sachiko hayashi
Since the beginning
Works in Falerum Sweden

PORTFOLIO (2)
BIO
works primarily with net art and video. Her works consistently aim at integrating use of technology and aesthetic/conceptual/social discourses. more info at www.e-garde.net
Discussions (28) Opportunities (14) Events (26) Jobs (0)
OPPORTUNITY

hz-journal.org open call for articles and net art


Deadline:
Sun Nov 01, 2009 00:00

On-line journal Hz (www.hz-journal.org ) is looking for articles on New Media, Net Art, Sound Art and Electro-Acoustic Music. We accept earlier published and unpublished articles in English. Please send your submissions to hz-journal@telia.com

Hz is also looking for Net Art works to be included in its virtual gallery (www.hz-journal.org/netg ). Please send your URL to hz-journal@telia.com

Deadline: 1 November, 2009

Hz is published by the non-profit organization Fylkingen in Stockholm. Established in 1933, Fylkingen has been known for introducing yet-to-be-established art forms throughout its history. Nam June Paik, Stockhausen, Cage, etc. have all been introduced to the Swedish audience through Fylkingen. Its members consist of leading composers, musicians, sound artists, dancers, performance artists and video artists in Sweden. For more information on Fylkingen, please visit http://www.fylkingen.se/about or http://www.hz-journal.org/n4/hultberg.html


EVENT

Hz #13


Dates:
Tue Jan 06, 2009 00:00 - Tue Jan 06, 2009

Hz
www.hz-journal.org

#13 presents:

[ARTICLES]

"Program" System of Digital Art:"BOOM! Fast and Frozen Permutation" - Taiwan-Australia New Media Art Exhibition
by Yu-Chuan Tseng
Yu-Chuan Tseng reports on Taiwan-Australia New Media Art Exhibition from the perspective: "An important element of digital computer technology ... has digital art features of aesthetic concepts and behavioral structure....'program' is an important factor in constructing the work."

Games: The Art of Making, Bending, and Breaking Rules
by Andrew Yashar Ames
"In interactive art, the observer and the work are constructed by rules that can be bent or broken, but cannot be absent." Andrew Y. Ames examines "Game-based art... [with] implied and explicit rules that artists expose and exploit for aesthetic and ideological purposes."

The Miracles of Feedback
by Mario van Horrik
"This paper deals with my fascination for acoustic feedback... I want to express my doubts, theories, and questions, as well as our motives and enthusiasm for using this medium." Sound artist Mario van Horrik explains his involvement over two decades with acoustic feedback experiments.

Hz vs Church
by Novi\_sad
Sound artist/composer Novi\_sad's project "'Hz vs Church' aims to use Churches (or other big sized public buildings) as post loudspeakers in order to create, unfold and play live various sounds which appear in the 'aural surface' by using and manipulating in real time different kinds of frequencies."

We are not alone
by Salvatore Iaconesi and Oriana Persico
"Network and information technologies, with a mutagen leap, directly connect the mind of the human being to hyper-contents and to hyper-contexts, creating perspectives that are totally new." Iaconesi/Persico on their projects which emerge as one of the possibilities/directions network technology brings forward.

Intimate Transactions: Close Encounters of Another Kind
by Tony Fry
"Crucially, the interactive intent of the work was to create a means to reflect upon a particular kind of experience - the experience of our being relationally connected as a collective body." Writer/theorist Tony Fry on Keith Armstrong(creative director)'s "Intimate Transactions," and its link to Ecosophy.

[NET ART]

Pollen Soup
by Pierre Proske

Sharedscapes - Points of View on Landscapes
by Grégoire Zabé

Cityscpes
by Myron Turner

Passivitate Imunitass (Activista)
by Poderiu

88 Constellations for Wittgenstein (To Be Played with the Left Hand)
by David Clark

-----------

Hz is an on-line journal published by the non-profit art organization Fylkingen in Stockholm. Established in 1933, Fylkingen is the oldest forum for experimental music and intermedia art in Sweden. Throughout its history Fylkingen has been known to be a driving force in the Swedish art scene to introduce and promote yet-to-be-established art forms, the examples of which include Bartok, John Cage, Nam June Paik, Electro-Acoustic Music as well as Stelarc in recent years. Our members are leading composers, musicians, dancers, performance artists and visual artists in Sweden. For more information on Fylkingen, please visit http://www.hz-journal.org/n4/hultberg.html


OPPORTUNITY

hz-journal.org


Deadline:
Tue Nov 25, 2008 00:00

On-line journal Hz (www.hz-journal.org) is looking for articles on New Media, Net Art, Sound Art and Electro-Acoustic Music. We accept earlier published and unpublished articles in English. Please send your submissions to hz-journal@telia.com

Hz is also looking for Net Art works to be included in its virtual gallery (www.hz-journal.org/netg). Please send your URL to hz-journal@telia.com

