BIO
New Media artist & Writer

Video (1983 - 2013), Multimedia Interactive & Computer design (1993 - 2008), Net Art / Web Art (1997 - 2013)

Video director, Tamara Lai turns into 1993 to the digital techniques: video, computer graphics and special effects, and the writing of news, interactive tales and poems (Cd-Roms). Early Web activist and artist of the networks (1997, (one of the belgian pioneers), creator of sites, performances cam_&_chat, videoconferences…, and particularly of participative digital spaces “between happening and ephemeral art”...

Tell A Mouse
http://tell-a-mouse.be
Discussions (168) Opportunities (3) Events (1) Jobs (0)
DISCUSSION

Listes


Hello marie

Voici quelques listes ou t'inscrire si tu veux suivre en live l'evolution
des arts numeriques

France (surtout) : nettime-fr@samizdat.net

IT (& worldwide) : staff@noemalab.org

N-Y USA (& worldwide) : rhizome1 <list@rhizome.org>

Belgique : vp-admin@lists.all2all.org

Les sites de news les + pointus:

N-Y
http://rhizome.org

Italie
http://www.noemalab.org

Californie
http://www.netartreview.net/

Italie
http://www.neural.it

London
http://www.furtherfield.org

Italie
http://www.random-magazine.net

------

Sur Rhizome.org, il y a une rubrique 'archives' tres interessante. Il faut
payer 5 dollars pour y acceder...

Voila, t'as de quoi faire. Tu vas voir a quel point la culture numerique et
net / web est deja si dense...

Bon travail et a+

Tamara

OPPORTUNITY

open call / invitation for submissions


Deadline:
Fri Jun 24, 2005 11:02

------ Message transfere
De


DISCUSSION

DISCUSSION

Sacrifice is over


Bonjour / Hello,

Sacrifier le Sacrifice Sacrificing 2005
http://www.tell-a-mouse.be/sacrifice/sacrifice.htm

Is over.

But

Le Blog reste ouvert / the Blog is still open.

Merci a tous / thanks to all contributors :

Ulysses Alvarez (UK), Babel & Maria Colino (CA - ES), Leann Barber (UK),
James Barrett (SW), Catherine Bernier (BE), Jocelyn Bigot (CA), Jean-Daniel
Berclaz (FR), Mike Bohatch (COL USA), David Christoffel (FR), Claude Chuzel
(FR), Herve Constant (UK), Caterina Davinio (IT), Carla Dellabeffa (FR),
Francesca De Nicolo' (IT), Loiez Deniel (FR), Atomic Elroy (CO), Luc Fierens
(BE), Patrick Fontana (FR), Coco Gordon, Pol Guezennec (FR), Aliette Guibert
(FR), Filh Goudal (FR), Gruppo Sinestetico (IT), Deborah Kelly (AUS), Pierre
Kroll (BE), Tamara Lai (BE), Alberto di La Spezia (IT), Frederic Lebas (FR),
Ralph Lichtensteiger (DE), Capitaine Lonchamps (BE), Gyuri Macsai (BE),
Philip Meersman (BE), Philippe Monfouga (FR), Claudio Parodi (IT), Adrian
Pawley (UK), Marc Pestka (FR), Regina Celia Pinto (BR), Plasmastudii (NY),
Lino Polegato (BE), Robert Potier (FR), Maurice Pozor (FR), Pierre Rabardel
(FR), Julien Rancoule (FR), Ivan Regina (FR), Chris Renault (BE), Angelo
Ricciardi (IT), Otto Rivers (BE), Mario Salis (FR), Michael Samyn (BE),
Antonio Sassu (IT), Alan Sondheim (NY), Luis Sosa (ES), Thierry Theolier
(FR), Erik Thurm (BR), Dominique Van Der Vorst (BE), Helen Varley Jamieson
(NZ), Dirk Vekemans (BE), Xky Zone (UK), Thomas Y (FR), Muriel Zanardi (BE)

(They will receive soon a part of my virtual body. Ils recevront bientot
une part de mon corps virtuel.)

