sachiko hayashi
Since the beginning
Works in Falerum Sweden

PORTFOLIO (2)
BIO
works primarily with net art and video. Her works consistently aim at integrating use of technology and aesthetic/conceptual/social discourses. more info at www.e-garde.net
Discussions (28) Opportunities (13) Events (25) Jobs (0)
DISCUSSION

Hz # 11


Hz #11 (http://www.hz-journal.org)
December 2007

[ARTICLES]

Remediations. Art in Second Life
by Domenico Quaranta
"SL is literally teeming with artists. ...and it is probably the only =20=

virtual world to have succeeded in focusing global attention on =20
contemporary art, thanks to artists such as Eva and Franco Mattes =20
(0100101110101101.ORG) and Cao Fei...." Art critic and curator =20
Domenico Quaranta's report on SL art.

=09
Created Identities: Hybrid Cultures and the Internet
by Ian M Clothier
"Heterogeneity, multiplicity and rupture are three aspects of Deleuze =20=

and Guattari's rhizome.... This makes the internet an entirely =20
suitable place to manufacture a hybrid cultural identity..." Ian M. =20
Clothier's 'The District of Leistavia' is a hybrid cultural entity =20
based on the Internet.

=09
=C1lvarez-Fern=E1ndez: Sound Amateur
by Silvia Scaravaggi
Art critic/curator Silvia Scaravaggi discusses 'Soundanism' by =20
composer Miguel =C1lvarez Fern=E1ndez whose current work "mixes and =20
hybridizes electronic and artistic media in a research devoted to the =20=

connections between sound, art and physiology."

=09
Analog Color Field Computer (ACFC)
by Gregory Shakar
"The Analog Color Field Computer (ACFC) is an interactive video and =20
sound installation that makes both minimal and maximal use of =20
computer monitors." Artist Gregory Shakar explains his ACFC whose =20
"conceptual and practical objectives centered around the theme of =20
Reclaiming the Video Screen."

=09
Web.Art's Nature
by Andrej Tisma
"...there is an apparent similarity between the Internet and web.art =20
concept and principle and some earlier forms of communicative art =20
such as mail-art in the early 60=92s and network art in the 80=92s." =20
Artist Andrej Tisma relocates the historical connection of Web.Art to =20=

Mail Art and the network movement.

=09
Exile as Noise - Noise as Exile
by Dror Feiler
"For me to be in exile, to be an immigrant is like being "NOISE" in =20
musical context....a person is here bodily pushed over borders by =20
forces beyond his or her control." Composer/musician Dror Feiler =20
draws a parallel between the state of exile and the musicality of =20
noise music.

[NET GALLERY]

Project for the Affirmation of the New
by Sylvia Grace Borda

Web Piece n=B01
by Assunta Ruocco

The Sonic Map of Battersea Park
by Gaya Gajewska

Thirteen Ways of Looking at a Blackbird
by Edward Picot

I Want to See All the News from Today
by Martin John Callanan

Hz is published by the non-profit organization Fylkingen in =20
Stockholm. Established in 1933, Fylkingen has been known for =20
introducing yet-to-be-established art forms throughout its history. =20
Nam June Paik, Stockhausen, Cage, etc. have all been introduced to =20
the Swedish audience through Fylkingen. Its members consist of =20
leading composers, musicians, dancers, performance artists and video =20
artists in Sweden. For more information on Fylkingen, please visit =20
http://www.fylkingen.se/about or http://www.hz-journal.org/n4/=20
hultberg.html

Sachiko Hayashi/Hz

=20=



DISCUSSION

Call for Articles and Net Art


Call for Articles and Net Art

On-line journal Hz (www.hz-journal.org) is looking for articles on
New Media, Net Art, Sound Art and Electro-Acoustic Music. We accept
earlier published and unpublished articles in English. Please send
your submissions to hz-journal@telia.com

Hz is also looking for Net Art works to be included in its virtual
gallery (www.hz-journal.org/netg). Please send your URLs to hz-
journal@telia.com

Dead-line: 20 November, 2007

Hz is published by the non-profit organization Fylkingen in
Stockholm. Established in 1933, Fylkingen has been known for
introducing yet-to-be-established art forms throughout its history.
Nam June Paik, Stockhausen, Cage, etc. have all been introduced to
the Swedish audience through Fylkingen. Its members consist of
leading composers, musicians, dancers, performance artists and video
artists in Sweden. For more information on Fylkingen, please visit
http://www.fylkingen.se/fylkeng.html or http://www.hz-journal.org/n4/
hultberg.html

