PORTFOLIO (2)
BIO
Will Pappenheimer is an artist and professor at Pace University, NY and a founding member of the Manifest.AR collective. Individually and as part of Manifest.AR he has exhibited in solo shows at the ICA in Boston, Kasa Gallery, Istanbul, the DUMBO Arts Festival, Fringe Exhibitions in Los Angeles, Samek Art Gallery, Bucknell University, PA, Pace University and Pocket Utopia Gallery in New York, and the Urban Institute for Contemporary Art, MI. Together with the Manifest.AR collective, he staged two highly publicized interventions at the Museum of Modern Art, NY and the 54th Venice Biennial. His work has been included in numerous group shows nationally and internationally, including the Museum of Fine Arts in Boston, Exit Art, Florence Lynch, Postmasters, Vertexlist, DUMBO Arts Festival in NY, San Jose Museum of Art in ISEA 06/ZeroOne, Kunstraum Walcheturm in Zurich, the Golden Thread Gallery, Belfast, Ireland for ISEA 09, FILE 2005 at the SESI Art Gallery, Sao Paulo and Xi’an Academy of Art Gallery in China. His grants include an NEA Artist Fellowship, Traveling Scholars Award from School of the Museum of Fine Arts, Boston, Los Angeles County Museum of Art, Turbulence.org, Rhizome,org at the New Museum, Lights On Tampa 2009, and FACT, Liverpool. His work and participation in Manifest.AR has been reviewed in Art in America, New York Times, WIRED, the Boston Globe, EL PAIS, Madrid, Liberation, Paris, NY Arts International, Art US, the New, Magazine Électronique du CIAC, Montreal, MSNBC.com and ZedTV, Canadian Broadcasting. The artist’s works are discussed in Christiane Paulʼs recent historical edition of “Digital Art” and a chapter of Gregory Ulmerʼs theoretical book “Electronic Monuments.” He has presented his work at the Eyebeam Atelier, the New Museum, the ITP Graduate Program, New York University and the College Art Association, empyre online discussion list, and ETH Computer Systems Institute, Zurich, Switzerland. For March, 2013, he is organizing a solo exhibition of the ManifestAR collective at FACT, the Foundation for Art and Technology in Liverpool, UK.
Public Mood Ring at UICA
Dates:
Fri Dec 08, 2006 00:00 - Fri Dec 08, 2006
Public Mood Ring
http://www.publicmoodring.thruhere.net/
Opens at the Urban Institute for Contemporary Art, Grand Rapids, MI, USA
December 8, 2006 18:00 EST - January 19, 2007
what is the color of mood?
“Public Mood Ring” is an installation/internet work inspired by the common wearable “mood ring.” The ring is believed to be capable of translating the bearer’s emotional condition into its changeable color hue. This project attempts to find the color mood of a current public issue represented by instant Internet news text. It does this at the request and questioning of remote viewers logged onto the artwork site and to a computer station within the installation room.
what is your relationship to news?
Web participants can see the change and status of the installation space via web camera. The shared experience is both the gift of the remote participant, as well as a gauge or color representation of the current world events. Installation visitors are then immersed in the ambient light.
Will Pappenheimer
Assistant Professor, Digital Art
Pace University, New York
wpappenheimer@pace.edu
willpap-projects.com
Cell: 347-526-5302
http://www.publicmoodring.thruhere.net/
Opens at the Urban Institute for Contemporary Art, Grand Rapids, MI, USA
December 8, 2006 18:00 EST - January 19, 2007
what is the color of mood?
“Public Mood Ring” is an installation/internet work inspired by the common wearable “mood ring.” The ring is believed to be capable of translating the bearer’s emotional condition into its changeable color hue. This project attempts to find the color mood of a current public issue represented by instant Internet news text. It does this at the request and questioning of remote viewers logged onto the artwork site and to a computer station within the installation room.
what is your relationship to news?
Web participants can see the change and status of the installation space via web camera. The shared experience is both the gift of the remote participant, as well as a gauge or color representation of the current world events. Installation visitors are then immersed in the ambient light.
