory to accomplish a simple chore.

Inspired by Rube Goldberg’s cartoons that depict overly complex machines; chindōgu, the Japanese art of “unuseless” inventions; and the growing popularity of producing these objects and machines as an art practice; The Exquisite Contraption will result in a massive, interactive, kinetic sculpture that is activated once a week for the duration of 2014 to perform its task.

Participants will work together to collectively identify the machine’s task and individually build pieces of the chain reaction. The final contraption will be created from a wide array of materials and methods and become a long term addition to Flux Factory’s architecture. In an age of consumerism that worships the invisible and efficient, The Exquisite Contraption is an experiment not only in the spectacle of visible automation and the aestheticization of externalities, but in living daily life surrounded by a conspicuous machine.

Tell us your idea for a task or chore to be automated and a section you would like to build (max 1 page). Applications are due December 16th to exhibitions@fluxfactory.org and applicants will be notified by January 6th.

http://www.fluxfactory.org/news/open-call-2014-exhibition-season/


OPPORTUNITY

Emoji Art & Design Show at Eyebeam


Deadline:
Fri Nov 08, 2013 00:00

Location:
New York, New York
United States of America

The Emoji Art & Design Show surveys the spread of emoji through popular culture with an art exhibition and Emoji Pop-Up Market.

WHY AN EMOJI ART & DESIGN SHOW?

In today’s visually oriented culture, which increasingly communicates through images rather than text, emoji comprise a kind of “visual vernacular,” a language that conveys humor, ambiguity and personality as well as meaning.

This visual form of communication isn’t necessarily new—from cave paintings, to hieroglyphics, to religious and mythological symbols encoded in traditional painting and sculpture, we’ve been communicating through images since the dawn of mankind—but its dominance in culture today, especially among millennials, seems to indicate a greater shift in our approach to self-expression.

SUBMIT YOUR WORK

Emoji are everywhere. The little pictographic characters from Japan have become one of our favorite causal modes of communication and their influence has permeated popular culture and personal expression.

If you’re an artist or designer working with emoji, send us your work. We’re looking for a diverse array of interpretations and appropriations of the emoji that exist both on and offline. The show welcomes new and existing works from a variety of mediums ranging from net art, to painting and sculpture, video and performance.

Designers looking to sell their emoji-themed products should apply to participate in the pop-up market. Please note that all pop-up market vendors should be local to NYC or able to staff their own booth.

Learn more & submit your work now through November 8th.

Presented by:
Forced Meme Productions
Eyebeam

Official Media Partner:
Mashable


EVENT

Creating your own Subnode: Networking with the Raspberry Pi + Node.js


Dates:
Sat Sep 21, 2013 10:00 - Sat Sep 21, 2013

Location:
New York, New York
United States of America

Created during the Fall 2012 Residency season at Eyebeam, Subnodes (http://subnod.es/) is an open source initiative designed to streamline the process of setting up a Raspberry Pi as a wireless access point for distributing content and taking part in shared digital experiences. The device behaves as a web server, creating its own local area network, and does not connect with the internet. This is key for the sake of offering a space where people can communicate anonymously and freely, as well as maximizing the portability of the network (no dependability on an internet connection means the device can be taken and remain active anywhere).

This course will show you how to set up your Raspberry Pi as a web server and wireless access point. We will also cover how to create a local area network with a captive portal for directing users to your web app.

- Configure the Raspberry Pi with a wireless adapter as an Access Point
- Configure a web server running Node.js
- Create a simple chat application with Node
- Create a startup script that automatically boots up your network and node app on power up.

ABOUT THE INSTRUCTOR:
Sarah Grant is a Brooklyn-based multimedia artist and programmer. She is interested in building networks of data between machines and living creatures in addition to electrical engineering with organic and living materials. She has experimented with creating textile-based interfaces for audio hardware, working with sound as a tangible material, and more recently, creating conductive circuit traces out of slime molds. Embedded sensor networks and the idea of aware and responsive natural environments that cross the senses and freely transport information are key inspirations.

Sarah has given talks, taught workshops, and shown her work locally and internationally at events such as the New Interfaces for Musical Expression (NIME) conference, Maker Faire San Mateo and New York, Dorkbot and Eyebeam. She earned a Bachelor of Arts in Studio Art (printmaking and sculpture) from the University of California at Davis, and a Masters degree from the Interactive Telecommunications Program at Tisch School of the Arts, New York University. She currently works at The Barbarian Group as a Senior Design Technologist.

