BIO
Agricola de Cologne
was launched on 1 January 2000 as an artist brand, standing for the
--> interdisciplinary media artist, director of experimental shortfilms and videos, curator of media art and the designer of culture
--> founder & director of artvideoKOELN – the curatorial initiative „art & moving images“ (2010),
--> founder & director of CologneOFF - Cologne International Videoart Festival (2006)
--> founder and director of [NewMediaArtProjectNetwork]:||cologne –the experimental platform for art and new media (2000), a global network on different virtual and physical levels
Besides for a broad bandwidth of dynamic curatorial contexts he is initiating in physical & virtual space like JavaMuseum (2001), NewMediaFest (2002), Violence Online Festival (2003), SoundLAB & VideoChannel (2004), CologneOFF (2006), netEX (2007), Agricola de Cologne is standing also for
the co-curator & co-organiser of events like festivals & exhibitions of contemporary art, but also for the jury member of divers festivals.
Since its introduction in 2000, Agricola de Cologne is represented as an artist on more than 500 festivals and media art exhibitions in New York, Chicago, London, Paris, Marseille, Madrid, Barcelona, Lisbon, Oslo, Seoul, Bangkok, New Delhi, Basel, Vienna, Linz (Ars Electronica), Graz, Kiev, Riga, Moskow, St.Petersburg, Tallinn, Tokyo, Rome, Milan, Turin, Karlsruhe (ZKM), Berlin & elsewhere, but also on Biennials like ISEA Nagoya (2002), Venice Biennale 2003, Biennale of New Media Art Merida/MX 2003, Biennale of Electronic Arts Perth/Australia (2004), Biennale de Montreal (2004), Biennale of Video & New Media Santiago de Chile (2005), ISEA Singapur 2008.
His most recent media art context "CologneOFF 2011/2012 - videoart in a global context" is travelling as a nomadic festival project during 2011 and 2012 once a round the globe.
His media art works received numerous prizes and awards.
Links
Agricola de Cologne --> http://www.agricola-de-cologne.de
Agricola de Cologne Moving Picture Collection --> http://movingpictures.agricola-de-cologne.de
artvideoKOELN --> http://video.mediaartcologne.org
Cologne International Videoart Festival --> http://coff.newmediafest.org
[NewMediaArtProjectNetwork]:||cologne --> http://www.nmartproject.net
Google has the most Agricola de Cologne + CologneOFF listings -->
http://www.google.com/search?q=agricola+de+cologne
http://www.google.com/search?q=CologneOFF
Latin Netart - Call for submissions
JavaMuseum -
Forum for Internet Technologies in Contemporary Art
www.javamuseum.org
(Java=Joint Advanced Virtual Affairs)
2003 - "2nd of Java Series"
After the two features
"Current Positions of Italian NetArt"
online since 15 July 2002
and "Current Positions of French Netart"
online since 10 December 2002,
JavaMuseum is planning another feature to
go online in Spring 2003
focussed entirely on netart from
Spain, Portugal and the Latin American countries (including USA-Canada/Latin
origin)
entitled "LatinoNetarte.net"
*Deadline 28 February 2003
All artists living and working in these countries
or originating from one of these countries
who work on net based art
are invited to submit up to three works (URLs):
*************************************************
Please use and fill out this submission form:
Name of artist:
Email:
Nationality:
Short biography (to be published) not more than 300 words:
the art works:
1.
Title (English or bi-lingual)
URL
Year of origin
used technology
short description of the work (English or bi-lingual)
2.
Title (English or bi-lingual)
URL
Year of origin
used technology
short description of the work (English or bi-lingual)
3.
Title (English or bi-lingual)
URL
Year of origin
used technology
short description of the work (English or bi-lingual)
***********************************************************
**Please send the completely filled out form to
latinofeature@javamuseum.org
deadline 28 February 2003
All serious submissions will be considered for inclusion.
The online exhibition will run during the year 2003 and
will remain online afterwards for permanent as an art recourse.