Regards

Tamara Lai
http://tamara.lai.all2all.org/

Tell A Mouse
http://www.tell-a-mouse.be

DISCUSSION

[Fwd: sonorit=?ISO-8859-1?B?6SBzYW5zIG3p moire II]


Dear All,

I am happy to announce the second part of the sonorite sans memoi=
re CD
project.

sonorite sans memoire II · voyage acoustique (two) 2005

1) I ecriture chiffree I · for James Drew · 21:26
2) II ecriture chiffree II · respiration · 20:57
3) III derivation · exploration I · 10:23
4) IV derivation · exploration II · 8:00
5) V non-arrival · rappeler · 6:29
6) VI improvisation · relations · 8:53

Total 76:10

http://www.lichtensteiger.de/sonoriteTwo_CD.html

Ralph Lichtensteiger : piano [1, 2, 3, 5], double bass [3, 6], percussion
[5, 6], gong [3, 5, 6], eggshells [3], voice (respiration) [2], software
instruments [1, 2, 3, 4], environmental sound treatment [1, 2, 3, 4]

Saba Tewelde : vioce [3, 4]

Track [1, 2, 4] Software instruments : FontanaMixer 1.0, generative sound
environment by Dr. Karlheinz Essl, based on “Fontana Mix” (=
1958) by John
Cage · fLOW 2.0, ambient sound generator by Dr. Karlheinz Essl · =
MetaSynth
4.0, sound design and electronic music application · CellSynth 1.7 (Li=
ving
Memory Ltd.) · Max MSP 4.3 (Cycling ’74)

Environmental sound recordings : March 20, 21, 27, 28, 2005 in Frankfurt
(Hochst) via Sony DAT-Recorder (ZA5ES)

Digital piano recordings : March and April, 2005 (Roland RD-150) | Voice
recordings : March 25, 2005

Realization/Software : ProTools, Spark LE

All compositions by Ralph Lichtensteiger © 2005 by musique trouve=
·
Frankfurt

Cover photo : Facade de Saint Trophime d’Arles (France) 2004 ©=
by Ralph
Lichtensteiger

L’archeologie sonorite.
Non-arrival, ecriture chiffree.
Coquillage et crypte.
Dissociation, consonance, depolarisation.
Espacement, espace intermediaire, interspace.
Derivation and exploration, the process continues.
Paysage musicaux, beler, decharge.
Tranquillite, memoires sonorite.

"The most brutal and meaningful revolution to strike the world of music in
recent years did not germinate from debate on musical writing (serial or
other) but, much more profoundly, from the world of sounds themselves, in
other words in the sonoral universe that the composer is invited to
administrate."

— Tristan Murail, 'La Revolution des Sons Complexes', Darmst=
adter Beitrage
zur Neuen Musik, 1980, XVIII, pp. 77-92

"In our horizontal models of time and movement, our image of the sediments
of time, our expressions of 'down' through history and 'up' through
evolution, the vertical pole becomes the continuous present, the connecting
thread, the simultaneous, perpetual 'now' that we are living at this instant
and have always lived. It is the single point that when displaced becomes
the line, becomes the surface, becomes the solid forms of our world and
minds, and that without the imparted energy of movement (time) or the
direction of movement (space), becomes the point once more, a process
incremented by our breath as we each recapitulate its great form in the
course of our individual journey."

— Bill Viola, I Do Not Know What It Is I Am Like, 1986

"The first object I made when I came to New York was a box with sound, which
is a cube about eight inches on a side. I recorded the sound of making this
box and put a speaker in it so that it plays for three hours the sounds of
its being constructed."

— Interview with Robert Morris. Conducted by Paul Cummings, March 1=
0, 1968

E 12,90 | order

incl. shipping (Germany)
plus E 4 (Europe)
plus E 6 (international)

ALL CDs AND DVDs ARE UNIQUE (with No.) AND ISSUED IN LIMITED EDITION WITH
ORIGINAL PHOTOGRAPHS AND DESIGN ELEMENTS. ALL CDs MIXED AND RECORDED VIA
HIGH RESOLUTION DIGITAL AUDIO TECHNIQUE AND EQUIPMENT.

All Compositions by Ralph Lichtensteiger
Copyright 2005 by RALPH LICHTENSTEIGER | musique trouve · Frankfu=
rt

You can order all CDs via email lichtconlon@t-online.de | subject: CD order

If you order outside Germany there are additional costs. Shipping costs for
Europe: 4,00 E
Shipping costs for USA/Canada/Asia: normal mail 6,00 E | air mail 8=
,00 E

Please let me know if you have any further questions.
Kind regards,

Ralph Lichtensteiger

--
Tamara Lai
http://tamara.lai.all2all.org/

Tell A Mouse
http://www.tell-a-mouse.be