Zoë Salditch
zoe.salditch@rhizome.org
Works in New York, New York United States of America

BIO
Your favorite internet friend. <3
Co-founder & Director of Artist Relations @ Electric Objects.
Formerly @ Rhizome and Eyebeam Art + Technology Center.


Artist Profile: Sabrina Ratté


Sabrina Ratté's video, Activated Memory, is featured on The Download this month.

Still from Activated Memory (2011)

On your tumblr, you quote Phillip K. Dick's "How to Build a Universe That Doesn't Fall Apart Two Days Later," wherein he presents his thoughts on "reality" from his perspective of a science-fiction writer whose job is to create universes in his novels and stories. Does your video work represent the reality you see? Are you attempting to make the viewer see reality as you see it?

I believe that Philip K. Dick is a master at questioning reality as we see it. When I first read Ubik, I was fascinated by the way Philip K. Dick would call in to question the basic structure of reality and disturb the meaning that we give to our everyday life. Diving into his world can cause a huge life crisis! It made me realize that we need to take certain things for granted or have faith in a « reality » that we choose in order to go on. (While being aware at the same time that this is only one choice among an infinity of others.) Doubting that we live in 2011, or being unsure if we are dead or alive can be very dangerous - and yet these questions can lead to very interesting lands if well managed. Philip K. Dick is dangerous in that sense. Are we in someone’s mind ? Are we dead ? Are the objects around us really concrete or can they melt in another dimension? Will this elevator go back in time if I step in it? The fact that he writes these ideas into a science fiction context allowes him to go further into his reflexions and gives him the opportunity to build these incredibly complex and convincing ...

READ ON »


Community Campaign 2012: The Download features Ryder Ripps


In-process screenshot of Ryder Ripps's Facebook, courtsey of the artist

Last week, we kicked off our annual Community Campaign with the announcement of a new program for Rhizome members called The Download. Through The Download, Rhizome members are invited to get a first look at a new and significant artwork by one artist every month. Artworks will come in a variety of ubiquitous file formats such as .gifs, .html, .mov, and .jpegs. All works will be delivered as a .zip via The Download page. Once the artwork is downloaded, it is yours to collect, share with friends, and display on the screen of any suitable device. The Download is a premier opportunity to become a collector of great digital art!

For the first Download, we are highlighting a new work by conceptual artist Ryder Ripps (Internet Archaeologydump.fm and OKFocus). Ryder Ripps's Facebook (2011) is a copy of his entire personal Facebook history including all of his photos, private messages, chats, and wall posts. The viewer is invited to explore all of Ripps's Facebook activity, exposing some of the most intimate and private information. As with previous works, this project confronts issues of privacyFacebook, and fetishization of technology. Read more about Ripps's work on The Download page.

Next month, we will feature a new work by video artist Sabrina Ratté including music by Roger Tellier-Craig, aka Le Révélateur. Look out for more information about upcoming featured artists in the next few months.

The Download is supported by the Artist Fund, a pool of financial support generated by our members that is divided evenly among the participating artists. You can learn more about The Download and the Artist Fund on the FAQ page.

If you would like to be able to receive The Download first-hand and directly support artists, please contribute to Rhizome's Community Campaign and the Artists Fund today!

 


Intern Roundup part 2 of 3


For part two of our intern roundup, we would like to introduce you to another new member of the team: Ross Leonardy. Ross is studying Fashion Design at Parsons, and is filling the crucial role of general intern. Ross supports day to day operations at Rhizome headquarters, doing everything from conducting research to helping out with events to organizing to photo editing. Let's hear it for the general intern - Welcome, Ross!

READ ON »


The Physical Archive


Last Thursday, Ben and I took a field trip to check out Rhizome's physical archive. Tara Hart, the New Museum's Digital Archivist, showed us where the Rhizome files are stored in the museum's archive located next door at 231. We had about an hour before we needed to get back to work, so we took couple of boxes and dug right in. This was fun departure from the usual day to day activities around the office. Here are some gems we found from our trip:

 

In a binder labeled "Rhizome Ads", a record of advertisements from various art and technology publications.

(from Leonardo, Vol. 33 Number 2, 2000)

I love the selling points here. Starrynight search interface -- Amazing!

We also found a bunch of folders labeled by month and year which held articles about various artists involved with Rhizome, new media art calls, opening invitations and other ephemera. Flipping through, I came across this great hand written postcard from Mouchette.

(Found in a folder labeled October 2001)

In another folder, I found this Xeroxed announcement for Cory Arcangel's Whitney Artport commission.

(circa 2002)

There are over twenty-something boxes to go through, who knows what we'll find next. I promise to keep you updated!

READ ON »



Discussions (17) Opportunities (6) Events (2) Jobs (6)
DISCUSSION

Rhizome Today: Conversations at the Edge (of a Square)


Good Today post. Impressed with Scott's knowledge of panel manufacturing.