***********************************************************
JavaMuseum -
Forum for Internet Technologies in Contemporary Art
www.javamuseum.org
(Java=Joint Advanced Virtual Affairs)
info@javamuseum.org
Forum for Internet Technologies in Contemporary Art
www.javamuseum.org
(Java=Joint Advanced Virtual Affairs)
2003 - "2nd of Java Series"
After the two features
"Current Positions of Italian NetArt"
online since 15 July 2002
and "Current Positions of French Netart"
online since 10 December 2002,
JavaMuseum is planning another feature to
go online in Spring 2003
focussed entirely on netart from
Spain, Portugal and the Latin American countries (including USA-Canada/Latin
origin)
entitled "LatinoNetarte.net"
*Deadline 28 February 2003
All artists living and working in these countries
or originating from one of these countries
who work on net based art
are invited to submit up to three works (URLs):
*************************************************
Please use and fill out this submission form:
Name of artist:
Email:
Nationality:
Short biography (to be published) not more than 300 words:
the art works:
1.
Title (English or bi-lingual)
URL
Year of origin
used technology
short description of the work (English or bi-lingual)
2.
Title (English or bi-lingual)
URL
Year of origin
used technology
short description of the work (English or bi-lingual)
3.
Title (English or bi-lingual)
URL
Year of origin
used technology
short description of the work (English or bi-lingual)
***********************************************************
**Please send the completely filled out form to
latinofeature@javamuseum.org
deadline 28 February 2003
All serious submissions will be considered for inclusion.
The online exhibition will run during the year 2003 and
will remain online afterwards for permanent as an art recourse.
***********************************************************
JavaMuseum -
Forum for Internet Technologies in Contemporary Art
www.javamuseum.org
(Java=Joint Advanced Virtual Affairs)
info@javamuseum.org
French netart - 1st update
1st update online
of
"Current Positions of French Netart"
the new exhibition on Javamuseum -
Forum for Internet Technologies in Contemporary Art
www.javamuseum.org
(Java = Joint Advanced Virtual Affairs)
These 10 artists are new in the show:
Annie Abrahams, Cathblue, Oliver Auber
Gerard Dalmon, Philippe Bruneau
Les Riches Douaniers, Amande In
Vincent Makowski, Xavier Makowski, Aurelie Peyront
Introduction:
When art is defined as world art, as a form of intercultural
communication
without national boarders, when art uses the World Wide Web as a medium and
environment in a global context, is it allowed then to connect art or this
exhibition, in particular,
to the aspect of nationality?
Netart coming from France is widely unknown, yet. This has different
reasons. Like in some other countries, this new form of contemporary art
seems also in
this country not well accepted yet, which is also underlined by the fact
that only a few institutions of art and higher education exist
mainly focussed on art and New Media,
but most relevant seems to be that different from other forms of
contemporary art, language and its various forms plays an essential role in
Netart.
The most accepted and dominating language for global communication, the New
Media and the Internet, represents, however, English.
In this global context, language changed its meaning, its function goes far
beyond of expressing merely national identity, even if is it did not loose
this aspect on a local level.
Under these conditions one might ask: can Netart using language as a tool
for expressing national identity be defined as art or Netart, at all, or
does rather particularly this use probably enable new forms of expressing
which can be understood on a non-verbal level also by people who do not
speak the respective national language?
The show "Actual Positions of French Netart" makes it evident, there are a
lot of talented artists who take the challenges and chances the Internet
offers by creating art works which include strong conceptual components
manifested in most individual ways.
Some of them use exclusively their native language, others try a bi-lingual
way, and a third group takes the global aspect of the Internet and expresses
itself in English.
Even if not all works can be understood by a non-francophone, the original
and individual multimedia approach will impress by offering new aspects and
perspectives.
As an ongoing project the show is based on an open call in Internet.
It will accept also in future at any
time submissions of new artists which are not yet presented in the
exhibition, in order to stay most actual and updated.
Following 25 artists are participating currently:
Gregory Chatonsky, Cendres Lavy, Christophe Bruno, PATRICK-HENRI BURGAUD,
Tamara Lai, Erational, Antoine Schmitt
Xavier Malbreil, Thierry Vende, jimpunk, Xavier Cahen, Pacale Gustin
Emilie Pitoiset, Fred Fenollabbate, Cecile Babiole
Xavier Leton, Christoph Bruno/Jimpunk,
Isabel Saij, Ulrich Mathon, Hughes Rochette
Michael Sellam, Pascal Bruandet, Blue Screen, Pauline Desormiere,
Nicolas Clauss, Annie Abrahams, Cathblue, Oliver Auber
Gerard Dalmon, Philippe Bruneau
Les Riches Douaniers, Amande In
Vincent Makowski, Xavier Makowski, Aurelie Peyront
"Current Positions of French Netart"
www.javamuseum.org
ou
www.javamuseum.org/2002/2nd/frenchfeature
is an online show
realized and curated by Agricola de Cologne.