Will Pappenheimer
Assistant Professor, Digital Art
Pace University, New York
wpappenheimer@pace.edu
willpap-projects.com
Cell: 347-526-5302
More on the word Hypertexturalities, Florence Lynch Gallery
Dates:
Sun Sep 10, 2006 00:00 - Sun Sep 10, 2006
Lee Klein has written an interesting article in Tribes on his notions of Hypertexture/Hypertextures as precursor to the Hypertexturalities evolution that is worth reading:
http://www.tribes.org/cgi-bin/form.pl?karticleX9
there is also an interesting discussion blog by Steve Shwartz on Threadless.com,
cached at:
http://72.14.209.104/search?qEche:tf7rTc2o40cJ:https://www.threadless.com/profile/168993/steve_swartz/29788/Making_Sense_of_Lee_Klein+Hypertexturalities+Review&hl=en&gl=us&ct=clnk&cd=7
Will Pappenheimer
http://www.tribes.org/cgi-bin/form.pl?karticleX9
there is also an interesting discussion blog by Steve Shwartz on Threadless.com,
cached at:
http://72.14.209.104/search?qEche:tf7rTc2o40cJ:https://www.threadless.com/profile/168993/steve_swartz/29788/Making_Sense_of_Lee_Klein+Hypertexturalities+Review&hl=en&gl=us&ct=clnk&cd=7
Will Pappenheimer
Hypertexturalities, Florence Lynch Gallery
Dates:
Sat Sep 09, 2006 00:00 - Sat Sep 09, 2006
Hypertexturalities
Florence Lynch Gallery
531-539 West 25th Street, New York, New York 10001
September 8 - October 7, 2006
(If you you are in the area, come see what you can make with 10,000 hand dyed pom poms. Will Pappenheimer)
Florence Lynch Gallery is pleased to present Hypertexturalities (Architectures and Morphologies), Curated by Lee Klein with artists
Rick Hildenbrandt
Ron Janowich & Merijn van der Heijden
Ed Kerns & Elizabeth Chapman
Roy Lerner
Fabian Marcaccio
Mark Milloff
Will Pappenheimer
Tyrome Triploli
The exhibition is on view from September 8 through October 7, 2006. An opening reception will be held at the gallery on Friday, September 8, from 6:00 to 8:00 p.m.
"Hypertexturalities" in the words of painter Mark Milloff "is not a sequel but an evolution". That is that since the first exhibition "Hypertexture" (which attempted to survey the umbrella of pictorial morphologies which hypothetically fall under the so-named rubric of painterly, sculptural, digital and transmedial works which invest themselves of an economy of transversal simulacra) the appearance of this phenomenological order of art and or design has become more widespread.
"Hypertexture" can be seen in design (grasscrete) topiary (Robert Irwin's
take on trees as influenced by Arata Iozaki's computer renderings of them in
computer architectural simulations or the topiaries in the movie "aeon flux") and the amount of painters following from the trans-filmic lead-ins of Jackson Pollock, Jamie Dalglish, and David Reed into hypertextural morphologies grows into a lexicon.
This new exhibition will try to visit the place where architectures infuse and morphologies expand the fertile edge of a new aesthetic landscape where the plastic ends and the digital begins and the digital ends and the tactile
begins again.
Lee Klein, July 2006
Lee Klein is the curator of "Hypertexture" and "Hypertexturalities" (words he hopes to get at least part of the credit for as they enter lexicons and or dictionaries). He has written for PAJ (MIT Press), NYarts, The Forward, Lafayette College's Portlock Black Cultural Center, and "A Gathering of the Tribes".
Gallery hours are Tuesday through Saturday from 11:00 to 6:00 p.m. For
further information and photographic material please contact Kari Pierce at
(212) 924-3290.
Florence Lynch Gallery
531-539 West 25th Street, New York, New York 10001
September 8 - October 7, 2006
(If you you are in the area, come see what you can make with 10,000 hand dyed pom poms. Will Pappenheimer)
Florence Lynch Gallery is pleased to present Hypertexturalities (Architectures and Morphologies), Curated by Lee Klein with artists
Rick Hildenbrandt
Ron Janowich & Merijn van der Heijden
Ed Kerns & Elizabeth Chapman
Roy Lerner
Fabian Marcaccio
Mark Milloff
Will Pappenheimer
Tyrome Triploli
The exhibition is on view from September 8 through October 7, 2006. An opening reception will be held at the gallery on Friday, September 8, from 6:00 to 8:00 p.m.
"Hypertexturalities" in the words of painter Mark Milloff "is not a sequel but an evolution". That is that since the first exhibition "Hypertexture" (which attempted to survey the umbrella of pictorial morphologies which hypothetically fall under the so-named rubric of painterly, sculptural, digital and transmedial works which invest themselves of an economy of transversal simulacra) the appearance of this phenomenological order of art and or design has become more widespread.