Deadline: 25 November, 2008

Hz is published by the non-profit organization Fylkingen in Stockholm. Established in 1933, Fylkingen has been known for introducing yet-to-be-established art forms throughout its history. Nam June Paik, Stockhausen, Cage, etc. have all been introduced to the Swedish audience through Fylkingen. Its members consist of leading composers, musicians, dancers, performance artists and video artists in Sweden. For more information on Fylkingen, please visit http://www.fylkingen.se/about or http://www.hz-journal.org/n4/hultberg.html


OPPORTUNITY

>A DIAMOND IN THE MUD<


Deadline:
Mon Sep 15, 2008 00:00

Location:
Switzerland

CALL FOR SHORT STEREOPHONIC SOUNDSCAPE & HOERSPIEL WORKS

>A DIAMOND IN THE MUD<
A Miniature Audio Exhibition of Stereophonic Soundscape & Hörspiel Works

PROJECT CONCEPT:
It is an Asian concept rooted in Buddhism that self-cultivation can be developed at home as a householder and is not merely confined to a temple or monastery. Buddhist believe that enlightened beings are those who "grew" out of the "mud" of the material world. So, like the lotus flower, which penetrates through sullied mud and water, but emerges unspoiled, enlightened beings are beautiful and pure even though they grow up in the material world. The phrase "a diamond in the mud" is an analogy for this and in keeping with it the Digital Art Weeks would like to issue this call to artists and to submit pre recorded works (Soundscape, Hörspiel, Poetry) in regard to the beautiful and the sullied. The works will be chosen on their ability to transcend the listeners into a "moment of tranquilly" and out of the confines of the everyday, or as expressed in the Diamond Sutra: "Dwell upon nothing and produce the pure mind."

PLAYBACK SYSTEM:
Constructed as a dock for Apple's famed iPod, the iCarta stereophonic audio playback system will be used to play back all of the selected works. The systems not only offers an interesting solution for public pod-casting, but it also acts uniquely as a bathroom dispenser for the indispensable: Le papier toilette.

- Art Clay, DAW, Artistic Director (c) 2008

DEADLINE: Moday, 15th September 2008. Notification of acceptance of proposals will be sent out on or before Monday, 22nd September 2008.

APLLICATION FORM:
http://www.digitalartweeks.ethz.ch/web/DAWPlus/SoundScape08

For more information regarding the call please write directly to: arthurclay@mac.com; for more on past Digital Art Weeks, please see: www.digitalartweeks.ethz.ch; for technical information on the iCarta, please see: http://www.atechflash.com


EVENT

Hz #12


Dates:
Thu Jul 10, 2008 00:00 - Thu Jul 10, 2008

Hz
www.hz-journal.org

#12 presents:

[ARTICLES]

Spectral Memories: the Aesthetics of the Phonographic Recording
by Dugal McKinnon
Sonic artist/Composer Dugal McKinnon examines the aesthetics of the phonographic recording: "how is the record, as a technology with a well-documented history, also a signifying medium that has generated certain meanings, and modes of aesthetic production and reception?"

_Augmentology Extracts_
by Mez Breeze
Futurist and cyber poet Mez Breeze explores concepts that shape and are shaped by an extensive range of online/synthetic encounters through the phenomena Reality Mixing, Game Addiction and Avatar Formation. Three extracts from augmentology.com

Sound Art and Public Auditory Awareness
by Ariel Bustamante
Ariel Bustamante explores the connection between Sound Art and public auditory sensibilities by reviewing works by Max Neuhaus, Sam Auinger and Bruce Odland, Christina Kubisch, and Scout Arford and Randy Yau.

Second Lives, Virtual Identities and Fragging
by Matthew Board
"The use of the virtual identity, whether through Second Life, the persona of the hacker or an online identity gives the digital artist the freedom to explore creative strategies that would otherwise be much more difficult to realize. " Matthew Board investigates online art practice.

YMYI - You Move You Interact
by João Martinho Moura and Jorge Sousa
"YMYI (You Move You Interact) is an interactive installation, where one is supposed to build up a body language dialogue with an artificial system so as to effectively achieve a synchronized performance between the real user's body and the virtual object itself."

Pixelgrain
by John Grande
Writer John Grande's essay on "Pixelgrain" project by the artists Michael Alstad and Leah Lazariuk, an online repository of documents and ideas linked to the fading symbol of the Canadian prairie grain elevator.

[NET ART]

Spamology
by Irad Lee

Self-Portrait
by Ethan Ham

All The News
by Jody Zellen

MyNovel.org
by Alan Bigelow

Nothing At All (Here)
by Jeremy Hight

-----------

Hz is an on-line journal published by the non-profit art organization Fylkingen in Stockholm. Established in 1933, Fylkingen is the oldest forum for experimental music and intermedia art in Sweden. Throughout its history Fylkingen has been known to be a driving force in the Swedish art scene to introduce and promote yet-to-be-established art forms, the examples of which include Bartok, John Cage, Nam June Paik, Electro-Acoustic music during the '50s as well as Stelarc in recent years. Our members are leading composers, musicians, dancers, performance artists and visual artists in Sweden. For more information on Fylkingen, please visit http://www.hz-journal.org/n4/hultberg.html.