The Temporary Travel Office produces a variety of services relating to tourism and technology aimed at exploring the non-rational connections existing between public and private spaces. The Travel Office has operated in a variety of locations, including Missouri, Chicago, Southern California and Norway.
On the topic of convergences between cybernetics and design, there's also the rather wild Chilean Cybersyn project.
In 1970, Dr. Salvador Allende was elected President of Chile. Against the wishes of the United States, Allende and his Popular Unity government hoped to create "the Chilean Way to Socialism," La vía chilena al socialismo. Allende and Fernando Flores, his 29-year-old minister of finance (now philosopher and management consultant) were faced with the challenge of managing newly nationalized industry but hoped to avoid the top-down methods of the Soviet model. As a doctor, Allende was attracted to scientific methods and when Flores proposed a technocratic means of controlling the industry, he agreed, hiring on his recommendation British management guru/scientist/visionary Stafford Beer to create Project Cybersyn, a system with which to monitor the output of factories, the flow of materials, rates of absenteeism, and other indicators on a daily basis.
Through Project Cybersyn, Beer hoped to implant an electronic "nervous system" into Chilean society. The country would be linked together via a vast communications network to create what the Guardian calls a "socialist Internet." Finding about 500 abandoned TELEX machines in a factory, Beer networked these together to a provide input for software written by Chilean engineers in consultation with British engineers from Arthur Anderson called Cyberstrider that used Bayesian statistics to create a self-learning control system.
RADICAL SOFTWARE a cura di / curated by Domenico Quaranta
---------------------------------------------------- PIEMONTE SHARE FESTIVAL 2006 - LIMITLESS TORINO, ACCADEMIA ALBERTINA, 08.03.2006 - 12.03.2006 web. http://www.toshare.it/ - mail. email@example.com ----------------------------------------------------
ENGLISH VERSION BELOW
][MEZ][ [net]blog to log][ah!rhythm][, 2006 - http://www.livejournal.com/users/netwurker/
[EPIDEMIC] AntiMafia, 2003 - http://epidemic.ws/antimafia/
AMY ALEXANDER Scream, 2005 ��'�" http://scream.deprogramming.us/
CORY ARCANGEL (BEIGE) + PAPER RAD Super Mario Movie, 2005 - http://beigerecords.com/cory/
MARKETA BANKOVA Scribble, 2005 - http://www.initialnews.com/scribble
WAYNE CLEMENTS un_wiki, 2006 - http://www.in-vacua.com/un_wiki.html
GUERRIGLIAMARKETING.IT + MOLLEINDUSTRIA.IT Where-next, 2005 - http://www.where-next.com/
PETER LUINING Window, 2005; Giant Cursor, 2005; 100 windows, 2005 - http://works.ctrlaltdel.org/
K-HELLO Wasteoftime, 2003 - http://www.k-hello.org/wasteoftime/itindex.htm
MOLLEINDUSTRIA.IT McDonalds Videogame, 2006 ��'�" http://www.molleindustria.it/
ROVEBOTICS Bush Bot 0.4, 2004 - http://www.bushbot.ath.cx/
UBERMORGEN.COM featuring ALESSANDRO LUDOVICO & PAOLO CIRIO GWEI [Google Will Eat Itself], 2005 ��'�" http://www.gwei.org/
If we leave aside its historical precedents, Software Art, in its classical definition formalized by the Jury Statement of "Transmediale 2001"  and extended by Florian Cramer , saw the light in 1997 with The Web Stalker of the English Group I/O/D and with the theoretical speculation started by one of the software authors, Matthew Fuller. Right from this first example and definitions, Software Art reveals its radical nature. The fact itself of transforming software from a mere instrument into "subject" and "content" of a cultural and artistic reflection represents a Copernican revolution liable to be considered as heresy. Similarly heretic is the idea of adopting a language (HTML), a protocol of communication (HTTP) and the whole system of cultural objects (the web) and make them visible in a ...
