BIO
New Media artist & Writer

Video (1983 - 2013), Multimedia Interactive & Computer design (1993 - 2008), Net Art / Web Art (1997 - 2013)

Video director, Tamara Lai turns into 1993 to the digital techniques: video, computer graphics and special effects, and the writing of news, interactive tales and poems (Cd-Roms). Early Web activist and artist of the networks (1997, (one of the belgian pioneers), creator of sites, performances cam_&_chat, videoconferences…, and particularly of participative digital spaces “between happening and ephemeral art”...

Tell A Mouse
http://tell-a-mouse.be
Discussions (168) Opportunities (3) Events (1) Jobs (0)
DISCUSSION

T-Deus & SOLENOIDES :


Cinema ZED (Louvain, BE) / ZED LOUNGE V1.0 :

5 octobre a 21h30: presentation par Tamara Lai des web-projects "Solenoides"
et "T-Deus"

http://www.cinemazed.be/OKTOBER/LOUNGEV1.htm

Regards

tl

--
Tell A Mouse
http://www.imal.org/tamara_lai/index.htm

DISCUSSION

DISCUSSION

FW: THE TRUSTFILES


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Content-type: text/plain; charset="ISO-8859-1"
Content-transfer-encoding: quoted-printable

Excellent site, a voir absolument.

TL

------ Message transfere

Objet

DISCUSSION

How beautiful we are! 1 May -> 30 june 2004


>
> How beautiful we are!
>
> http://www.imal.org/tamara_lai/how-beautiful/beautiful.htm
>
> est cloture / is over
>
> Interaction aleatoire (hasardeuse?) entre diverses pieces. Une espe=
ce de
> puzzle sans dessin, qui se construit suivant les apports-evenements q=
ui
> l'alimentent et l'influencent. Television folle. Sommes-nous beaux / =
belles,
> oui / non, nous sommes laid(e)s... Oui ? Non ! Quelques traces de toi, de
> moi, de nous... Toi puis moi ou moi d'abord ? Ou rien, ou personne.
>
> Random interaction (hazardous?) between various parts. A kind of puzzle w=
ith
> no aim, built according to the contribution-events that feed it, influence
> it. Mad television. Are we beautiful, yes / no, we are ugly... Yes? No! S=
ome
> traces of you, me, us... You then me or me first? Or nothing, or nobody.
>
>
> Thanks to all contributors :
>
> Valery Grancher , FR
> Loiez Deniel , FR
> Bruno Mrozinski , FR
> Teo Spiller, SLOV
> e-troubadour marco, FR
> Antonio Sassu, IT
> Mac Dunlop, CA / UK
> Richard Piegsza , FR
> Stewart Dickson, CAL
> Jimpunk , FR
> Philippe Boisnard , FR
> Annie Abrahams , FR
> Aliette Guibert , FR
> Rene Berger , CH
> Julien Rancoule , FR
> Patrick Fontana , FR
> Luc Fierens , BE
> Robert Potier , FR
> Mathieu Maes, BE
> Regina Celia Pinto, BR
> Daniel Ganin, USA
> Alberto Guedea, CA
> Helen Varley Jamieson, NZ
> Alvaro Ardevol, ES
> Artur Mar , FR
> Caterina Davinio, IT
> Roman Verostko, MIN
> Atomic Elroy, USA
> Marc Wathieu, BE
> Roberto Echen, ARG
> Babel, CA / UK
> Christine g , FR
> Nicolas Hessmann , FR
> Herve Constant, UK
> Luis Sosa , ES
> Pol Guezennec , FR
> Carla Della Beffa, IT
> Art Hunter , FR
> Kristofer Paetau, SWE
> Michel Kisinis , FR
> Cathbleue , FR
> Yannick Maignien , FR / IT
> Muriel ZANARDI , BE
> Maximilien Braque , FR
> Otto Rivers, BE
> Alberto Sordi, IT
> Jean-Pierre Giovanelli , FR
> Philippe Monfouga , FR
> Anne Bichon , FR
> Dominique Van de Vorst, BE
> Flavia Fernandes, BR
> Patrizia Alemanno, IT
> Astree Galbiatta , FR
> KRN , FR
> Stephan Hausmeister, UK
> Ralph Lichtensteiger, DE
> Olivier Ghislain, BE
> Domenico Olivero, IT
>
>
> Cordialement, regards
>
> Tamara Lai
>
>
> PS Si vous souhaitez encore participer, n

DISCUSSION

How beautiful we are! Next & end / Suite & fin


Deadline : 30 june 2004

Apres cette date, seront acceptes uniquement les echos, reactions,
rebondissements sur les pieces deja en ligne.

After this date, will be only accepted the echoes, reactions, bounces on the
parts already on line.

Et nous verrons si il est possible de faire une oeuvre coherente a partir de
pieces totalement independantes les unes des autres.
Experience sans concertation ni premeditation, a tenter toutefois.

And we will see whether it is possible to make a coherent work starting from
parts completely independent the ones of the others. Experiment without
dialogue nor premeditation, to try however.

Si vous voulez participer, c'est maintenant.
If you want contribute, it's now.

Cordialement, regards

Tamara Lai

How beautiful we are!
http://www.imal.org/tamara_lai/how-beautiful/beautiful.htm

Contributions :

Valery Grancher, FR
Loiez Deniel, FR
Philippe Monfouga, FR
Bruno Mrozinski, FR
Julien Rancoule, FR
Antonio Sassu, IT
Richard Piegsza, FR
Annie Abrahams, FR
Cathbleue, FR
Teo Spiller, SLOV
Mac Dunlop, UK/CA
Stewart Dickson, CAL
Jimpunk, FR
Roman Verostko, MIN
Marc Wathieu, BE
Roberto Echen, ARG
Philippe Boisnard, FR
Patrick Fontana, FR
Louise Desrenard, FR
Rene Berger, CH
Luc Fierens,BE
Robert Potier, FR
Mathieu Maes,BE
Regina Celia Pinto, BR
Daniel Ganin, USA
Alberto Guedea, CA
Helen Varley Jamieson, NZ
Alvaro Ardevol, ES
Artur Mar, FR
Caterina Davinio, IT
Atomic Elroy, USA
Christine g, FR
Nicolas Hessmann, FR
Herve Constant, UK
Luis Sosa, ES
Carla Della Beffa, IT/FR
Art Hunter, FR
Kristofer Paetau, DE
Michel Kisinis, FR
Yannick Maignien, FR/IT
Muriel Zanardi, BE
Maximilien Braque, FR
Otto Rivers, BE
Alberto Sordi, IT
Babel CA/UK
Marco e-troubadour, FR
Anne Bichon, FR
Dominique Van Der Vorst, BE
Flavia Fernandez, BR

Interaction aleatoire (hasardeuse?) entre diverses pieces. Une espece de
puzzle sans dessin, qui se construit suivant les apports-evenements qui
l'alimentent et l'influencent. Television folle. Sommes-nous beaux / belles,
oui / non, nous sommes laid(e)s... Oui ? Non ! Quelques traces de toi, de
moi, de nous... Toi puis moi ou moi d'abord ? Ou rien, ou personne.

Random interaction (hazardous?) between various parts. A kind of puzzle with
no aim, built according to the contribution-events that feed it, influence
it. Mad television. Are we beautiful, yes / no, we are ugly... Yes? No! Some
traces of you, me, us... You then me or me first? Or nothing, or nobody.

--
Tell A Mouse
http://www.imal.org/tamara_lai/index.htm