REQUIRED MATERIALS:
1. Raspberry Pi Model B (with Node.js pre-installed and 4GB SD Card)
2. USB WiFi dongle (with RALink RT5370 chipset)
3. 700 mA 5V microusb power supply
4. Laptop (with Ethernet Port) (Please email erica@eyebeam.org if you cannot provide this)
Items 1-3 can be purchased as a kit for an additional $75

PREREQUISITES:
- Comfort working in the command line
- Experience programming with javascript

REGISTER HERE: http://www.brownpapertickets.com/event/454834

Saturday September 14, 10:00 am - 5:00 pm

Workshop: $75
Workshop + Optional Kit: $150
**$25 OFF Workshop Fee for Students.
Enter password "STUDENT" to receive special discount price of $50.
Enter password "STUKIT" to receive special discount and purchase the kit.
MUST PRESENT STUDENT ID UPON ARRIVAL TO WORKSHOP.


EVENT

Scraping Political Data - Activism & Web Hacking Techniques


Dates:
Mon Sep 16, 2013 18:30 - Tue Sep 17, 2013

Location:
New York, New York
United States of America

This two-day workshop will introduce you to the basic philosophy behind transparency activism and how to accomplish it through the use of smart hacks over web platforms. Ownership, privacy and geopolitical use of data will be introduced through case histories of ethical and legal issues as well as an introduction of the main organizations and resources about Open Data.

You will learn the methodologies and mechanisms for exploring creative and unconventional uses of political data over the web. In addition, the workshop will introduce some practical tools, including simple software, coding, and other techniques and tricks to extract data from web servers.

Software that will be explored during the workshop:
iMacro, Fake, Scraperwiki, Beautiful Soup, Scrapy, etc.

Code that will be explored:
PHP, Phynton, Sql, JavaScript, DHTML, etc.

MATERIALS NEEDED:
Bring your own laptop (Email erica@eyebeam.org if you cannot provide this)

Knowledge of coding is not necessary, but very welcome.

ABOUT THE INSTRUCTOR:
Paolo Cirio is well known for web-hacktivism through projects such as Loophole for All, Face to Facebook, Google Will Eat Itself and Amazon Noir. He was part of the legendary Italian net-art collective Epidemic which created visionary viruses and P2P software. At the age of twenty-two he was investigated by the Department of National Defense of Canada for his innovative DDOS attacks to the NATO website though a Flash script. Recently the international press covered his hack at the Cayman Islands.
http://www.paolocirio.net/work/workshop/workshop_web-hacking4opendata.php

Register Here: http://www.brownpapertickets.com/event/447332

Monday, September 16, 6:30-10:30pm & Tuesday, September 17, 6:30-10:30pm

Cost: $100

**25% Discount for Students. Enter password "STUDENT" to receive special discount price of $75. MUST PRESENT STUDENT ID UPON ARRIVAL TO WORKSHOP.


OPPORTUNITY

WHITE BUILDING/EYEBEAM RESIDENCY PROGRAM 2014


Deadline:
Fri Sep 13, 2013 12:00

Location:
London, United Kingdom of Great Britain and Northern Ireland

Start Date: January, 2014

APPLICATION DEADLINE: All applications must be received by 12PM (noon) on September 13, 2013. Applicants will be informed of their application status by late November, 2013.

RESIDENCY SUMMARY: The 5-month residency will begin in mid January (negotiable start date) of 2014 and run through June of 2014, the first half of the time will be spent at The White Building, London and the second half at Eyebeam, New York. The resident will receive a stipend to be paid out over the course of the residency in connection with the achievement of specific milestones. In addition, travel between London and New York will be covered, and housing will be provided in London. The resident will not receive automatic housing in New York but will receive assistance in locating temporary housing.

OVERVIEW: The SPACE-run art centre, The White Building and Eyebeam are seeking applications from artists, engineers, designers, and creative technologists interested in being the inaugural resident in our joint residency program. The purpose of The White Building/Eyebeam Artist Residency is to support creation of new work that addresses the Focus Areas of this residency call. The new work, and the process of its creation, will be presented both at Eyebeam and The White Building, with opportunities for public presentation and discussion at both organizations.