"Hypertexture" can be seen in design (grasscrete) topiary (Robert Irwin's
take on trees as influenced by Arata Iozaki's computer renderings of them in
computer architectural simulations or the topiaries in the movie "aeon flux") and the amount of painters following from the trans-filmic lead-ins of Jackson Pollock, Jamie Dalglish, and David Reed into hypertextural morphologies grows into a lexicon.
This new exhibition will try to visit the place where architectures infuse and morphologies expand the fertile edge of a new aesthetic landscape where the plastic ends and the digital begins and the digital ends and the tactile
begins again.
Lee Klein, July 2006
Lee Klein is the curator of "Hypertexture" and "Hypertexturalities" (words he hopes to get at least part of the credit for as they enter lexicons and or dictionaries). He has written for PAJ (MIT Press), NYarts, The Forward, Lafayette College's Portlock Black Cultural Center, and "A Gathering of the Tribes".
Gallery hours are Tuesday through Saturday from 11:00 to 6:00 p.m. For
further information and photographic material please contact Kari Pierce at
(212) 924-3290.
Public Mood Ring ISEA, San Jose
Dates:
Thu Aug 10, 2006 00:00 - Thu Aug 10, 2006
We are pleased to announce the installation/launch of the beta version of:
Public Mood Ring
http://www.publicmoodring.thruhere.net/
at ISEA2006 ZeroOne San Jose: A Global Festival of Art on the Edge & the Thirteenth International Symposium of Electronic Art AUGUST 7-13, 2006. The work is integrated into C4F3 Interactive Cafe at San Jose Museum of Art designed by Milan-based design firm Syneo.
The project is produced with the collaborative efforts of Oz Michaeli, computer Science Student at Pace University and Lighting Designer, Thom Huchinson
Public Mood Ring is installation/network artwork is inspired by the common wearable 'mood ring,
Public Mood Ring
http://www.publicmoodring.thruhere.net/
at ISEA2006 ZeroOne San Jose: A Global Festival of Art on the Edge & the Thirteenth International Symposium of Electronic Art AUGUST 7-13, 2006. The work is integrated into C4F3 Interactive Cafe at San Jose Museum of Art designed by Milan-based design firm Syneo.
The project is produced with the collaborative efforts of Oz Michaeli, computer Science Student at Pace University and Lighting Designer, Thom Huchinson
Public Mood Ring is installation/network artwork is inspired by the common wearable 'mood ring,
Motion Still Life 01 live at cabaret voltaire
Dates:
Thu Jul 13, 2006 00:00 - Thu Jul 13, 2006
Motion Still Life 01 goes live online at cabaret voltaire, Zurich, July 12
The Motion Still Life series extends the artistic tradition of the picturesque and spatial object arrangement into the domain of the Internet. A live Web camera frames a physical still life scene with vase, flowers and still life objects. Aesthetic web controls allow the internet viewer from anywhere to adjust the composition telematically. The Internet user is the surrogate artist.
http://www.motionstilllife01.thruhere.net/
Live Online Schedule + Links
July 12-15+
Digital Art Weeks: ETH Computer Systems Institute, http://www.jg.inf.ethz.ch/wiki/DAW/Symposium2006
cabaret voltaire: http://www.cabaretvoltaire.ch/
July 12 6:00am(EDT)(NYC) (Zurich: 12:00pm, CEST)
to July 15 11:00am(EDT)(NYC) (Zurich: 5:00pm, CEST)
The Motion Still Life series extends the artistic tradition of the picturesque and spatial object arrangement into the domain of the Internet. A live Web camera frames a physical still life scene with vase, flowers and still life objects. Aesthetic web controls allow the internet viewer from anywhere to adjust the composition telematically. The Internet user is the surrogate artist.
http://www.motionstilllife01.thruhere.net/
Live Online Schedule + Links
July 12-15+
Digital Art Weeks: ETH Computer Systems Institute, http://www.jg.inf.ethz.ch/wiki/DAW/Symposium2006
cabaret voltaire: http://www.cabaretvoltaire.ch/
July 12 6:00am(EDT)(NYC) (Zurich: 12:00pm, CEST)
to July 15 11:00am(EDT)(NYC) (Zurich: 5:00pm, CEST)