Sachiko Hayashi/Hz

DISCUSSION

Hz #10


http://www.hz-journal.org

Hz #10 presents

[Articles]

OPEN SYSTEMS: A PERSPCTIVE ON THE DUTCH ELECTRONIC ARTS FESTIVAL 07
by laurie halsey brown
Intra-disciplinary hybrid practioner laurie hasely brown reports from
'Interact or Die!' the eighth edition of the Dutch Electronic Art
Festival by V2, the Institute for the Unstable Media in Rotterdam,
the Netherlands.

INTERVIEW WITH ART CLAY, ARTISTIC DIRECTOR OF ZURICH'S DAW07
by Rachael Watts
Art Clay, artistic director of the Digital Art Weeks organised by the
Swiss Federal Institute of Technology Zurich, in conversation with
Rachael Watts explains his view on the intersection between art and
new technologies.

THE VALORIZATION OF THE AUTHOR
by Michael Betancourt
Curator/avant-garde theorist/multi-disciplinary artist Michael
Betancourt re-examines Authorship in relation to recombinant/database
work and hyperlinking practice in blogs and social networking.

MODIFYING ART
by Andrew Y Ames
New Media artist Andrew Y Ames revisits the history of computer game
as modifying art, a continuation of the Fluxus tradition in which art
was conceived "'in the action rather than the object.'"

PLACE, SPACE AND SOUND
by Christian Horgren
With Stockhholm New Music Festival's '06 theme "Place and Space" as a
starting point, architect/critic/musician Christian Horgren examines
the relationship between the notion of space and music by tracing
examples in music history.

ART AND SOUND IN STOCKHOLM NEW MUSIC AND LARM-NORDIC SOUND ART FESTIVAL
by Sachiko Hayashi
The following works at 2 Stockholm festivals are discussed: Christina
Kubisch's "A History of Archives", Janet Cardiff's "Forty-Part
Motet", Steina Vasulka's "Violin Power" and Maia Urstad's "Radio
Concert."

[Net Art]

EXTRAGRAM (DISCRETE EVENTS IN NOISY DOMAINS)
by Tanja Vujinovic

DIE SCHUDAS
by Susanne Schuda

INVERTED AFFECTS
by Laura Bey

ENTANGLEGRIDS
by Jason Nelson

EPIGLOBIS
by Alexander Mouton

Hz is an on-line journal published by the non-profit art organization
Fylkingen in Stockholm. Established in 1933, Fylkingen is the oldest
forum for experimental music and intermedia art in Sweden. Throughout
its history Fylkingen has been known to be a driving force in the
Swedish art scene to introduce and promote yet-to-be-established art
forms, the examples of which include the music of Bartok, the video
works of Nam June Paik, Electro-Acoustic music during the '50s as
well as the New Media performance of Stelarc in recent years. Our
members are leading composers, musicians, dancers, performance
artists and visual artists in Sweden. For more information on
Fylkingen, please visit www.hz-journal.org/n4/hultberg.html.

Sachiko Hayashi/Hz

DISCUSSION

Call for Articles and Net Art


Call for Articles and Net Art

On-line journal Hz (www.hz-journal.org) is looking for articles on
New Media, Net Art, Sound Art and Electro-Acoustic Music. We accept
earlier published and unpublished articles in English. Please send
your submissions to hz-journal@telia.com

Hz is also looking for Net Art works to be included in its virtual
gallery (www.hz-journal.org/netg). Please send your URLs to hz-
journal@telia.com

Dead-line: 25 May, 2007

Hz is published by the non-profit organization Fylkingen in
Stockholm. Established in 1933, Fylkingen has been known for
introducing yet-to-be-established art forms throughout its history.
Nam June Paik, Stockhausen, Cage, etc. have all been introduced to
the Swedish audience through Fylkingen. Its members consist of
leading composers, musicians, dancers, performance artists and video
artists in Sweden.

For more information on Fylkingen, please visit http://
www.fylkingen.se/about or http://www.hz-journal.org/n4/hultberg.html

Sachiko Hayashi/Hz