PORTFOLIO (4)
BIO
Nick Yulman works with sound and interactive media in a variety of contexts including installation art, oral history and music. He has presented his work at venues in New York and beyond including the ISE Cultural foundation, Smack Mellon, Flux Factory, UnionDocs, The Museum of the Moving Image and the Coney Island Museum.

In the spring of 2010, Yulman was artist in residence at the Centre for Contemporary Art
Ujazdowsky Castle in Warsaw, Poland through Art in General’s Eastern European
Residency Exchange Program. He received a NYSCA distribution grant to produce a record documenting the work created during this residency.

In 2011 Yulman worked with the North Brooklyn Public Art Coalition to create "No Bills", a public sound installation, situated in construction fences, featuring oral histories of long-term residents of Williamsburg and Greenpoint.

“Coppercussion/Papercussion”, his collaboration with printmaker Hope Dector won the audience choice award at the 2012 Dumbo Arts Festival.

Professionally, Yulman spent five years working with the national oral history project
StoryCorps, traveling the United States recording interviews, managing the organization’s Recording and Archive department and consulting on a variety of projects.
He received a BA from Wesleyan University and is currently a student at NYU’s Interactive Telecommunication Program.

Additional information at http://www.nysoundworks.org

Discussions (3) Opportunities (0) Events (0) Jobs (0)
DISCUSSION

101 Cassette Labels


hey ceci,

i should have prefaced my comment by saying how great this post is -- so much to explore here. didn't mean to be negative. i totally get that this is about a pretty specific phenomenon of indie/experimental labels that are choosing to stick with cassettes in the digital era. i just felt the intro, where you set the context for how cassettes have been embraced by music makers operating outside of the mainstream over the years, could have mentioned mixtapes as an iconic example. they filled an interesting place -- somewhere between home studio experiments and documentation of live sets.

you can find rips on a bunch of blogs. like this one:
http://djsoulnyc.blogspot.com/search/label/Mixtape%20Wednesdays

this site has an amazing collection of 80s mixtapes taped off pirate radio in london
http://www.mastermix.org/

and for kicks: "MixTapes" by the Nonce
http://www.youtube.com/watch?v=AY5U6vPusEM

in addition to awesome tapes i like this site for african cassette rips:
http://aduna.free.fr/aduna.blog/blog.htm


DISCUSSION

101 Cassette Labels


Monster K7 in Paris: http://www.monsterk7.com/

Also, seems weird not to mention hip hop mix tapes in this post -- usually cd or download these days but this was a huge part of cassette culture. Hank Shocklee from Public Enemy talks about how he still uses cassette dubs as a compressor effect in his digital mixes. And of course cassettes are still really popular as a format throughout Africa and Asia... definitely not just for Americans with esoteric taste!