Copyright
of
"Current Positions of French Netart"
the new exhibition on Javamuseum -
Forum for Internet Technologies in Contemporary Art
www.javamuseum.org
(Java = Joint Advanced Virtual Affairs)
These 10 artists are new in the show:
Annie Abrahams, Cathblue, Oliver Auber
Gerard Dalmon, Philippe Bruneau
Les Riches Douaniers, Amande In
Vincent Makowski, Xavier Makowski, Aurelie Peyront
Introduction:
When art is defined as world art, as a form of intercultural
communication
without national boarders, when art uses the World Wide Web as a medium and
environment in a global context, is it allowed then to connect art or this
exhibition, in particular,
to the aspect of nationality?
Netart coming from France is widely unknown, yet. This has different
reasons. Like in some other countries, this new form of contemporary art
seems also in
this country not well accepted yet, which is also underlined by the fact
that only a few institutions of art and higher education exist
mainly focussed on art and New Media,
but most relevant seems to be that different from other forms of
contemporary art, language and its various forms plays an essential role in
Netart.
The most accepted and dominating language for global communication, the New
Media and the Internet, represents, however, English.
In this global context, language changed its meaning, its function goes far
beyond of expressing merely national identity, even if is it did not loose
this aspect on a local level.
Under these conditions one might ask: can Netart using language as a tool
for expressing national identity be defined as art or Netart, at all, or
does rather particularly this use probably enable new forms of expressing
which can be understood on a non-verbal level also by people who do not
speak the respective national language?
The show "Actual Positions of French Netart" makes it evident, there are a
lot of talented artists who take the challenges and chances the Internet
offers by creating art works which include strong conceptual components
manifested in most individual ways.
Some of them use exclusively their native language, others try a bi-lingual
way, and a third group takes the global aspect of the Internet and expresses
itself in English.
Even if not all works can be understood by a non-francophone, the original
and individual multimedia approach will impress by offering new aspects and
perspectives.
As an ongoing project the show is based on an open call in Internet.
It will accept also in future at any
time submissions of new artists which are not yet presented in the
exhibition, in order to stay most actual and updated.
Following 25 artists are participating currently:
Gregory Chatonsky, Cendres Lavy, Christophe Bruno, PATRICK-HENRI BURGAUD,
Tamara Lai, Erational, Antoine Schmitt
Xavier Malbreil, Thierry Vende, jimpunk, Xavier Cahen, Pacale Gustin
Emilie Pitoiset, Fred Fenollabbate, Cecile Babiole
Xavier Leton, Christoph Bruno/Jimpunk,
Isabel Saij, Ulrich Mathon, Hughes Rochette
Michael Sellam, Pascal Bruandet, Blue Screen, Pauline Desormiere,
Nicolas Clauss, Annie Abrahams, Cathblue, Oliver Auber
Gerard Dalmon, Philippe Bruneau
Les Riches Douaniers, Amande In
Vincent Makowski, Xavier Makowski, Aurelie Peyront
"Current Positions of French Netart"
www.javamuseum.org
ou
www.javamuseum.org/2002/2nd/frenchfeature
is an online show
realized and curated by Agricola de Cologne.
Copyright
Who are the pioneers?
Call for submissions
Deadline 25 December 2002
Who are the pioneers?
A Virtual Memorial www.a-virtual-memorial.org
is looking for the pioneers
in the January edition of "Features of the month",
subject: "Voices of a new age".
Why and in which concern do you think,
you, a family member, one of your
friends or people you heard of
are pioneers?
(in any concern: human, inventional, social, scientific,
technical, technological, etc).
Please send your submission as plain email text, .txt or.doc file
not longer than 300 words in English language.
It my be accompanied by still or moving images in the formats .jpg, .gif,
.png, .swf, .dcr. (size not larger than 1Mb)
***************************************
Please use this form for submitting:
1. name/first name
2. email
3. URL
4. Who are the pioneers?
Your answer/statement
please send your submission exclusively to
pioneers@a-virtual-memorial.org
Deadline 25 December 2002.
*****************************************
All serious answers/submissions will be added and will form the project of
the month "January 2003".
A Virtual Memorial, Memorial project against the Forgetting and for Humanity
www.a-virtual-memorial.org
info@a-virtual-memorial.org
Deadline 25 December 2002
Who are the pioneers?
