Zoë Salditch
zoe.salditch@rhizome.org
Works in New York, New York United States of America

BIO
Your favorite internet friend. <3
Co-founder & Director of Artist Relations @ Electric Objects.
Formerly @ Rhizome and Eyebeam Art + Technology Center.


Growing Up Internet: The Case of Chris Poole


Chris Poole (aka moot) is many things. He is the founder of the notorious 4chan (2003—), the bulletin board that gave rise to some of the most memorable memes of past decade, and Canv.as (2010—), a website that encourages sharing and remixing media. His most recent project, DrawQuest, is an iPad app that prompts users with a new drawing challenge every day. Its latest version was launched in the iTunes store last week. 

Poole embodies and understands the internet and online community in the way only a millennial who had a computer in his bedroom with no parental supervision can. He started 4chan when he was 15, and for the community that emerged around it, he belongs in the pantheon of internet gods. Their adoration went so far that in 2009, 4chan users flooded the Time 100 poll to award Poole as The World's Most Influential Person. They describe him in the satirical Internet culture wiki Encyclopedia Dramatica as "supreme overlord of the Internet." He still devotes a considerable amount of time and money to 4chan, despite the fact that he can expect nothing in return. But although he stays involved in the community he created as an adolescent, Poole has grown up. Now, he’s an entrepreneur attempting to solve the puzzle of how to cultivate and – hopefully – monetize a creative online community. 

I met with Poole for bubble tea in the East Village on a hot Tuesday afternoon. After showing me the new updates in the latest version of DrawQuest, we talked about his views on art, online communities, and growing up internet.


Surf Report: gURLs


Texas State Senator Wendy Davis's shoes during her 13-hour filibuster on June 25, 2013.

Jennifer Steinkamp, from the seires Sexist Slides (1989). Slideshow projected on a street in Hollywood at EZTV.

Molly Soda, Inbox Full (2012). Ten-hour reading of questions sent to the artist from her Tumblr askbox.


We See In Every Direction Official Surf Party Video


For those of you who were unable to join us for the We See In Every Direction Official Surf Party last week, here is a video from the artist, Jonas Lund, that captures some of the highlights of what happens when dozens of people try to share a single browser window. Cursors circulate like flies, the URL window becomes a turf war and a good time is had by all.

Even if the official event is over, the party doesn't have to stop—you can still collaboratively surf the Web with strangers by installing We See, available on The Download. If you're hungry to learn more about the event you can also check out some tweets with the hashtag #WeSee or peep the Facebook event page where some discussion took place.

READ ON »


The Download: Jonas Lund


This month The Download features We See In Every Direction (2013) a Web browser for collaborative, synchronized surfing by Swedish artist Jonas Lund. Browsing the Internet is typically an intimate and personal experience for just one person, but in We See, users traverse online information streams in a collective surfing environment. Users can type, click and change URLs in real time together; they can jockey for control of the browser--akin to fighting for the TV remote--or choose to sit back and let their friends take care of the surfing. Like many of Lund’s previous online works, the piece opens up the walled-off spaces of the Internet for shared use.

The Download is Rhizome's ongoing digital art exhibition and collecting program that features new works by great artists for free download. 

READ ON »


Surf Report: Sext Me So I Know It's Real Edition


 

TIME Magazine, May 20, 2013. 

 

TIME Magazine, January 1, 2007.

Jon Rafman, New Age Demanded Microfiche Archive, 2013. Microfiche machine and custom microfiche. 51.5 x 33 x 48.4 cm. Via Future Gallery.

 

Sim Chang, from the series Flawless Love. (H/T to jemchan).

 

 

Jonathan Zawada

 

Amy Snodgrass, via Internet Poetry

 

Steph Davidson, Illustration for Businessweek article on Bitcoin, 28 March 2013.

 

READ ON »



Discussions (17) Opportunities (6) Events (2) Jobs (6)
DISCUSSION

Rhizome Today: Conversations at the Edge (of a Square)


Good Today post. Impressed with Scott's knowledge of panel manufacturing.

I'm biased towards the 9:16 ratio or "deep portrait" as Andrew Benson likes to call it. ( ^-^)

JOB

Android, iOS and Rails Engineers


Deadline:
Sat Nov 08, 2014 12:05

Location:
New York City, New York
United States of America

We're a small team of six based in New York City. We're hiring for a handful of specific roles, but if you find this project fascinating, please don't hesitate to reach out.

