Yann Le Guennec
Since the beginning
Works in France

PORTFOLIO (2)
BIO
Yann Le Guennec is a visual artist, born 1968 in Brittany, France, where he lives and works.

He holds a Master Degree in Fine Arts from ESA Lorient. He was cofounder and worked for x-arn from 1998 to 2003. He teached at L'École de design Nantes Atlantique from 2001 to 2010.

His current artistic work is based on simple instructions that involve geometric compositions. These instructions are carried out in the form of photographs of arrangements made with available objects and materials in his local environment, and / or digital pictures modified by online softwares. These softwares use available data, mainly the IP addresses of devices that connected to his website.

The set of generated pictures constitutes a visual research on the existence of margins of freedom and action within a defined framework of rules and constraints. While in the extension of conceptual practices like those from Sol LeWitt, Claude Rutault, or algorithmic visual games from François Morellet, the various embodiments are an exploration of possible contexts allowing the existence of a contemporary art practice, mixing analog and digital, included in some banality of an everyday life that is not devoid of poetry.

Selected group exhibitions

2009 - TOOL BOX (as part of the exhibition ‘Urban Ping Pong’ curated by Emmanuel Ropers). Galerie Fernand Leger. Centre d'art contemporain d'Ivry, France.
2009 - Si j’avais un marteau!, base d'Appui d'Entre-deux, Nantes, France.
2008 - TOOL BOX. Commissariat: Jacques Rivet, Marie-Laure Viale, Ghislain Mollet-Viéville et Christian Ruby. base d'Appui d'Entre-deux, Nantes, France.
2007 - The Latency of the Moving Image in New Media. Curated by Eduardo Navas. Telic Arts Exchange, Los Angeles, USA

Selected publication

« Metaphor of the Merchant’s Table », /seconds, issue 10: 03/2009. ISSN 1751-4134. Useless Beauty and Fuzzy Logic: correlations of violence.
http://www.slashseconds.org/issues/003/002/articles/yleguennec/

Selected bibliography

Barker, Tim. "Error, the Unforeseen, and the Emergent: The Error and Interactive Media Art." M/C Journal 10.5 (2007). 21 Jun. 2010 http://journal.media-culture.org.au/0710/03-barker.php
Discussions (87) Opportunities (1) Events (9) Jobs (0)
DISCUSSION

METADESIGN, OR HOW EXPERIENCE MUST BREAK FREE FROM THE DESIGNER’S GRIP



In this article experience design refers to the conception of interaction systems linking players
to processes. These players are either individuals or objects; they interact through the activation
of processes. Interaction systems - which vary according to the standing point from which you
choose to conceive or observe them - constitute the global field of experience.

METADESIGN, OR HOW EXPERIENCE MUST BREAK FREE FROM THE DESIGNER’S GRIP
Yann Le Guennec - 01/2008
in CADI : ca di - Research journal of l'Ecole de design Nantes Atlantique
http://www.lecolededesign.com/IMG/pdf/CADI01\_JAN2008\_EN.pdf


EVENT

DATAPAINTING / LOCAL CONTEXT + REMOTE DATA


Dates:
Sat May 10, 2008 00:00 - Sat May 10, 2008

DATAPAINTING / LOCAL CONTEXT + REMOTE DATA

Local context: a picture from local environment.
Remote data: any set of data available on the network and transformed into a picture.

http://www.laboratoire-aleatoire.com/lab/LocalContextRemoteData

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DISCUSSION

The Wrath of Math


JODI's account ... hum , u mean JODI's account.... jodi.com or ....what else ? may be ... http://en.wikipedia.org/wiki/Jodi ... or may be.... hum some students working w/ .... nam jun paik? yeah, i c...

DISCUSSION

the re-materialization of art - Remixed


wana take also some french lessons Peter ?

DISCUSSION