A Virtual Memorial www.a-virtual-memorial.org
is looking for the pioneers
in the January edition of "Features of the month",
subject: "Voices of a new age".
Why and in which concern do you think,
you, a family member, one of your
friends or people you heard of
are pioneers?
(in any concern: human, inventional, social, scientific,
technical, technological, etc).
Please send your submission as plain email text, .txt or.doc file
not longer than 300 words in English language.
It my be accompanied by still or moving images in the formats .jpg, .gif,
.png, .swf, .dcr. (size not larger than 1Mb)
***************************************
Please use this form for submitting:
1. name/first name
2. email
3. URL
4. Who are the pioneers?
Your answer/statement
please send your submission exclusively to
pioneers@a-virtual-memorial.org
Deadline 25 December 2002.
*****************************************
All serious answers/submissions will be added and will form the project of
the month "January 2003".
A Virtual Memorial, Memorial project against the Forgetting and for Humanity
www.a-virtual-memorial.org
info@a-virtual-memorial.org
Call for experimental poetry work
Violence Online Festival
www.newmediafest.org/violence
is looking for poetry works
connected to the subject "Violence"
to be included in Version 4.0 of
Violence Online Festival.
*Deadline 20 December 2002.
Artists who work on experimental poetry,
either plain text, visual, electronic, sound poetry etc
are invited to submit one up to three works
and fill out this entry form :
**The art works can be submitted exclusively in following formats:
work URL
or
Text: plain email, .doc, HTML
image: .jpg, .gif, .png (800x600 pixels)
video/animation: Quicktime .mov, Flash .swf, Shockwave .dcr
(max. size 2MB)
sound: .mp3 (max. size 2MB)
Name of artist:
Email:
Nationality:
URL:
Short CV (to be published) not more than 250 words
Title of works
1.
2.
3
year of origin:
short work synopis/description:
Confirmation/Authorization:
I hold all rights on the submitted work(s) and agree that my submission in
case my work is selected can be included also in future versions of Violence
Online Festival .
signed...
name
email address
***********************************************************
**Please send the form together with the media file(s) to
violence@newmediafest.org
*********************************
Violence Online Festival
www.newmediafest.org/violence
www.newmediafest.org/violence
is looking for poetry works
connected to the subject "Violence"
to be included in Version 4.0 of
Violence Online Festival.
*Deadline 20 December 2002.
Artists who work on experimental poetry,
either plain text, visual, electronic, sound poetry etc
are invited to submit one up to three works
and fill out this entry form :
**The art works can be submitted exclusively in following formats:
work URL
or
Text: plain email, .doc, HTML
image: .jpg, .gif, .png (800x600 pixels)
video/animation: Quicktime .mov, Flash .swf, Shockwave .dcr
(max. size 2MB)
sound: .mp3 (max. size 2MB)
Name of artist:
Email:
Nationality:
URL:
Short CV (to be published) not more than 250 words
Title of works
1.
2.
3
year of origin:
short work synopis/description:
Confirmation/Authorization:
I hold all rights on the submitted work(s) and agree that my submission in
case my work is selected can be included also in future versions of Violence
Online Festival .
signed...
name
email address
***********************************************************
**Please send the form together with the media file(s) to
violence@newmediafest.org
*********************************
Violence Online Festival
www.newmediafest.org/violence
Actual Positions of French Netart
Press Release
Information de presse (French text below)
*********************
JavaMuseum -
Forum for Internet Technologies in Contemporary Art
www.javamuseum.org
(JAVA= Joint Advanced Virtual Affairs)
JavaMuseum
is happy to launch the new show
in the framework of - 2nd of Java series -
entitled
"Actual Positions of French Netart".
When art is defined as world art, as a form of intercultural communication
without national boarders, when art uses the World Wide Web as a medium and
environment in a global context, is it allowed then to connect art or this
exhibition, in particular, to the aspect of nationality?
Netart coming from France is widely unknown, yet. This has different
reasons. Like in some other countries, this new form of contemporary art
seems also in this country not well accepted yet, which is also underlined
by the fact
that only a few institutions of art and higher education exist
mainly focussed on art and New Media,
but most relevant seems to be that different from other forms of
contemporary art, language and its various forms plays an essential role in
Netart.
The most accepted and dominating language for global communication, the New
Media and the Internet, represents, however, English.
In this global context, language changed its meaning, its function goes far
beyond of expressing merely national identity, even if is it did not loose
this aspect on a local level.