Invitation to Create and Exhibit Posters
You are invited to create posters through Andy Deck's Imprimatur http://turbulence.org/Works/imprimatur/. All posters created during February, March and April will be displayed at HTTP Gallery and the surrounding public spaces for the next exhibition, 'Open Vice Virtue: the online art context'. Also photographs of posters displayed in public locations will be documented on the HTTP website. So please download, print out and paste up archived posters in your own localities - send your photos to info[at]http.uk.net
"Imprimatur consists of an online 'groupware' for poster illustration and layout accessible through a computer workstation installed in the gallery space. Visitors can use the software to create their own poster in collaboration with their online counterparts. This piece provides a framework for visitors/ participants to launch a personal poster campaign based on their own social and political concerns. This DIY approach revives the tradition of poster-making as a medium of mass communication and persuasion developed during the 20th century. The posters will by displayed as part of the exhibition and will circulate freely beyond the gallery walls, appearing in surrounding streets, schools, libraries, kitchens and bedrooms."
A hugely important topic. Much of what we enjoy about the Internet is hardwired into law. Now telecom providers try to speed up their own services over that of others using (and already paying for) their network. Recently, I was surprised how little debate with the Verizon representative there was when I cancelled my home phone with them. "I am just using my cell phone." They were just fine with that as they also occupy the cell phone market. (Try canceling your American Express credit card: good luck. It will take at least 20 minutes until they take no for an answer.) On C-Span I followed the debate on Internet Neutrality. The proposal was that congress should pass law forbidding discrimination against competing Web services. The CEO of Google and Larry Lessig, among others, gave testimony. If a company like Google introduces video applications- should they (ie. Google) have to pay the ISP for the extra bandwidth that the users of this service use up? The same issue comes up with voice over (ip)telephony. Download Lessig'a testimony here (pdf).
If you google Reality Hacking, the highest ranked site is Swiss artist Peter Regli's realityhacking.com Regli has been working on the theme of "Reality Hacking" for ten years now, undertaking subtle, humorous, weird, and sometimes not-so-subtle interventions into everyday reality that he subsequently records on his site. More about Regli in this ArtForum article.
CUP's office is now located in a potential SUPERFUND SITE. Superfund is a federal program that investigates and cleans up the most complex uncontrolled or abandoned hazardous waste sites in the country. There are over 1,331 final and proposed sites on the National Priorities List (NPL), and thousands more wait for approval. Earlier this year, the Environmental Protection Agency proposed adding the Gowanus Canal to this list.
Please join the Center for Urban Pedagogy (CUP), and Urban Omnibus for a different kind of Superfund discussion. Artist Brooke Singer, advocate Anne Rabe, and historian Sarah Vogel will discuss the history of the Superfund program, the politics of designation, and the changing legal definitions of toxins, risk, and responsibility. Local experts will also give updates on the status of the Gowanus’ designation.
Anne Rabe is the BE SAFE campaign coordinator for the Center for Health, Environment, and Justice. Anne has 25 years of organizing experience on environmental and social justice issues. From 1990 to 2003, she was director and co-founder of Citizens' Environmental Coalition, a statewide grassroots organization in New York State helping communities harmed by toxic pollution and organizing campaigns on State Superfund, radioactive waste disposal, Kodak's dioxin pollution, and other issues. She has received eight state and national awards for her work.
Brooke Singer is a media artist who lives in New York City. Her work blurs the borders between science, technology, politics, and arts practices. She works across media to provide entry into important social issues that are often characterized as specialized or opaque to the general public. She is currently Assistant Professor of New Media at Purchase College, State University of New York, and co-founder of the art, technology, and activist group Preemptive Media. She recently created Superfund365, an online data visualization and communication tool that highlights 365 of the worst toxic sites across the U.S.:
Sarah Vogel is currently the Program Officer for the Environmental Health program at the Johnson Family Foundation. She received her PhD from Columbia University’s Department of Sociomedical Sciences. Her dissertation, The Politics of Plastics: The Molecular Biography of Bisphenol A, tells the history of the science and politics of this chemical, used in plastics production since the 1950s, known to have estrogen-like properties, and now found in the vast majority of American bodies. Her research and writing considers the question of how we all became a little plastic and the changing meaning of chemical risks and safety over time.