I'm biased towards the 9:16 ratio or "deep portrait" as Andrew Benson likes to call it. ( ^-^)

JOB

Android, iOS and Rails Engineers


Deadline:
Sat Nov 08, 2014 12:05

Location:
New York City, New York
United States of America

We're a small team of six based in New York City. We're hiring for a handful of specific roles, but if you find this project fascinating, please don't hesitate to reach out.

Android Engineer — We're looking for someone to lead the development of the EO1 Android-based operating system, in addition to a mobile Android app. You should have a few years of experience working with Android.
You'll work closely with the team building the integrated computer for EO1, to maximize graphics performance.
Most of the work will be at the application layer, but you should have some comfort digging into the lower level stuff. We're a small team, so it will be important for you to have a keen eye for user experience as well.

Product Engineer — The person in this role will build the web and mobile web Rails applications that support the Electric Objects community and Store, where users will discover, share, buy and display artwork.
You should have spent at least a few years working on websites, and ideally spent some time building community software.
You've probably worked on side projects before. That's what this is like, except all the time.

iOS Engineer — Lead the development of the iPhone and iPad applications that help users discover, collect and display artwork on their EO1.
We're pretty sure that most people will control what appears on their EO1 with their phone, so this is a pretty important platform for us. We're looking for someone with a few years of iOS development under their belt.

Other notes:
The pay and equity are competitive
We'll help the right person relocate

Interested? Introduce yourself to hello@electricobjects.com


DISCUSSION

Nail Art: From lipstick traces to digital polish


The emoji at the end was icing on the cake.

Also, thought it would be good to add that for femme lesbians there is a nail polish code or "femme flagging," since we're on this track about queerness and nail art.

http://www.xojane.com/beauty/femme-flagging-manicure
http://stuffqueerpeopleneedtoknow.com/2012/04/30/flagging-for-femmes-and-other-people-who-need-an-alternative-to-the-back-pocket/

OPPORTUNITY

The Exquisite Contraption (February 2014)


Deadline:
Mon Dec 16, 2013 00:00

The Exquisite Contraption (February 2014)

Flux Factory invites artists, designers, engineers, hackers, and makers to collaborate on an elaborate, exquisite corpse-style Rube Goldberg machine that will span multiple rooms and floors throughout Flux Factory to accomplish a simple chore.

Inspired by Rube Goldberg’s cartoons that depict overly complex machines; chindōgu, the Japanese art of “unuseless” inventions; and the growing popularity of producing these objects and machines as an art practice; The Exquisite Contraption will result in a massive, interactive, kinetic sculpture that is activated once a week for the duration of 2014 to perform its task.

Participants will work together to collectively identify the machine’s task and individually build pieces of the chain reaction. The final contraption will be created from a wide array of materials and methods and become a long term addition to Flux Factory’s architecture. In an age of consumerism that worships the invisible and efficient, The Exquisite Contraption is an experiment not only in the spectacle of visible automation and the aestheticization of externalities, but in living daily life surrounded by a conspicuous machine.

Tell us your idea for a task or chore to be automated and a section you would like to build (max 1 page). Applications are due December 16th to exhibitions@fluxfactory.org and applicants will be notified by January 6th.

http://www.fluxfactory.org/news/open-call-2014-exhibition-season/


OPPORTUNITY

Emoji Art & Design Show at Eyebeam


Deadline:
Fri Nov 08, 2013 00:00

Location:
New York, New York
United States of America

The Emoji Art & Design Show surveys the spread of emoji through popular culture with an art exhibition and Emoji Pop-Up Market.

WHY AN EMOJI ART & DESIGN SHOW?

In today’s visually oriented culture, which increasingly communicates through images rather than text, emoji comprise a kind of “visual vernacular,” a language that conveys humor, ambiguity and personality as well as meaning.

This visual form of communication isn’t necessarily new—from cave paintings, to hieroglyphics, to religious and mythological symbols encoded in traditional painting and sculpture, we’ve been communicating through images since the dawn of mankind—but its dominance in culture today, especially among millennials, seems to indicate a greater shift in our approach to self-expression.

SUBMIT YOUR WORK

Emoji are everywhere. The little pictographic characters from Japan have become one of our favorite causal modes of communication and their influence has permeated popular culture and personal expression.

If you’re an artist or designer working with emoji, send us your work. We’re looking for a diverse array of interpretations and appropriations of the emoji that exist both on and offline. The show welcomes new and existing works from a variety of mediums ranging from net art, to painting and sculpture, video and performance.

Designers looking to sell their emoji-themed products should apply to participate in the pop-up market. Please note that all pop-up market vendors should be local to NYC or able to staff their own booth.

Learn more & submit your work now through November 8th.

Presented by:
Forced Meme Productions
Eyebeam

Official Media Partner:
Mashable



SAVED WORKS (11)