Under these conditions one might ask: can Netart using language as a tool
for expressing national identity be defined as art or Netart, at all, or
does probably even this use enable new forms of expressing
which can be understood on a non-verbal level also by people who do not
speak the respective national language?
The show "Actual Positions of French Netart" makes it evident, there are a
lot of talented artists who take the challenges and chances the Internet
offers by creating art works which include strong conceptual components
manifested in most individual ways.
Some of them use exclusively their native language, others try a bi-lingual
way, and a third group takes the global aspect of the Internet and expresses
itself in English.
Even if not all works can be understood by a non-francophone, the original
and individual multimedia approach will impress by offering new aspects and
perspectives.
As an ongoing project, the show is based on an open call in Internet.
It will accept also in future at any
time submissions of new artists which are not yet presented in the
exhibition, in order to stay most actual and updated.
Following 25 artists are participating currently:
Gregory Chatonsky, Cendres Lavy, Christophe Bruno, PATRICK-HENRI BURGAUD,
Tamara Lai, Erational, Antoine Schmitt
Xavier Malbreil, Thierry Vende, jimpunk, Xavier Cahen, Pacale Gustin
Emilie Pitoiset, Fred Fenollabbate, Cecile Babiole
Xavier Leton, Christoph Bruno/Jimpunk,
Isabel Saij, Ulrich Mathon, Hughes Rochette
Michael Sellam, Pascal Bruandet, Blue Screen, Pauline Desormiere, Nicolas
Clauss
"Actual Positions of French Netart"
www.javamuseum.org
or
www.javamuseum.org/2002/2nd/frenchfeature
realized and curated by Agricola de Cologne.
Copyright
Information de presse (French text below)
*********************
JavaMuseum -
Forum for Internet Technologies in Contemporary Art
www.javamuseum.org
(JAVA= Joint Advanced Virtual Affairs)
JavaMuseum
is happy to launch the new show
in the framework of - 2nd of Java series -
entitled
"Actual Positions of French Netart".
When art is defined as world art, as a form of intercultural communication
without national boarders, when art uses the World Wide Web as a medium and
environment in a global context, is it allowed then to connect art or this
exhibition, in particular, to the aspect of nationality?
Netart coming from France is widely unknown, yet. This has different
reasons. Like in some other countries, this new form of contemporary art
seems also in this country not well accepted yet, which is also underlined
by the fact
that only a few institutions of art and higher education exist
mainly focussed on art and New Media,
but most relevant seems to be that different from other forms of
contemporary art, language and its various forms plays an essential role in
Netart.
The most accepted and dominating language for global communication, the New
Media and the Internet, represents, however, English.
In this global context, language changed its meaning, its function goes far
beyond of expressing merely national identity, even if is it did not loose
this aspect on a local level.
Under these conditions one might ask: can Netart using language as a tool
for expressing national identity be defined as art or Netart, at all, or
does probably even this use enable new forms of expressing
which can be understood on a non-verbal level also by people who do not
speak the respective national language?
The show "Actual Positions of French Netart" makes it evident, there are a
lot of talented artists who take the challenges and chances the Internet
offers by creating art works which include strong conceptual components
manifested in most individual ways.
Some of them use exclusively their native language, others try a bi-lingual
way, and a third group takes the global aspect of the Internet and expresses
itself in English.
Even if not all works can be understood by a non-francophone, the original
and individual multimedia approach will impress by offering new aspects and
perspectives.
As an ongoing project, the show is based on an open call in Internet.
It will accept also in future at any
time submissions of new artists which are not yet presented in the
exhibition, in order to stay most actual and updated.
Following 25 artists are participating currently:
Gregory Chatonsky, Cendres Lavy, Christophe Bruno, PATRICK-HENRI BURGAUD,
Tamara Lai, Erational, Antoine Schmitt
Xavier Malbreil, Thierry Vende, jimpunk, Xavier Cahen, Pacale Gustin
Emilie Pitoiset, Fred Fenollabbate, Cecile Babiole
Xavier Leton, Christoph Bruno/Jimpunk,
Isabel Saij, Ulrich Mathon, Hughes Rochette
Michael Sellam, Pascal Bruandet, Blue Screen, Pauline Desormiere, Nicolas
Clauss
"Actual Positions of French Netart"
www.javamuseum.org
or
www.javamuseum.org/2002/2nd/frenchfeature
realized and curated by Agricola de Cologne.
Copyright