Risk, Responsibility, and Toxins in the Landscape
Tuesday, July 7, 2009, 7-9 pm
The Old American Can Factory (In the courtyard, weather permitting)
232 Third St at Third Ave
Free and open to the public, RSVP to firstname.lastname@example.org
The People and Buildings series is made possible with public funds from the New York City Department of Cultural Affairs and by the New York Council on the Humanities, a state affiliate of the National Endowment for the Humanities.
We have released on Public Record the fourth and final collection of one-minute audio responses to the question: What is the sound of the war on the poor? This instalment in the series features recordings from the below contributors and can be linked to directly at; http://publicrec.org/archive/2-06/2-06-005/2-06-005.html
Pablo Alvarez, Basingstoke, UK
Ava Bromberg, Los Angeles
Sean Burn, Newcastle Upon Tyne, U.K.
William Crisp, The Heygate Estate
Elders of Zion, Milan/Seattle
Ismail Farouk, Johannesburg
GitAr, Santa Rosa, California
Susanne Lang & Franziska Frielinghaus, Berlin
Augusto Palma, Mérida, México
Andrew Poppy, London
Ilich Sabotage, Tijuana
Starry Zafara, Melbourne
T Ernest Wilbey, London
Union de Vecinos, Los Angeles
All sixty contributions are be available for free download at www.publicrec.org and are licensed under Creative Commons.
For those of you who receive the music magazine THE WIRE, you probably saw the half-page ad we placed in the June issue to publicize the series. I have attached a GIF version of the advertisement for your archive.
Thanks to everyone for contributing to the series! I welcome feedback from everyone on the overall experience of hearing the pieces and organizing your own sound of the war on the poor.
U L T R A - R E D
PO Box 291578
Los Angeles, CA 90029
Info Secretary Blog: blog.myspace.com/publicrec
MySpace Page: www.myspace.com/publicrec
Thousand Kites is excited to offer community radio stations and individuals the 9th annual national radio program Calls from Home. The program features phone calls from mothers and children, brothers and grandparents, sharing the intimate power of families speaking directly to their incarcerated loved ones. Calls from Home, produced in the coalfields of central Appalachia, reaches a national network of prisoners, their loved ones and public listeners through community radio in an effort to educate the public about the criminal justice system.
GET INVOLVED with our national radio broadcast for prisoners: CALLS FROM HOME. This year there are 5 ways you can participate!
1) Help spread the word in your community about when and how to call in
2) Contact your local community radio station and ask them to broadcast CALLS FROM HOME
3) Send your shout-out to your friend or family member inside
4) Host a CALLS FROM HOME House Party and listen to the 10-minute Special Broadcast
5) If you're local in Whitesburg, stop by and help us mail postcards!
Check out the CALLS FROM HOME event page to learn more details about these 5 steps!
Have you wanted to host a film screening of Up the Ridge, or stage a reading of the Thousand Kites play but it just seemed too hard? Well now there's help! Check out our new Facilitation Guide on our website (www.thousandkites.org) to learn the easy steps you can take to launch Thousand Kites in your community!
How does the criminal justice system affect your community? Maybe you have been incarcerated or have a loved one who has been incarcerated. Maybe you work inside a prison. Maybe you're just concerned about the growing prison population in the United States. What do you want the public to know about your experience? What story do you have to share?
Be part of the dialogue.
Call toll-free 877-518-0606.
Share your story today.
It has been a while since we last wrote you and we have some exciting things to report.
Temporary Services has started our own publishing house and online store: Half Letter Press. With that, we have just released our first self-published book. It is titled Public Phenomena and let us tell ya, it looks beautiful! 152 glossy full color pages. We can't wait for you to see it.
