Yann Le Guennec
Since the beginning
Works in France

PORTFOLIO (2)
BIO
Yann Le Guennec is a visual artist, born 1968 in Brittany, France, where he lives and works.

He holds a Master Degree in Fine Arts from ESA Lorient. He was cofounder and worked for x-arn from 1998 to 2003. He teached at L'École de design Nantes Atlantique from 2001 to 2010.

His current artistic work is based on simple instructions that involve geometric compositions. These instructions are carried out in the form of photographs of arrangements made with available objects and materials in his local environment, and / or digital pictures modified by online softwares. These softwares use available data, mainly the IP addresses of devices that connected to his website.

The set of generated pictures constitutes a visual research on the existence of margins of freedom and action within a defined framework of rules and constraints. While in the extension of conceptual practices like those from Sol LeWitt, Claude Rutault, or algorithmic visual games from François Morellet, the various embodiments are an exploration of possible contexts allowing the existence of a contemporary art practice, mixing analog and digital, included in some banality of an everyday life that is not devoid of poetry.

Selected group exhibitions

2009 - TOOL BOX (as part of the exhibition ‘Urban Ping Pong’ curated by Emmanuel Ropers). Galerie Fernand Leger. Centre d'art contemporain d'Ivry, France.
2009 - Si j’avais un marteau!, base d'Appui d'Entre-deux, Nantes, France.
2008 - TOOL BOX. Commissariat: Jacques Rivet, Marie-Laure Viale, Ghislain Mollet-Viéville et Christian Ruby. base d'Appui d'Entre-deux, Nantes, France.
2007 - The Latency of the Moving Image in New Media. Curated by Eduardo Navas. Telic Arts Exchange, Los Angeles, USA

Selected publication

« Metaphor of the Merchant’s Table », /seconds, issue 10: 03/2009. ISSN 1751-4134. Useless Beauty and Fuzzy Logic: correlations of violence.
http://www.slashseconds.org/issues/003/002/articles/yleguennec/

Selected bibliography

Barker, Tim. "Error, the Unforeseen, and the Emergent: The Error and Interactive Media Art." M/C Journal 10.5 (2007). 21 Jun. 2010 http://journal.media-culture.org.au/0710/03-barker.php
Discussions (87) Opportunities (1) Events (9) Jobs (0)
DISCUSSION

DISCUSSION

DISCUSSION

the simplest mashup


>I'd write more but I have to go check news.bbc.co.uk It's been almost 10 minutes since I last looked.

:))

i think you're right

i took a look at nudes studies , and it's a quite complex work, conceptualy really fine, but i understand that people do not take time to 'enter in it', it means , going behind the drawings, behind the screen, behind the code, behind data from hearthquake centers, behind.... themselves.

i guess it's the kind of work you have to come back to, in order to reflect about the work and reflect about yourself reflecting about the work.
And to be able to come back to this work, i have to know where i put a reference to it, so, in a way, i have to become a curator (before being an actor of the work).

How does a spectator become a curator ? i don't know, but perhaps it's a way to think about what we are doing here, in this small area of the cyberspace.


EVENT

the simplest mashup


Dates:
Wed Apr 30, 2008 00:00 - Wed Apr 30, 2008

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select last image in flickr feed using this selected word as tag

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http://www.datapainting.com/flickrmixr/tsm/the-simplest-mashup.html

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