Android Engineer — We're looking for someone to lead the development of the EO1 Android-based operating system, in addition to a mobile Android app. You should have a few years of experience working with Android.
You'll work closely with the team building the integrated computer for EO1, to maximize graphics performance.
Most of the work will be at the application layer, but you should have some comfort digging into the lower level stuff. We're a small team, so it will be important for you to have a keen eye for user experience as well.

Product Engineer — The person in this role will build the web and mobile web Rails applications that support the Electric Objects community and Store, where users will discover, share, buy and display artwork.
You should have spent at least a few years working on websites, and ideally spent some time building community software.
You've probably worked on side projects before. That's what this is like, except all the time.

iOS Engineer — Lead the development of the iPhone and iPad applications that help users discover, collect and display artwork on their EO1.
We're pretty sure that most people will control what appears on their EO1 with their phone, so this is a pretty important platform for us. We're looking for someone with a few years of iOS development under their belt.

Other notes:
The pay and equity are competitive
We'll help the right person relocate

Interested? Introduce yourself to hello@electricobjects.com


DISCUSSION

Nail Art: From lipstick traces to digital polish


The emoji at the end was icing on the cake.

Also, thought it would be good to add that for femme lesbians there is a nail polish code or "femme flagging," since we're on this track about queerness and nail art.

http://www.xojane.com/beauty/femme-flagging-manicure
http://stuffqueerpeopleneedtoknow.com/2012/04/30/flagging-for-femmes-and-other-people-who-need-an-alternative-to-the-back-pocket/

OPPORTUNITY

The Exquisite Contraption (February 2014)


Deadline:
Mon Dec 16, 2013 00:00

The Exquisite Contraption (February 2014)

Flux Factory invites artists, designers, engineers, hackers, and makers to collaborate on an elaborate, exquisite corpse-style Rube Goldberg machine that will span multiple rooms and floors throughout Flux Factory to accomplish a simple chore.

Inspired by Rube Goldberg’s cartoons that depict overly complex machines; chindōgu, the Japanese art of “unuseless” inventions; and the growing popularity of producing these objects and machines as an art practice; The Exquisite Contraption will result in a massive, interactive, kinetic sculpture that is activated once a week for the duration of 2014 to perform its task.

Participants will work together to collectively identify the machine’s task and individually build pieces of the chain reaction. The final contraption will be created from a wide array of materials and methods and become a long term addition to Flux Factory’s architecture. In an age of consumerism that worships the invisible and efficient, The Exquisite Contraption is an experiment not only in the spectacle of visible automation and the aestheticization of externalities, but in living daily life surrounded by a conspicuous machine.

Tell us your idea for a task or chore to be automated and a section you would like to build (max 1 page). Applications are due December 16th to exhibitions@fluxfactory.org and applicants will be notified by January 6th.

http://www.fluxfactory.org/news/open-call-2014-exhibition-season/


OPPORTUNITY

Emoji Art & Design Show at Eyebeam


Deadline:
Fri Nov 08, 2013 00:00

Location:
New York, New York
United States of America

The Emoji Art & Design Show surveys the spread of emoji through popular culture with an art exhibition and Emoji Pop-Up Market.

WHY AN EMOJI ART & DESIGN SHOW?

In today’s visually oriented culture, which increasingly communicates through images rather than text, emoji comprise a kind of “visual vernacular,” a language that conveys humor, ambiguity and personality as well as meaning.

This visual form of communication isn’t necessarily new—from cave paintings, to hieroglyphics, to religious and mythological symbols encoded in traditional painting and sculpture, we’ve been communicating through images since the dawn of mankind—but its dominance in culture today, especially among millennials, seems to indicate a greater shift in our approach to self-expression.

SUBMIT YOUR WORK

Emoji are everywhere. The little pictographic characters from Japan have become one of our favorite causal modes of communication and their influence has permeated popular culture and personal expression.

If you’re an artist or designer working with emoji, send us your work. We’re looking for a diverse array of interpretations and appropriations of the emoji that exist both on and offline. The show welcomes new and existing works from a variety of mediums ranging from net art, to painting and sculpture, video and performance.

Designers looking to sell their emoji-themed products should apply to participate in the pop-up market. Please note that all pop-up market vendors should be local to NYC or able to staff their own booth.

Learn more & submit your work now through November 8th.

Presented by:
Forced Meme Productions
Eyebeam

Official Media Partner:
Mashable



SAVED WORKS (11)