RESIDENCY FOCUS AREAS: The resident is expected to respond to at least one of the following inquiries in their project:

1.What is the role of authenticity in the current creative situation? Digital technologies are built to reproduce themselves in perfect copies -- this is antithetical to notions of single authorship. What is authentic; can there be a single author anymore?

2. What is the place of discussion around aesthetic beauty and form in contemporary technological art? Particularly, how do the formal aspects of work on the internet affect how we ‘appreciate’ and understand art? How are platforms such S[edition] and art.sy re-configuring what is digital and physical practice? Moreover, what do we say to skeptics who argue that native art produced on the internet, does not boast the same social, aesthetic, or political value as traditional forms?

3. What is the relationship of queerness to the internet? Are there implied queer trajectories in what the internet enables?

4. How is storytelling evolving across cinema and ebooks, digital novels, hyperlinked narratives etc? Or is it evolving?

5. What does it mean to collaborate across geographies? What does it mean to be close to people?

PARTICIPATION: There is a single residency available under this program, though it may be shared by more than one person. The resident should be prepared to document, in both London and New York, the learning and development process for the project. This documentation, which may take any number of forms, will further engage the public by increasing understanding of the project itself. This documentation may include public-facing reports and updates designed to engage the public with the project and shed light on the artist's creative and educational process.

The resident is also encouraged to participate in both formal and informal learning opportunities within the The White Building and Eyebeam community.

DETAILS: The selected resident will be expected to start the residency at The White Building's London facilities in January, remaining in regular contact with Eyebeam. In London, the artist will be expected to spend at least 3 days a week developing their project at The White Building residency studio, where they will contribute actively to the culture of The White Building and its public program. After the first two months, the resident will be given working space at Eyebeam's Chelsea, New York City space and have 24/7 access to Eyebeam's facilities and equipment. The resident will also be expected to play an active role in the Eyebeam community by taking part in Eyebeam's weekly residents & fellows meetings, monthly Stop Work critique sessions, and annual Exhibition of artists' work.

In New York, the resident will bring their experience and expertise to Eyebeam where they will finalize the creation of the project(s). Residents are expected to contribute to the Eyebeam community as collaborative partners to other residents and fellows. Eyebeam may offer program support in developing work for public or educational programming within its space during the term of the residency.

ABOUT EYEBEAM: A belief in progress and openness are core values of Eyebeam. This has been demonstrated through 16 years of experimentation via the creative use and misuse of technology with the goal to innovate and develop better relationships between people and tools. Eyebeam believes that all creative work begins with a commitment to sustainability, equality, diversity, and concern for a better future. Across all research initiatives and focus areas, Eyebeam primarily supports projects that have real-world impact -- Eyebeam maintains that cultural progress is possible and encourages work that is paradigm shifting within a large spectrum of genres.

ABOUT THE WHITE BUILDING: The White Building is London’s new centre for art, technology and sustainability. An incubator for big ideas and innovation, it serves as a creative lab for artists whose work engages with technology. Run by SPACE, The White Building’s aim is to act as an international beacon for the creative industries in Hackney Wick, as well as a resource and venue for residential and educational communities in the area. The centre is anchored by a residency program that is unique among UK public institutions, offering opportunities for emerging and mid-career artists to produce new work on an international platform. The centre comprises a residency studio, which doubles up as a temporary exhibition space, a flexible event space, studios for creative practitioners.

APPLICATION REQUIREMENTS: Applicants are only accepted via the online application system at http://apply.eyebeam.org. Applications received after the deadline of 12:00 (EST) PM (noon), September 13, 2013, will not be accepted. All applications and work samples must be submitted through the online form. No exceptions will be made.

Applications must not be currently enrolled in degree-granting academic programs. Individuals and collaborative teams are invited to apply. In either case, please detail in your application how technical and creative responsibilities will be met. If applying as a collaborative team, please include information about team members' relevant prior experience and combine CVs into a single document before uploading.

Please read the guidelines carefully, should you still wish to make an enquiry before making an application, then please contact Omar Kholeif, Head of Programming at The White Building, London on omar@spacestudios.org.uk.



SAVED WORKS (11)