sachiko hayashi
Since the beginning
Works in Falerum Sweden

ARTBASE (2)
BIO
works primarily with net art and video. Her works consistently aim at integrating use of technology and aesthetic/conceptual/social discourses. more info at www.e-garde.net
Discussions (28) Opportunities (15) Events (26) Jobs (0)
DISCUSSION

FWD: CALL: WIRED MADNESS


CALL: WIRED MADNESS

Wired madness has broken out! Regardless of the mode of expression,
this new era of performative art is upon us. This has been revealed
recently in many cases: the use of an embedded persistence of vision
display to flag a taxi, or the nerdy need to extend alternate-reality
games into the real world, or even ironically be more close to the
military's command and control digital networks to be employed on
unsuspecting audiences by trained insurgent-performers using
computational and conceptual couture as a 'secondary skin' in the act
of creating the newest New Media art experiences for them.

The Digital Art Weeks 2007 invites Performing Artists to submit
proposals in connection with wearable technology and the arts. We are
seeking works that empower the performer in an explosion of the
boundaries of the body and link the audience into the virtual of
technologically animated space. Any form of immersion should trigger
critical observation in the mind of the audience in order to counter
act the most logical form of evolution in the 21st century enabled by
technology: Intelligence without morals. A series of performances
during three evenings will be organized in partnership with the
Cabaret Voltaire of Zurich.

Deadline Friday, 2nd March 2007. Notification of acceptance of
proposals will be sent out on or before Friday, 2nd April 2007.
For more information regarding the call please write to: daw-
perfs@inf.ethz.ch
For more on the Digital Art Weeks 07, please see: http://
www.digitalartweeks.ethz.ch/

DISCUSSION

Hz #9


http://www.hz-journal.org

Hz #9 presents:

[Articles]

THE COMPOSITION-INSTRUMENT: MUSICAL EMERGENCE AND INTERACTION
by Nobert Herber
Composer and sound artist Nobert Herber explores the question "What
kinds of compositional technique can be used to create a music" in the
field of computer games and interactive digital media where the line
between "composition" and "instrument" is increasingly blurred.

LeWITT'S IDEAL CHILDREN
by Domenico Quaranta
"Software art is conceptual art's acknowledged son" is the hypothesis
around which art critic and curator Domenico Quaranta builds his
anyalisis on genealogy of software art: "Is the history of conceptual
art relevant to the idea of software as art?"

DISSONANCE, SEX AND NOISE: (RE)BUILDING (HI)STORIES OF ELECTROACOUSTIC
MUSIC
by Miguel Alvarez Fernandez
Composer, musicologist and curator Miguel Alvarez Fernandez
deconstructs the reading of history of electroacoustic music through
the concepts of dissonance and noise.

BEHIND TECHNOLOGY: SAMPLING, COPYLEFT, WIKIPEDIA AND TRANSFORMATION OF
AUTHORSHIP AND CULTURE IN DIGITAL MEDIA
by Sachiko Hayashi
With sampling as starting point, artist Sachiko Hayashi relocates
several issues relevant to the culture of digital media.00

OPENING UP PUBLIC SPACE
by Art Clay
By "using wearable computing technology within global ubiquitous
networks as an art tool," sound artist Art Clay's new project "China
Gate" opens up our civic space for "one of the most important functions
of public performance: social interaction."

TIME AND REAL-TIME IN ONLINE ART
by Ewa Wojtowicz
"If there is a navigable cyberspace

DISCUSSION

Call for Articles and Net Art


Call for Articles and Net Art

On-line journal Hz (www.hz-journal.org) is looking for articles on New
Media, Net Art, Sound Art and Electro-Acoustic Music. We accept earlier
published and unpublished articles in English. Please send your
submissions to hz-journal@telia.com

Hz is also looking for Net Art works to be included in its virtual
gallery (www.hz-journal.org/netg). Please send your URLs to
hz-journal@telia.com

Dead-line: 1 December, 2006

Hz is published by the non-profit organization Fylkingen in Stockholm.
Established in 1933, Fylkingen has been known for introducing
yet-to-be-established art forms throughout its history. Nam June Paik,
Stockhausen, Cage, etc. have all been introduced to the Swedish
audience through Fylkingen. Its members consist of leading composers,
musicians, dancers, performance artists and video artists in Sweden.
For more information on Fylkingen, please visit
http://www.fylkingen.se/fylkeng.html or
http://www.hz-journal.org/n4/hultberg.html

Sachiko Hayashi/Hz
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sachiko hayashi
www.e-garde.net
www.i-mash.net
-----------------------

DISCUSSION

Call for Articles


Call for Articles:
Articles are wanted to be published in the polish visual art magazine
FORMAT for the issue "Digital Media- Collapse of Tradition: New
Allegory." If you are interested, please contact Miroslaw Rajkowski at
mirraju@yahoo.com or send your submission to the same address.

best wishes, sachiko

-----------------------
sachiko hayashi
www.e-garde.net
www.i-mash.net
-----------------------

DISCUSSION

articles wanted for FORMAT


an acquaintance of mine in wroclaw, poland, is looking for articles to
be published in the polish art magazine FORMAT. the theme is "Digital
Media - Collapse of Tradition: New Allegory." if you are interested,
please contact miroslaw rajkowski at mirraju@yahoo.com
greetings, sachiko