This book is the result of over ten years of photographic documentation and research on the variety of modifications and inventions people make in public. From roadside memorials to makeshift barriers, people consistently alter shared common spaces to suit their needs, or let both man-made and natural aberrations run wild. The result is a new kind of public space - with creative and inspiring moments that push past the original planned design of cities.
Images and text by: Temporary Services, Polonca Lovšin, Joseph Heathcott & Damon Rich, Boštjan Bugaric, Ana Celigoj, Maša Cvetko, Marko Horvat, Meta Kos, Darjan Mihajlović, Danijel Modrej, Maja Modrijan, and Sonja Zlobko
You can purchase the book directly from us for $15.000 using Paypal:
Half Letter Press takes its name from the half of a "Letter"-size sheet of paper printing format that we have used for nearly ten years and 80 publications. In addition to publishing books, which will include books by other authors in the future, Half Letter Press was created to better distribute our own work and the work of other creative people whose work we admire. We have created a online store toward this end:
This endeavor is just getting started. We hope you'll check back regularly. The store is the first step in building long-term independent infrastructure for supporting the work of others. You can read more of our ideas about this here:
Half Letter Press offers volume discounts for multiple copies of Public Phenomena. We also offer a variety of alternative payment methods including trading. Please consider telling your book and booklet-loving friends about us! If you make something you feel we should sell, or if you would like to help us distribute our new book Public Phenomena, please get in touch.
Thank you and all the best,
Temporary Services / Half Letter Press
(Brett Bloom, Salem Collo-Julin, Marc Fischer)
P.O. Box 121012
Chicago, IL 60612 USA
Fire displaces youth media makers and residents
West Town's Street Level planning next moves
By MICAH MAIDENBERG
At least four West Town residents and a prominent youth media organization based in the neighborhood have been displaced following a major fire at 1856 W. Chicago early Sunday morning.
No one was hurt in the blaze, which drew at least 100 firefighters and multiple trucks to the block. Firefighters saved one woman from the third floor of the building, said department spokesman Richard Ricardo. He did not immediately know its cause.
The fire has left Street Level Youth Media, based in the building since 1997, with an unexpected challenge. Manwah Lee, executive director of the organization, said the space is unusable. Staffers are currently sifting through the wreckage.
"It's not only a resource for young people, but a resource for the community," Lee said. "It's a great loss for all of us."
She estimated a minimum loss of $150,000 in production equipment, computers, office supplies and furniture.
The group's programming has been affected. An after-school initiative called Neutral Ground-which offered a computer lab, free Internet access and drew an average of 35 students a day to the building's storefront-is shuttered. A lab used for math tutoring and community events is ruined.
Other programs are continuing elsewhere. An audio and radio production course have relocated to a nearby music studio. Programs run at various Chicago Public Schools locations haven't been affected either, Lee said.
Lee said the organization is trying to determine if they'll be able to reopen on in their longtime location on Chicago Avenue or whether the organization will move elsewhere.
"We're optimistic about moving forward and rebuilding," Lee said.
Street Level Youth Media was founded in West Town in 1993 and provides media and technology education for young people from across the city. A fall course schedule posted online shows radio, audio and television production classes, and even a DJ workshop. The group has a bevy of partnerships with various non-profits, public schools, city agencies and arts organizations.
Paul Tereul, a director at Columbia College's Center for Community Arts Partnerships and a co-founder of Street Level, said the group has an important place in the youth media scene in Chicago. The group opened one of Chicago's first free internet cafes back in the 1990s, he said, and teachers from the organization have spun off new groups like Co-op Image and Free Spirit Media.
"It's going to take help and effort of a lot of people out there," he said. "It's more than just material things burned. The youth in hood do not have a center to go."
Lee said after clean-up and salvage, Street Level will approach funders and supporters about grants and next steps. Those wishing to contribute to the organization can mail donations to 1856 W. Chicago or call Lee at 773-862-5331. Their Web site, www.street-level.org, has an online donation option.
"It's definitely one of the biggest challenges," the group has faced, Lee said. "It's hard to compare this to anything else."